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Bia De' Medici
The ''Portrait of Bia de' Medici'' is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the "sale rosse" of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed. Description After her death, many art historians believe her father commissioned a posthumous painting of her by Agnolo Bronzino, which art historians regard as one of his finest works. The work is 64 cm by 48 cm and was painted in tempera on wood. In the famous painting, which is on display in the Galleria degli Uffizi in Florence, Bia wears a medallion with her father's profile on it, emphasizing her bond with her father. Bronzino shows the child half-length and sitting on a chair, similar to the pose in his ''Portrait of Lucrezia Panciatichi'' – a rigid official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnolo Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legitimacy (family Law)
Legitimacy, in traditional Western common law, is the status of a child born to parents who are legally married to each other, and of a child conceived before the parents obtain a legal divorce. Conversely, ''illegitimacy'', also known as ''bastardy'', has been the status of a child born outside marriage, such a child being known as a bastard, a love child, a natural child, or illegitimate. In Scots law, the terms natural son and natural daughter bear the same implications. The importance of legitimacy has decreased substantially in Western countries since the sexual revolution of the 1960s and 1970s and the declining influence of conservative Christian churches in family and social life. Births outside marriage now represent a large majority in many countries of Western Europe and the Americas, as well as in many former European colonies. In many Western-influenced cultures, stigma based on parents' marital status, and use of the word ''bastard'', are now widely consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smithsonian American Art Museum
The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection. Most exhibitions take place in the museum's main building, the old Patent Office Building (shared with the National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery. The museum provides electronic resources to schools and the public through its national education program. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collections worldwide. Since 1951, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feather
Feathers are epidermal growths that form a distinctive outer covering, or plumage, on both avian (bird) and some non-avian dinosaurs and other archosaurs. They are the most complex integumentary structures found in vertebrates and a premier example of a complex evolutionary novelty. They are among the characteristics that distinguish the extant birds from other living groups. Although feathers cover most of the bird's body, they arise only from certain well-defined tracts on the skin. They aid in flight, thermal insulation, and waterproofing. In addition, coloration helps in communication and protection. Plumology (or plumage science) is the name for the science that is associated with the study of feathers. Feathers have a number of utilitarian, cultural, and religious uses. Feathers are both soft and excellent at trapping heat; thus, they are sometimes used in high-class bedding, especially pillows, blankets, and mattresses. They are also used as filling for winter cloth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vignette (graphic Design)
A vignette, in graphic design, is a French loanword meaning a unique form for a frame to an image, either illustration or photograph. Rather than the image's edges being rectilinear, it is overlaid with decorative artwork featuring a unique outline. This is similar to the use of the word in photography, where the edges of an image that has been vignetted are non-linear or sometimes softened with a mask – often a darkroom process of introducing a screen. An oval vignette is probably the most common example. Originally a vignette was a design of vine-leaves and tendrils (''vignette'' = small vine in French). The term was also used for a small embellishment without border, in what otherwise would have been a blank space, such as that found on a title-page, a headpiece or tailpiece. The use in modern graphic design is derived from book publishing techniques dating back to the Middle Ages Analytical Bibliography (ca. 1450 to 1800) when a vignette referred to an engraved desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Cornell
Joseph Cornell (December 24, 1903 – December 29, 1972) was an American visual artist and film-maker, one of the pioneers and most celebrated exponents of Assemblage (art), assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. He was largely self-taught in his artistic efforts, and improvised his own original style incorporating cast-off and discarded artifacts. He lived most of his life in relative physical isolation, caring for his mother and his disabled brother at home, but remained aware of and in contact with other contemporary artists. Life Joseph Cornell was born in Nyack, New York, Nyack, New York, to Joseph Cornell, a textiles industry executive, and Helen Ten Broeck Storms Cornell, who had trained as a nursery teacher. Both parents came from socially prominent families of Dutch ancestry, long-established in New York State. Cornell's father died April 30, 1917, leaving the family in straitened circumstances. Following the elder C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Salviati
Maria Salviati (17 July 1499 – 29 December 1543) was a Florentine noblewoman, the daughter of Lucrezia di Lorenzo de' Medici and Jacopo Salviati. She married Giovanni delle Bande Nere and was the mother of Cosimo I de Medici. Her husband died 30 November 1526, leaving her a widow at the age of 27. Salviati never remarried; after her husband's death she adopted the somber garb of a novice, which is how she is remembered today as numerous late portraits show her attired in black and white.For information on portraits of Maria Salviati see Carl Brandon Strehlke, ''Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence'' ( Philadelphia Museum of Art, 2004) cats. 30 and 46. Life Maria Salviati was born in Florence. She descended from two of Florence's most powerful banking families: the Salviati on her father's side, and the de' Medici on her mother's. Her maternal grandfather was Lorenzo "il Magnifico". When her cousin, Alessandro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria De' Medici (1540–1557)
Maria de' Medici (April 3, 1540 – November 19, 1557) was the eldest child of Cosimo I de' Medici, Grand Duke of Tuscany and Eleonora di Toledo. She was a member of the famous Medici family. Life She was engaged to Alfonso II, Duke of Ferrara, but died at the age of seventeen, before the marriage could take place. She was educated with her brothers and was among the brightest of the children. When her brother Francesco didn't understand his Greek lesson, his tutors called on Maria to explain it to him. Maria kept herself somewhat aloof from her younger brothers and sisters. She grew into an elegant, highly educated, and decorous young woman. According to one unreliable legend, recounted in Edgcumbe Staley's ''The Tragedies of the Medici'', Maria was lovely and kept closely guarded from men, but managed to meet a young lover, Malatesta de' Malatesti, in secret. According to the story, she was stabbed in the heart by her father after he caught the young lovers together. Cosimo t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saar 1954 355 Agnolo Bronzino - Bia De' Medici
Saar or SAAR has several meanings: People Given name *Saar Boubacar (born 1951), Senegalese professional football player *Saar Ganor, Israeli archaeologist *Saar Klein (born 1967), American film editor Surname * Ain Saar (born 1968), Estonian (Võro) punk rocker and freedom fighter *Alison Saar (born 1956), American artist * Anti Saar (born 1980), Estonian children’s writer and translator *Betye Saar (born 1926), American artist * Elmar Saar (1908–1981), Estonian footballer and coach *Erik Saar, American intelligence officer *Evar Saar (born 1969), Estonian (Võro) non-fiction writer *Ferdinand von Saar (1833–1906), Austrian writer *Getter Saar (born 1992), Estonian badminton player *Getter Saar (born 1999), Estonian footballer *Gideon Sa'ar (born 1966), Israeli politician * Heleri Saar (born 1979), Estonian footballer *Indrek Saar (born 1973), Estonian actor and politician * Jüri Saar (born 1956), Estonian politician *Katriin Saar (born 2002), Estonian tennis playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Grace
Divine grace is a theological term present in many religions. It has been defined as the divine influence which operates in humans to regenerate and sanctify, to inspire virtuous impulses, and to impart strength to endure trial and resist temptation; and as an individual virtue or excellence of divine origin. Buddhism While many schools of Buddhism emphasize self-discipline and effort as the path to enlightenment, something akin to the concept of divine grace is present as well. One of the most prominent examples of this is the doctrine of the Jōdo Shinshū branch of Pure Land Buddhism, founded by the 12th-century Japanese monk, Shinran. In Buddhism, the concept of "merit" refers to the power of good karma built up over time through meditation, effort and spiritual practice- in Japanese, "Jiriki," or "self-power." This merit can be transferred to other sentient beings by a spiritual adept or bodhisattva, motivated by compassion for all beings cultivated through attaining bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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