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Big Blind Bluesy
''Big Blind Bluesy'' is an album by American guitarist Pat Donohue that was released in 1994. Track listing #"Trouble in Mind" (Richard M. Jones) – 3:39 #"I Never Cried" (Teddy Darby) – 3:03 #"Long Tall Mama" (Big Bill Broonzy) – 3:09 #"Michigan Water" (Jelly Roll Morton, Clarence Williams) – 4:29 #"Too Tight Rag" (Blind Blake) – 3:00 #"Blind Lemon Extract" (Pat Donohue) – 3:23 #"Statesboro Blues" (Blind Willie McTell) – 3:35 #"St. Louis Blues" (W. C. Handy) – 4:21 #"Old Lady" (Donohue) – 1:27 #"Weeping Willow Blues" (Blind Boy Fuller) – 2:58 #" Kind Hearted Woman" (Robert Johnson Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generati ...) – 3:58 #"Big Blind Bluesy" (Donohue) – 3:02 Personnel *Pat Donohue – guitar References {{Authority control 1989 albums ...
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Pat Donohue
Patrick Donohue (born April 28, 1953) is an American Fingerstyle guitar, fingerstyle guitarist born in St. Paul, Minnesota, St. Paul, Minnesota. He is a Grammy Award for Best Pop Instrumental Album, Grammy nominated, Walnut Valley Festival, National Fingerpicking Guitar Champion songwriter. Donohue has several albums to his credit and his songs have been recorded by Chet Atkins, Suzy Bogguss, and Kenny Rogers. He has performed on ''A Prairie Home Companion'' for many years. Biography Donohue grew up in St. Paul but moved to Denver, Colorado in 1971 to study at Regis College (now Regis University). After two years at Regis, he transferred to Marquette University in Milwaukee, Wisconsin. After his graduation in 1975, he returned to Denver. Donohue was influenced early in his career by blues guitarists Robert Johnson (musician), Robert Johnson, Mississippi John Hurt, and Blind Blake. He listened to folk singers Bob Dylan, Steve Goodman, and John Prine. In 1985 Donohue's first album ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Two Hand Band
''Two Hand Band'' is an album by guitarist Pat Donohue that was released in 1993. Guitarist Leo Kottke wrote in the liner notes: ""Enjoy this record, but if you're a guitar player, it's going to haunt you." Reception Writing for Allmusic, critic Mark Vanderhoff wrote of the album "Two of America's most important musical contributions to the world, folk and jazz, meet head-on with guitar maestro Pat Donohue's Two Hand Band... Donohue's amazing steel string fingerpicking makes it possible for him to perform songs that in most cases were originally written and arranged for large ensembles. His sense of harmony and rhythm is impeccable, but the melodies never get lost in the shuffle." Track listing #"High Society" (Traditional) – 2:46 #"The Moochie" (Duke Ellington, Irving Mills) – 4:12 #" Yardbird Suite" (Charlie Parker) – 3:11 #"All Blues" (Miles Davis) – 4:20 #"Tico-Tico" (Z. Abru) – 3:14 # "Seven Come Eleven" ( Charlie Christian, Benny Goodman) – 2:58 #"Royal Gard ...
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Back Roads (album)
''Back Roads'' is an album by guitarist Pat Donohue. Track listing All songs by Pat Donohue unless otherwise noted # "Stealin' from Chet" (Chet Atkins, Pat Donohue) – 3:44 # "The Road to Kingdome Come" – 3:33 # "(The Other End Of) The Mississippi River Blues" – 4:11 # "Baby, Can't Get Over You" – 4:13 # "I Don't Worry 'Bout the Blues" – 4:24 # "Touch 'Em All" – 3:04 # "Saguaro Slide" – 2:47 # "Love and Desire" – 4:30 # "Nothin'" – 2:44 # "Stumblin' Through" – 3:58 # "Matter of Time" – 3:19 # "Summer's End" – 2:03 Personnel * Pat Donohue – guitar, vocals, slide guitar, percussion * Rich Dworsky – piano * Butch Thompson – clarinet, piano * Howard Levy – harmonica * Chet Atkins – guitar, vocals * Gordy Johnson – double bass * Marc Anderson Marc Dennis Anderson (born December 10, 1955) is an American born percussionist, composer, poet and Zen Buddhist priest. Best known for records and live performances with guitarist and composer Stev ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Teddy Darby
Theodore Roosevelt Darby, better known as Blind Teddy Darby (March 2, 1906 – December 1975), was an American blues singer and guitarist. Darby was born in Henderson, Kentucky. He moved to St. Louis with his family when he was a child. His mother taught him to play the guitar. He served some time for selling moonshine. In 1926, he lost his eyesight because of glaucoma.Barlow, William (1989). ''"Looking Up At Down": The Emergence of Blues Culture'', pp. 267–268. Philadelphia: Temple University Press. . He recorded from 1929 until 1937, under the names Blind Teddy Darby, Blind Darby, Blind Blues Darby and Blind Squire Turner for Paramount, Victor, Bluebird, Vocalion and Decca. In 1960 he was "rediscovered" and recorded by Pete Welding of Testament Records, but the recordings from this session were never released. Darby was a friend of the blues musician Peetie Wheatstraw. On December 21, 1941, Wheatstraw's 39th birthday, Darby was invited to go for a drive with Wheatst ...
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Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ...
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Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ...
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Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ...
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Blind Blake
Arthur Blake (1896 – December 1, 1934), known as Blind Blake, was an American blues and ragtime singer and guitarist. He is known for recordings he made for Paramount Records between 1926 and 1932. Early life Little is known of Blake's life. Promotional materials from Paramount Records indicate he was born blind and give his birthplace as Jacksonville, Florida, and it seems that he lived there during various periods. He may have had relatives in Patterson, Georgia. Some authors have written that in one recording he slipped into a Geechee (Gullah) dialect, suggesting a connection with the Sea Islands. Blind Willie McTell indicated that Blake's real name was Arthur Phelps, but later research has shown this is unlikely to be correct.Balfour, Alan. CD liner notes. ''Complete Recorded Works in Chronological Order'', vol. 4, ''August 1929 to June 1932''. DOCD–5027. Document Records, 1991. In 2011, a group of researchers led by Alex van der Tuuk published various documents regardin ...
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Statesboro Blues
"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis. His rendition inspired a recording by the Allman Brothers Band, which is ranked number nine on ''Rolling Stone'' magazine's list of the "100 Greatest Guitar Songs of All Time". In 2005, the ''Atlanta Journal-Constitution'' ranked "Statesboro Blues" number 57 on its list of "100 Songs of the South". Original song Although McTell was born in Thomson, Georgia, in an interview he called Statesboro "my real home." He made the first recording of the song for Victor, on October 17, 1928 (Victor #38001). The eight sides he recorded for Victor, including "Statesboro Blues", have been described as "superb examples of storytelling in music, coupled with dazzling guitar work." Lyrics The lyrics, a first-person narrat ...
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Blind Willie McTell
Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum. McTell was born in Thomson, Georgia. He learned to play the guitar in his early teens. He soon became a street performer in several Georgia cities, including Atlanta and Augusta, and first recorded in 1927 for Victor Records. He never produced a major hit record, but he had a prolific recording career with different labels and under different names ...
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