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Betacam SP
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from (plain) analog recording Betacam to Betacam SP and digital recording Digital Betacam (and additionally, HDCAM and HDCAM SR), use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassettes are available in two sizes: S (for Short) and L (for Long). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes. The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betamax
Betamax (also known as Beta, as in its logo) is a consumer-level analog recording and cassette format of magnetic tape for video, commonly known as a video cassette recorder. It was developed by Sony and was released in Japan on May 10, 1975, followed by the US in November of the same year. Betamax is widely considered to be obsolete, having lost the videotape format war which saw its closest rival, VHS, dominate most markets. Despite this, Betamax recorders continued to be manufactured and sold until August 2002, when Sony announced that they were discontinuing production of all remaining Betamax models. Sony continued to sell Betamax cassettes until March 2016. Original version Launch and early models The first Betamax device introduced in the United States was the LV-1901 console, which included a color monitor, and appeared in stores in early November 1975. The cassettes contain videotape in a design similar to that of the earlier, professional , U-matic format. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Tape
Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape could with relative ease record and playback audio, visual, and binary computer data. Magnetic tape revolutionized sound recording and reproduction and broadcasting. It allowed radio, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage. Durability While good for short-term use, magnetic tape is highly prone to disintegration. Depending on the environment, this process may begin after 10–20 years. Over time, magnetic tape made in the 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Camera Tube
Video camera tubes were devices based on the cathode ray tube that were used in television cameras to capture television images, prior to the introduction of charge-coupled device (CCD) image sensors in the 1980s. Several different types of tubes were in use from the early 1930s, and as late as the 1990s. In these tubes, an electron beam was scanned across an image of the scene to be broadcast focused on a target. This generated a current that was dependent on the brightness of the image on the target at the scan point. The size of the striking ray was tiny compared to the size of the target, allowing 483 horizontal scan lines per image in the NTSC format, 576 lines in PAL, and as many as 1035 lines in Hi-Vision. Cathode ray tube Any vacuum tube which operates using a focused beam of electrons, originally called cathode rays, is known as a cathode ray tube (CRT). These are usually seen as display devices as used in older (i.e., non-flat panel) television receivers and computer d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MII (videocassette Format)
MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording. MII is sometimes incorrectly referred to as M2; the official name uses Roman numerals, and is pronounced "em two". Just as Betacam SP was an improved version of its predecessor Betacam (originally derived from Betamax) with higher video and audio quality, MII was an enhanced development of its predecessor, the failed M format (originally derived from VHS). There were two sizes of MII tape, the larger of which is close to VHS size and has a running time of up to around 90 minutes, the smaller tape was about half the size and runs up to around 20 minutes, and was also the size in which head cleaner tapes were supplied. Panasonic manufactured mains-powered MII editing and playback decks which accepted both the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
M (videocassette Format)
M is the name of a professional analog videocassette format created around 1982 by Matsushita and RCA. Developed as a competitor to Sony's Betacam format, M used the same videocassette (and the same oxide-formulated magnetic tape stock) as VHS, much the same way that Betacam was designed to take advantage of cheap and readily available Betamax videocassettes, Like Betacam, M recorded component video and used a much faster linear tape speed. A cassette that would yield 120 minutes on a VHS VCR at SP speed would only yield 20 minutes on a M VCR. The format was called "M" due to the shape of the threading path of the tape around the helical scan video head drum, which resembles a letter M. (This is also how the U-matic format got its name, for its U-shaped tape path in the VCR.) The M-shaped tape path was retained from VHS. An example M VCR is the Panasonic AU-300. M had a similar 4-head recording system to Betacam, but the chrominance signals were recorded as two FM subcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Quality
Broadcast quality is a term stemming from quad videotape to denote the quality achieved by professional video cameras and time base correctors (TBC) used for broadcast television, usually in standard definition. As the standards for commercial television broadcasts have changed from analog television using analog video to digital television using digital video, the term has generally fallen out of use.Broadcast Engineering - Broadcast quality /ref> Manufacturers have used it to describe both and " |
Chrominance
Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying luma signal (or Y' for short). Chrominance is usually represented as two color-difference components: U = B′ − Y′ (blue − luma) and V = R′ − Y′ (red − luma). Each of these difference components may have scale factors and offsets applied to it, as specified by the applicable video standard. In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the phase and amplitude of this modulated chrominance signal correspond approximately to the hue and saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and chrominance components are digital sample values. Separating RGB color signals into luma and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Component Video
Component video is an analog video signal that has been split into two or more component channels. In popular use, it refers to a type of component analog video (CAV) information that is transmitted or stored as three separate signals. Component video can be contrasted with '' composite video'' in which all the video information is combined into a single signal that is used in analog television. Like composite, component-video cables do not carry audio and are often paired with audio cables. When used without any other qualifications, the term ''component video'' usually refers to analog component video with sync on luma (Y) found on analog high-definition televisions and associated equipment from the 1990s through the 2000s when they were largely replaced with HDMI and other all-digital standards. Component video cables and their RCA jack connectors on equipment are normally color-coded red, green and blue, although the signal is not in RGB. YPbPr component video can be los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Video
Video is an electronic medium for the recording, copying Copying is the duplication of information or an artifact based on an instance of that information or artifact, and not using the process that originally generated it. With analog forms of information, copying is only possible to a limited degree ..., playback, broadcasting, and display of moving picture, moving image, visual Media (communication), media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems which, in turn, were replaced by flat panel displays of several types. Video systems vary in display resolution, Display aspect ratio, aspect ratio, refresh rate, color capabilities and other qualities. Analog and digital variants exist and can be carried on a variety of media, including radio broadcast, magnetic tape, optical discs, Video file format, computer files, and Streaming media, network streaming. History Analog video Video tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic News Gathering
Electronic news-gathering (ENG) or electronic journalism (EJ) is usage of electronics, electronic video and sound recording and reproduction, audio technologies by journalist, reporters to gather and present news instead of using film cameras. The term was coined during the rise of videotape technology in the 1970s. ENG can involve anything from a single reporter with a single professional video camera, to an entire television crew taking a truck on location. Beginnings Shortcomings of film The term ENG was created as television news departments moved from film-based news-gathering to electronic field production technology in the 1970s. Since film requires chemical processing before it can be viewed and edited, it generally took at least an hour from the time the film arrived back at the television station or network news department until it was ready to be broadcast. Film editing was done by hand on what was known as "Complementary colors, color reversal" film, usually Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Professional Video Camera
A professional video camera (often called a television camera even though its use has spread beyond television) is a high-end device for creating electronic moving images (as opposed to a movie camera, that earlier recorded the images on film). Originally developed for use in television studios or with outside broadcast trucks, they are now also used for music videos, direct-to-video movies (see digital movie camera), corporate and educational videos, wedding videos, among other uses. Since the 2000s, most professional video cameras are digital (instead of analog) professional video cameras. The distinction between professional video cameras and movie cameras became much smaller as HD digital video cameras with sensors the same size as 35mm movie cameras - plus dynamic range ( exposure latitude) and color rendition approaching film quality - were introduced in the late 2010s. Nowadays, HDTV cameras designed for broadcast television, news, sports, events and other works such as re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U-Matic
U-matic is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. The videotape is wide, so the format is often known as "three-quarter-inch" or simply "three-quarter", compared to open reel videotape formats in use, such as type C videotape and quadruplex videotape. Unlike most other cassette-based tape formats, the supply and take-up reels in the cassette turn in opposite directions during playback, fast-forward, and rewind: one reel would run clockwise while the other would run counter-clockwise. A locking mechanism integral to each cassette case secures the tape hubs during transportation to keep the tape wound tightly on the hubs. Once the cassette is taken off the case, the hubs are free to spin. A spring-loaded tape cover door pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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