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Bethena C Strain
"Bethena, A Concert Waltz" (copyright registered March 6, 1905) is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz". Background and composition Joplin's principal claim to fame was the publication in 1899 of the Maple Leaf Rag, which became a best-selling instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Joplin
Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the '' Maple Leaf Rag'', became the genre's first and most influential hit, later being recognized as the archetypal rag. Joplin considered ragtime to be a form of classical music and largely disdained the practice of ragtime such as that in honky tonk. Joplin grew up in a musical family of railway laborers in Texarkana, Arkansas, developing his own musical knowledge with the help of local teachers. While in Texarkana, he formed a vocal quartet and taught mandolin and guitar. During the late 1880s, he left his job as a railroad laborer and traveled the American South as an itinerant musician. He went to Chicago for the World's Fair of 1893, which played a major part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright
A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case considered "territorial righ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magee
Magee may refer to: People *Magee (surname) Places and institutions * Magee, Mississippi, a city in Simpson County, Mississippi, U.S. * Magee, New York, also known as Magee's Corners, a hamlet in the Town of Tyre, Seneca County, New York, U.S. * Magee, Queensland, a locality in Beebo, Goondiwindi Region, Australia ** Magee railway station * Magee College, a campus of Ulster University in Derry, County Londonderry, Northern Ireland * Magee Secondary School, Vancouver, Canada * Magee-Womens Hospital of University of Pittsburgh Medical Center, Pennsylvania, United States Other uses * Magee of Donegal, clothing manufacturer and retailer, County Donegal, Ireland * ''Maniac Magee'', a novel by Jerry Spinelli published in 1990 * Magee, a nickname for the cavity magnetron, a microwave vacuum tube device See also *Magi (other) *Maji (other) *Majhi (other) *McGee (other) *McGhee, a surname *McGhie, a surname * McGehee (surname) *McGehee, Arkansas McG ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strain (music)
A strain is a series of musical phrases that create a distinct melody of a piece. A strain is often referred to as a "section" of a musical piece. Often, a strain is repeated for the sake of instilling the melody clearly. This is so in ragtime and marches. The ''Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a com ...'' lists this use of "strain" (n.2, III, 12) as part of the same noun more often used to denote an extreme of effort or pressure. OED derives it from the verb, which could once be used to mean "sing," and speculates that this usage derives from one in which the word denotes increasing the tension of a string on a musical instrument. Formal sections in music analysis {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music, this is often known as the song intro or just the intro. The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.Pease, Ted (2003), p.172. ''Jazz Composition : Theory and Practice''. . Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such, the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material. A common introduction to a rubato ballad is a dominant seventh chord with fermata, an introduction that works for many songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bethena C Strain
"Bethena, A Concert Waltz" (copyright registered March 6, 1905) is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz". Background and composition Joplin's principal claim to fame was the publication in 1899 of the Maple Leaf Rag, which became a best-selling instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bethena B Strain Bars 36-40
"Bethena, A Concert Waltz" (copyright registered March 6, 1905) is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", a "masterpiece", and "Joplin's finest waltz". Background and composition Joplin's principal claim to fame was the publication in 1899 of the Maple Leaf Rag, which became a best-selling instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
