Big Jim Wynn
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Big Jim Wynn
James A. Wynn Jr. (June 21, 1908 – July 19, 1977), known as Big Jim Wynn, was an American jump blues saxophonist, pianist and bandleader. Life and career Born in El Paso, Texas, he moved with his parents to Los Angeles when he was a baby. He learned piano and clarinet, before switching to tenor saxophone in his teens. He began playing in clubs in Watts, where he started playing jazz and swing music, and formed his own band in the mid-1930s, with his friend T-Bone Walker, who was initially known as a dancer, on guitar and vocals.Dave Penny, "Jim Wynn", ''Black Cat Rockabilly''
Retrieved 30 November 2016
He made his first recordings for the 4 Star and
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El Paso, Texas
El Paso (; "the pass") is a city in and the county seat, seat of El Paso County, Texas, El Paso County in the western corner of the U.S. state of Texas. The 2020 population of the city from the United States Census Bureau, U.S. Census Bureau was 678,815, making it the List of United States cities by population, 23rd-largest city in the U.S., the List of cities in Texas by population, sixth-largest city in Texas, and the second-largest city in the Southwestern United States behind Phoenix, Arizona. The city is also List of U.S. cities with large Hispanic populations, the second-largest majority-Hispanic city in the U.S., with 81% of its population being Hispanic. Its metropolitan statistical area covers all of El Paso and Hudspeth County, Texas, Hudspeth counties in Texas, and had a population of 868,859 in 2020. El Paso has consistently been ranked as one of the safest large cities in America. El Paso stands on the Rio Grande across the Mexico–United States border from Ciuda ...
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Claude Trenier
The Treniers (pronounced /trəˈniərz/) were an American R&B and jump blues musical group led by identical twins Cliff and Claude Trenier. They were originally billed as the Trenier Twins, who performed alongside the Gene Gilbeaux Quartet, but shortened their name to the Treniers when Gilbeaux and other musicians became integral members of the group. Besides the Trenier brothers, group members included Don Hill on saxophone, Shifty Henry and later James (Jimmy) Johnson on bass, Henry (Tucker) Green on drums and Gene Gilbeaux on piano. Later, additional Trenier brothers Milt and Buddy, and nephew Skip, joined the group on vocals, and there were many other musician and line-up changes over the years including Herman Washington and Mickey Baker on guitar. Career The band was based around twins Clifton L. "Cliff" Trenier (July 14, 1919 – March 2, 1983) and Claude Oliver Trenier (July 14, 1919 – November 17, 2003). They were born in Mobile, Alabama, and formed the A ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Session Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres an ...
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Chuck Norris (guitarist)
Charles Eldridge Norris (August 11, 1921 – August 26, 1989) was an American jazz and blues guitarist. Biography Norris was born in Kansas City, Missouri, and raised in Chicago, where he was tutored in music composition and performance by Walter Dyett. He moved to Los Angeles in the mid-1940s, played in nightclubs, and developed a reputation as a session musician in Hollywood. He released some recordings under his own name in the late 1940s and early 1950s. He also accompanied the singers Percy Mayfield and Floyd Dixon and for some time played in the Johnny Otis Orchestra. He also worked with such performers as Amos Milburn, Dinah Washington, and Little Richard.Chadbourne, EugeneBiography Allmusic.com. Retrieved 3 November 2016. In 1980, he recorded a live album, ''The Los Angeles Flash'', in Gothenburg, Sweden. Norris died in Tustin, California, in 1989. Tribute The Swedish rock band The Chuck Norris Experiment claim to have taken their name from the guitarist, who ...
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Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including mus ...
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Mercury Records
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. In the United States, it is operated through Republic Records; in the United Kingdom and Japan (as Mercury Tokyo in the latter country), it is distributed by EMI Records. Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records). Background Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and ...
