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Bhandasar Jain Temple
Bhandasar Jain Temple or Banda Shah Jain temple, is a Jain temple located in Bikaner, Rajasthan. The temple is famous for wall painting and art work. This temple is protected by the Archaeological Survey of India. History This temple was constructed by Bhandasa Oswal in the 12th century. The temple is dedicated to Sumatinatha, the 5th tirthankara. According to legends, 40,000 Kgs of ghee was used in the construction of this temple instead of water in a mortar. Architecture Bhandasar Jain Temple is a three-storey temple, famous for its beautiful leaf paintings, frescoes and ornamented mirror work. This temple was constructed using red sandstone with beautiful paintings and yellow-stone carvings on walls, pillars of the sanctum and mandapa. On the walls there are illustrations depicting the lives of the 24 tirthankaras. The temple consist of ''garbhagriha'', ''antarala'', '' mahamandapa'', and ''ardhamandapa''. The sanctum is pancharatha (''five rathas'') is covered by shik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Jain Temples
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Art
Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture. In general Jain art broadly follows the contemporary style of Indian Buddhist and Hindu art, though the iconography, and the functional layout of temple buildings, reflects specific Jain needs. The artists and craftsmen producing most Jain art were probably not themselves Jain, but from local workshops patronized by all religions. This may not have been the case for illustrated manuscripts, where many of the oldest Indian survivals are Jain. Jains mainly depict ''tirthankara'' or other important people in a seated or standing meditative posture, sometimes on a very large scale. ''Yaksa'' and ''yaksini'', attendant spirits who guard the ''tirthankara'', are usually shown with them. Iconography of tirthankaras A tirthankara or Jina is represented either seated in lotus position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Architecture
A Jain temple, Derasar (Gujarati: દેરાસર) or Basadi (Kannada: ಬಸದಿ) is the place of worship for Jains, the followers of Jainism. Jain architecture is essentially restricted to temples and monasteries, and Jain buildings generally reflect the prevailing style of the place and time they were built. Jain temple architecture is generally close to Hindu temple architecture, and in ancient times Buddhist architecture. Normally the same builders and carvers worked for all religions, and regional and period styles are generally similar. For over 1,000 years, the basic layout of a Hindu or most Jain temples has consisted of a small garbhagriha or sanctuary for the main murti or cult images, over which the high superstructure rises, then one or more larger mandapa halls. Māru-Gurjara architecture or the "Solanki style" is, a particular temple style from Gujarat and Rajasthan (both regions with a strong Jain presence) that originated in both Hindu and Jain temples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonely Planet
Lonely Planet is a travel guide book publisher. Founded in Australia in 1973, the company has printed over 150 million books. History Early years Lonely Planet was founded by married couple Maureen and Tony Wheeler. In 1972, they embarked on an overland trip through Europe and Asia to Australia, following the route of the Oxford and Cambridge Far Eastern Expedition. The company name originates from the misheard "lovely planet" in a song written by Matthew Moore. Lonely Planet's first book, ''Across Asia on the Cheap'', had 94 pages; it was written by the couple in their home. The original 1973 print run consisted of stapled booklets with pale blue cardboard covers. Tony returned to Asia to write ''Across Asia on the Cheap: A Complete Guide to Making the Overland Trip'', published in 1975. Expansion The Lonely Planet guide book series initially expanded to cover other countries in Asia, with the India guide book in 1981, and expanded to rest of the world later on. G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism In Rajasthan
Rajasthan, a state in western India, has had a close historical connection with Jainism. Southwestern Rajasthan was the main centre for Svetambara Jainism. Major Digambara centres are in the northern and eastern parts of Rajasthan. Central and Northern Rajasthan are the main centres for the Terapanth sect of Svetambara Jainism. Major centres Major ancient Jain centres include: * Soniji Ki Nasiyan (Ajmer Jain Temple) * Khandela * Bhinmal * Osian, Jodhpur; Mahavira Jain temple, Osian * Muchhal Mahavir Temple * Nagaur * Amer (Jaipur) * Sanganer * Kesariyaji Tirth, Rishabhdeo * Shri Mahaveerji temple * Padampura * Lodhurva Jain temple * Nakodaji * Dilwara Temples, Mount Abu * Jirawala * Ranakpur * Bijolia * Nareli Jain Temple * Pindwara * Chittorgarh * Bhandasar Jain Temple * Chand Khedi * Shree Pavapuri Tirth Dham * Jaisalmer Fort Jain temples * Mungathala * Chamatkarji Photo gallery File:Temple de Shanthinath.jpg, Architectural details of Kirti Stambha File:Lodurva_Te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amalaka
