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Beton (typeface)
Beton is a slab-serif typeface designed by Heinrich Jost and released originally by the Bauer Type Foundry from 1929 onwards, with most major styles released by 1931. "Beton" is German for concrete (originally from French), a choice of name suggesting its industrial aesthetic. Beton is a "geometric" slab serif, reflecting the style of German geometric sans-serifs (in particular Futura) which had attracted considerable attention, and adapting the design to the slab serif structure. Its structure is therefore quite strictly monoline. However, its letter 'a' is the conventional 'double-storey' 'a' used in most printing, unlike some of its competitors which reduce the letter to a circular single-story 'a'. Beton and other similar designs were popular in printing during the 1930s. Competitors included the contemporary Memphis, Karnak in the United States and Rosmini from Nebiolo in Italy, and (a later and particularly similar design) Rockwell from Monotype. Beton has the normal "do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beton Bold Type Specimen (12509036863)
Beton may refer to: * Beton, a type of concrete * Beton (typeface) * Beton, a Czech drink containing Becherovka and tonic * Jean-Claude Beton (1925–2013), Algerian-French businessman * Concrete (novel), ''Concrete'' (novel) (original name ''Beton''), a 1982 novel by Berthod See also * Bethon, a commune in northeastern France * Béthon, a commune in northwestern France * Beton-Bazoches, a commune in France * Marchais-Beton, a former commune in France * Béton brut, architectural surface made of concrete * Baton (other) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slab-serif
In typography, a slab serif (also called ''mechanistic'', ''square serif'', ''antique'' or ''Egyptian'') typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular ( Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century. Slab serifs form a large and varied genre. Some such as Memphis and Rockwell have a geometric design with minimal variation in stroke width: they are sometimes described as sans-serif fonts with added serifs. Others such as those of the Clarendon genre have a structure more like most other serif fonts, though with larger and more obvious serifs. These designs may have bracketed serifs which increase width along their length before merging with the main strokes of the letters, while on geometrics the serifs have a constant width. Display-oriented slab serifs are often extremely bold, intended to grab the reader's attention on a poster, while slab serifs or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Jost
Heinrich Jost (13 October 1889 – 27 September 1948) was a German typographer and graphic designer. He was the art director of the Bauer Type Foundry from 1923 until 1948. Biography Jost was born in 1889 to a bookbinder father in Magdeburg, where he attended the Kunstgewerbe- und Handwerkerschule Magdeburg and trained as a bookseller. In 1908 he moved to Munich and began studying book production at the in 1911 under the tutelage of Paul Renner and Emil Preetorius. He worked as a freelance type designer from 1914 onwards; his clients included the newspaper ''Münchner Neueste Nachrichten'' and other publications. In 1923 Jost was invited by Georg Hartmann to become the art director of the Bauer Type Foundry in Frankfurt am Main. He directed Bauer during its most successful period, until 1948. At Bauer, he oversaw the work of designers such as Paul Renner, Lucian Bernhard and . Jost personally designed several typefaces for Bauer: Atrax (1926), Bauer Bodoni (1926), and Beton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauer Type Foundry
Bauer is a German surname meaning "peasant" or "farmer". For notable people sharing the surname, see Bauer (surname). Bauer may also refer to: Education and literature * Bauer's Lexicon, a dictionary of Biblical Greek * Bauer College of Business, the business school of the University of Houston * Bauer Elementary, a school in Miamisburg, Ohio * Bauer Hall, a residence hall at Cornell University Entertainment and sport * Bauer (band), a Dutch band * Bauer Media Group, a German publishing company ** Bauer Radio, its UK-based radio division * ''Bauer'' (play), a 2014 play by Lauren Gunderson about the artist Rudolf Bauer Industry * Bauer AG, a German construction and machinery manufacturing concern * Bauer Pottery, an American pottery * Bauer Type Foundry, a German type foundry * Bauer Kompressoren, Germany, high pressure Gas compressor systems * Bauer piping and pumps, Voitsberg, Austria, for irrigation and sewage Military * USS ''Bauer'' (DE-1025), a Dealey-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concrete