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Jay McNeely
Cecil James "Big Jay" McNeely (April 29, 1927 – September 16, 2018) was an American rhythm and blues saxophonist. Biography Inspired by Illinois Jacquet and Lester Young, McNeely teamed with his older brother Robert McNeely, who played baritone saxophone, and made his first recordings with drummer Johnny Otis, who ran the Barrelhouse Club that stood only a few blocks from McNeely's home. Shortly after he performed on Otis's "Barrel House Stomp." Ralph Bass, A&R man for Savoy Records, promptly signed him to a recording contract. Bass's boss, Herman Lubinsky, suggested the stage name Big Jay McNeely because Cecil McNeely did not sound commercial. McNeely's first hit was "The Deacon's Hop," an instrumental which topped the ''Billboard'' R&B chart in early 1949. Big Jay McNeely performed for the famed fifth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles produced by Leon Hefflin, Sr. on July 10, 1949. It was at this concert that McNeely and Lionel Hampton got int ...
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Sideman
A sideman is a professional musician who is hired to perform live with a solo artist, or with a group in which they are not a regular band member. The term is usually used to describe musicians that play with jazz or rock artists, whether solo or a group. Sidemen and sidewomen are generally required to be adaptable to many different styles of music, and so able to fit smoothly into the group in which they are currently playing. Sidemen and sidewomen are typically led by the group's bandleader, or, if there is no bandleader, by the lead singer. While many artists can work as sidemen or session musicians, others will only fill one role. The generally accepted difference is that a sideman performs live while a session musician is hired to perform in a recording studio. Career progression Often aspiring musicians start out as sidemen, playing rhythm guitar, comping on keyboards, or playing drum kit in the rhythm section or singing backing vocals for a well-known bandleader or s ...
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Supreme Records (Los Angeles)
Supreme Records was a small, independent record label based in Los Angeles that existed from 1947 to 1950. It was founded by dentist Albert Patrick and specialized in rhythm and blues. Its artists included Jimmy Witherspoon, Paula Watson, Buddy Tate, Eddie Williams and his Brown Buddies (with Floyd Dixon), Big Jim Wynn, and Percy Mayfield. Hits Supreme's two greatest hits were Paula Watson's " A Little Bird Told Me," which sold over a million copies, and Jimmy Witherspoon's version of "Ain't Nobody's Business," recorded on Albert Patrick's request, which lasted 34 weeks on ''Billboard's'' Rhythm & Blues hit list. Lawsuits Supreme got involved in a costly lawsuit against Decca for copyright infringement on the arrangement of Paula Watson's version of " A Little Bird Told Me," with their version of Evelyn Knight. The judge ruled in favor of Decca, stating that arrangements on an existing composition cannot be considered as property. He also stated that the arrangement on Watson' ...
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Specialty Records
Specialty Records was an American record label founded in Los Angeles in 1945 by Art Rupe. It was known for rhythm and blues, gospel, and early rock and roll, and recorded artists such as Little Richard, Guitar Slim, Percy Mayfield, and Lloyd Price. Rupe established the company under the name Juke Box Records but changed it to Specialty in 1946 when he parted company with a couple of his original partners. Rupe's daughter, Beverly, restarted the label in the 1980s. The major producers for the label were Rupe, Robert "Bumps" Blackwell, Johnny Vincent and J. W. Alexander. Rupe was known for hating the practice of payola, but by 1953, "the only way for Specialty to remain competitive was to pay like everybody else." Specialty owned music publishing companies: Venice Music for BMI-licensed songs, and Greenwich Music for ASCAP-licensed songs. The record label was sold to Fantasy Records in 1991 and is now part of the Concord Music Group. The music publishing unit was sold to So ...
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Modern Records
Modern Records (Modern Music Records before 1947) was an American record company and label formed in 1945 in Los Angeles by the Bihari brothers. Modern's artists included Etta James, Joe Houston, Little Richard, Ike & Tina Turner and John Lee Hooker. The label released some of the most influential blues and R&B records of the 1940s and 1950s. History In the beginning, Modern bought master recordings from other small labels. The Biharis also often used pseudonyms to give themselves writing credit on songs. Having started as an R&B label, Modern was later one of the few R&B labels to routinely cover rhythm and blues hits on other labels, apparently in an attempt to broaden their appeal and reach the popular market. In 1958, the Bihari brothers formed Kent Records and stopped issuing records on Modern. In 1964, the Modern was revived and the Ikettes released a few successful singles in 1965, but the company became bankrupt a few years later and ceased operations. The catalog wen ...
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