An amalaka ( sa, आमलक), is a segmented or notched stone disk, usually with ridges on the rim, that sits on the top of a Hindu temple's shikhara or main tower. According to one interpretation, the amalaka represents a lotus, and thus the symbolic seat for the deity below. Another interpretation is that it symbolizes the sun, and is thus the gateway to the heavenly world. The name and, according to some sources the shape, of the amalaka comes from the fruit of Phyllanthus emblica (or Mirobalanus embilica), the Indian gooseberry, or myrobolan fig tree. This is called ''āmalaki'' in Sanskrit, and the fruit has a slightly segmented shape, though this is much less marked than in the architectural shape. The amalaka itself is crowned with a kalasam or finial, from which a temple banner is often hung. History The shape first appears (or survives) as an element in the capitals of columns around the time of Ashoka in the 3rd century BCE, recurring in some capitals of the 1st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikhara
''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *''Latina''. The ''shikhara'' has four faces, which may include proj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratha (architecture)
In Hindu temple architecture, a ''ratha'' is a facet or vertical offset projection on the plan of a structure, in particular of the ''shikhara'' above the sanctum. The term has the same meaning when applied to the forms of the bases of statues. A ''ratha'' is generally carried up from the bottom of the temple to the superstructure. The corners of each ratha touch notional circles on the plan of the temple, centred on the murti or cult image inside the sanctum. The sides are oriented along the main horizontal axis of the temple (normally running east–west) or at right angles to it, generating (except around the entrance to the sanctum) a multi-faceted plan that harmonizes the square and the circle, becoming more circular in overall shape as the number of rathas increases. The rathas (facets) may be decorated with geometric figures or statues, such as statues of a gatekeeper watching outside or a niche with a statue of a deity. Sometimes, the facet of the ratha is hollowed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pancharatha
A Hindu temple is a ''pancharatha'' when there are five ''ratha'' (on plan) or ''paga'' (on elevation) on the tower of the temple (generally a ''shikhara''). The rathas are vertical offset projection or facets. The name comes from the sanskrit ''Pancha'' (=five) and ''Ratha'' (=chariot), but the link with the concept of chariot is not clear. There are also temples with three rathas (''triratha''), seven rathas (''saptaratha'') and nine rathas (''navaratha''). Examples of pancharatha temples * Lingaraja Temple in Bhubaneswar * Lakshmana Temple in Khajuraho * Rajarani Temple in Bhubaneswar * Jagannath Temple in Puri, Odisha * Jagannath Temple in Baripada, Odisha * Jagannath Temple in Nayagarh, Odisha * Isanesvara Siva Temple in Bhubaneswar * Mukteswar Temple in Bhubaneswar * Brahmani temple in Baleswar, Odisha {{gallery , title=Pancharatha temples , height=200 , width=200 , align=center , File:Isanesvara.jpg, Isanesvara Siva Temple in Bhubaneswar , File:Jagannath Temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardhamandapa
In Hindu temple architecture, Ardhamandapa (lit. half-open hall), also spelled ''artha mandapam'' or ''ardh mandapam'', is an important element of the entrance group. It is an entrance porch forming a transitional area between the outside and a mandapa of the temple. Overview Ardhamandapa is usually an open—to provide light and air—four-pillared pavilion in front of the entrance door of mandapa of the temple. If the temple mandapa has three entrance doors, there have to be three such porches, one on each side. Ardhamandapas usually resemble mandapas in design and carving. Most Hindu, Jain, and Buddhist temples feature various transitional spaces between the central shrine (garbhagriha A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''M ...) and the outside world, but only the largest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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