Concrete is a composite material composed of fine and coarse aggregate bonded together with a fluid cement (cement paste) that hardens (cures) over time. Concrete is the second-most-used substance in the world after water, and is the most widely used building material. Its usage worldwide, ton for ton, is twice that of steel, wood, plastics, and aluminum combined. Globally, the ready-mix concrete industry, the largest segment of the concrete market, is projected to exceed $600 billion in revenue by 2025. This widespread use results in a number of environmental impacts. Most notably, the production process for cement produces large volumes of greenhouse gas emissions, leading to net 8% of global emissions. Other environmental concerns include widespread illegal sand mining, impacts on the surrounding environment such as increased surface runoff or urban heat island effect, and potential public health implications from toxic ingredients. Significant research and development is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futura (typeface)
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry (Bauersche Gießerei), in competition with Ludwig & Mayer's seminal Erbar typeface of 1926. Futura has an appearance of efficiency and forwardness. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's design rejected the approach of most previous sans-serif designs (now often called grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. It is based on strokes of nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis (typeface)
Memphis is a slab-serif typeface designed bDr. Rudolf Wolfand released in 1929 by the Stempel Type Foundry. Memphis is a "geometric" slab serif, reflecting the style of German geometric sans-serifs (in particular Futura) which had attracted considerable attention, and adapting the design to the slab serif structure. Its structure is strictly monoline, with a "single-storey" 'a' similar to blackletter or handwriting, in an almost-perfect circle. It was released in several weights and with alternative characters such as swashes, which digitisations have mostly not included. Memphis has an Egyptian name, in reference to the fact that early slab serifs were often called "Egyptians" as an exoticism by nineteenth-century typefounders. Memphis and other similar designs were popular in printing during the hot metal typesetting period and several foundries brought out similar designs or direct imitations such as Karnak and Stymie in the United States and Rosmini from Nebiolo in Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karnak (typeface)
Karnak is a slab-serif typeface designed by R. Hunter Middleton for the Ludlow Typograph company and issued in the period 1931–1942. Karnak is a "geometric" slab serif, reflecting the style of German geometric sans-serifs (in particular Futura) which had attracted considerable attention in the United States and adapting the design to the slab serif structure. It copies the German geometric slab-serif Memphis. Middleton also designed a loose copy of Futura, the sans-serif Tempo, around the same time. It and other similar designs were popular in American printing during the hot metal typesetting period. Like Memphis, Karnak's name, after the Karnak Temple Complex in Egypt, references the fact that early slab serifs were often called "Egyptians" as an exoticism by nineteenth-century typefounders. Karnak was an influence on the design of the popular 2009 slab serif Neutraface Slab. It is an adaptation of the sans-serif Neutraface designed by Christian Schwartz, influenced by Midd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockwell (typeface)
Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934. The project was supervised by Monotype's engineering manager Frank Hinman Pierpont. This typeface is distinguished by a serif at the apex of the uppercase ''A'', while the lowercase ''a'' has two storeys. Because of its monoweighted stroke, Rockwell is used primarily for display or at small sizes rather than as a body text. Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique. Rockwell is a geometric slab-serif with a monoline construction, with all of its strokes appearing to be roughly the same width and its capital ''O'' roughly circular. This gives it a similar impression to common sans-serif designs of the period like Akzidenz Grotesk, Franklin Gothic, or Futura. Rockwell is influenced by a style of geometric slab serif that had become popular around the time, including the earlier Memphis and Beton, and less simil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neutraface Slab
Neutraface is a geometric sans-serif typeface designed by Christian Schwartz for House Industries, an American digital type foundry. It was influenced by the work of architect Richard Neutra and was developed with the assistance of Neutra's son and former partner, Dion Neutra. Design Neutraface was designed by Christian Schwartz over the period of a year with assistance in art direction from Ken Barber and Andy Cruz. It was the result of a project started by Schwartz to design "the most typographically complete geometric sans serif family ever", based on Richard Neutra's principles of architecture and design. The Neutraface alphabet was developed through consultation with Neutra's son and former partner, Dion Neutra, and with reference to the signs on the buildings designed by Neutra. Since there were limited samples of Neutra's signage and no lowercase, much of the design was Schwartz's invention. The lowercase was influenced by Avenir, Futura, Nobel and Tempo. Although Neut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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