Big Up Clash
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Big Up Clash
''Big Up Clash'' was the second release of ska punk bands Shootin' Goon and Lubby Nugget Featuring five tracks from Goon, with influences ranging from punk rock to traditional ska and rocksteady, including a cover version of Lubby Nugget's "Flesh Pimp". Huddersfield's Lubby Nugget also supplied five songs including two thrash punk style songs and the reggae Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use ... live favourite "Cheeky Little Number" as well as supplying a cover version of Shootin' Goon's "Plain To See" and a Dub mix of their track "SDW" entitled "S.D. Dub L.U." Track listing Shootin' Goon # "Victim to Yourself" # "Boss Man" # "Road Tripped" # "Pen 15" # "Flesh Pimp" Cover of Lubby Nugget's track off their album 'Subtle Crucial' Lubby Nugget # X 3 + 1 # A Cheek ...
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Shootin' Goon
Shootin' Goon were a Welsh ska punk outfit of the late 1990s and early 2000s who were signed to the label Moon Ska Europe and later Good Clean Fun Records. Shootin' Goon released their debut album ''Splottside Rocksteady'' in 2000, with the title inspired by the Splott area of the band's hometown of Cardiff. The band later signed to lead singer Matt's own record label Good Clean Fun Records, and released the '' Left for Dead'' EP in 2003. The EP was reviewed by skateboarder Bam Margera for rock magazine ''Kerrang!'', in which he declared "I thought I was at the fucking circus!" prompting the band to sell T-shirts with the quote printed on them. The band broke up in 2004 following a self-organised tour. Following the band's demise Matt became manager of fellow Cardiff band Adequate Seven. The band reformed for a one off show in support of Adequate Seven on their last gig in Cardiff on 10 December 2006. Lineup Original lineup (1998): *St. John of Caerphilly - vocals (left ju ...
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Ska Punk
Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music together. (sometimes spelled skacore) is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 tone and ska with hardcore punk. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid-1990s. Before ska punk began, many ska bands and punk rock bands performed on the same bills together and performed to the same audiences. Some music groups from the late 1970s and early 1980s, such as the Clash, the Deadbeats, the Specials, the Beat, and Madness fused characteristics of punk rock and ska, but many of these were either punk bands playing an occasional ska-flavored song, or are usually considered 2-tone ska bands who played faster songs with a punk attit ...
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Moon Ska Europe
Moon Ska World, formerly known as Moon Ska Europe, is a ska record label based in the United Kingdom. It was founded in 1998 as the European sister label of the defunct American label Moon Ska Records, which was owned by Robert "Bucket" Hingley of The Toasters. Moon Ska World is a licensed affiliate run by Lol Pryor, the former Dojo Records and Link Records head. Due to illnesses in both Pryor and the other principal owner, Sonia "Red" Bailey, as well as deaths in their families, the label was put on hold until 2006, when Pryor changed its name to Moon Ska World and began running the label on his own. Unlike its American counterpart, Moon Ska Europe released bands from genres outside of ska, but in 2006, the label shifted its focus exclusively towards ska and old reggae. In addition to releasing more than thirty albums licensed from Moon Ska Records, as well as early albums by The Mighty Mighty Bosstones and Buck-O-Nine, Moon Ska Europe released albums by Spunge (who later signed ...
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Splottside Rocksteady
''Splottside Rocksteady'' is the debut album of Welsh ska band Shootin' Goon. The album title was inspired by the Splott area of the band's hometown Cardiff. It was released on July 31, 2000 by Moon Ska Europe and has received critical acclaim from the likes of ''Kerrang!'' and ''Metal Hammer''. Track listing # "Rick Loves Jo" # "Bradley" # "My Art" # "Back Again" # "To Anyone" # "Prove Yourself" # "Wootini" # "Black and Blue" # "Fallin'" # "Changes" # "Creeps" # "Late Night Rumbles" # "Plain to See" # "YMCA" Line Up (at time of recording) James Alexander - Vocals Paul Hewett - Guitar Jimi Hewett - Bass Sam Kendall - Drums James Watkins - Trumpet Dan - Saxophone Tom Harle - Trombone Earlier sessions included Dan Jones on Trombone and Jon Saunders on Vocals. External linksmyspace.com/shootingoon
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Left For Dead (EP)
Shootin' Goon were a Welsh ska punk Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music together. (sometimes spelled skacore) is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 tone and ska with hardc ... outfit of the late 1990s and early 2000s who were signed to the label Moon Ska Europe and later Good Clean Fun Records. Shootin' Goon released their debut album ''Splottside Rocksteady'' in 2000, with the title inspired by the Splott area of the band's hometown of Cardiff. The band later signed to lead singer Matt's own record label Good Clean Fun Records, and released the ''Left for Dead (EP), Left for Dead'' EP in 2003. The EP was reviewed by skateboarder Bam Margera for rock magazine ''Kerrang!'', in which he declared "I thought I was at the fucking circus!" prompting the band to sell T-shirts with the quote printed on them. The band broke up in 2004 following a self-organised tour. Fol ...
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Ska Punk
Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music together. (sometimes spelled skacore) is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 tone and ska with hardcore punk. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid-1990s. Before ska punk began, many ska bands and punk rock bands performed on the same bills together and performed to the same audiences. Some music groups from the late 1970s and early 1980s, such as the Clash, the Deadbeats, the Specials, the Beat, and Madness fused characteristics of punk rock and ska, but many of these were either punk bands playing an occasional ska-flavored song, or are usually considered 2-tone ska bands who played faster songs with a punk attit ...
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Rocksteady
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term ''rocksteady'' comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today. Characteristics The Jamaican musicians and producers who developed the rocksteady sound and ska were well-versed in jazz and influenced by other genres, most notably rhythm and blues, and by Caribbean music plus African m ...
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Huddersfield
Huddersfield is a market town in the Kirklees district in West Yorkshire, England. It is the administrative centre and largest settlement in the Kirklees district. The town is in the foothills of the Pennines. The River Holme's confluence into the similar-sized Colne to the south of the town centre which then flows into the Calder in the north eastern outskirts of the town. The rivers around the town provided soft water required for textile treatment in large weaving sheds, this made it a prominent mill town with an economic boom in the early part of the Victorian era Industrial Revolution. The town centre has much neoclassical Victorian architecture, one example is which is a Grade I listed building – described by John Betjeman as "the most splendid station façade in England" – and won the Europa Nostra award for architecture. It hosts the University of Huddersfield and three colleges: Greenhead College, Kirklees College and Huddersfield New College. The town ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ...
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