Bestournés
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Bestournés
Bestournés (also Bestornez, Bestorneis, le Bastorneis, Baistornez) is a name given to the thirteenth-century trouvère credited with writing five pieces (three love songs, one jeu-parti, and one pastourelle) preserved in later thirteenth and early fourteenth century song books. The name is mostly likely a sobriquet meaning 'altered', 'changed', 'reversed', or 'metamorphosed', often 'applied to someone who, by a quirk of fate, under-went a complete reversal of fortune, either favorable or unfavorable'. As all six of these songs are preserved in the Berne Chansonnier (Bern, Burgerbibliothek, MS 389), which was copied in Metz, and all but one of the songs are only copied there and in other Metz-copied sources, the poet-composer can probably be associated with the musical life of medieval Metz. As the name is likely a nickname or sobriquet (meaning ‘turned backward’ or ‘turned the wrong way’) the individual cannot be traced. Only one song, the more widely copied ''Or seroit merc ...
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Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French ('' langue d'oïl'') form of the '' langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word '' troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvères'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognate with Old French ''trover'', "to compose something in ...
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American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. Among the series it produces are the '' Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rame ...
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Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to '' Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alte ...
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Abecedarium
An abecedarium (also known as an abecedary or ABCs or simply an ABC) is an inscription consisting of the letters of an alphabet, almost always listed in order. Typically, abecedaria (or abecedaries) are practice exercises. Non-Latin alphabets Some abecedaria include obsolete letters which are not otherwise attested in inscriptions. For example, abecedaria in the Etruscan alphabet from Marsiliana (the Tuscan town) include the letters B, D, and O, which indicate sounds not present in the Etruscan language and are therefore not found in Etruscan inscriptions. Others, such as those known from Safaitic inscriptions, list the letters of the alphabet in different orders, suggesting that the script was casually rather than formally learned. Some abecedaria found in the Athenian Agora appear to be deliberately incomplete, consisting of only the first three to six letters of the Greek alphabet, and these may have had a magical or ritual significance. A deliberately incomplete abeced ...
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Gautier De Bregi
Gautier may refer to: People * Gautier or Walter of Pontoise (c. 1030 – c. 1099), French saint * Gautier le Leu, thirteenth-century French poet * Gautier (surname) Places * Gautier, Dominican Republic, a municipal district in the San Pedro de Macorís province *Gautier, Mississippi, a city in Jackson County, Mississippi, United States Other uses * Gautier furniture, French furniture manufacturer * Gautier-Languereau, French publishing house founded by Gautier and Maurice Languereau See also * Gaultier (other) * Gauthier *Gotye Wouter André De Backer (; born 21 May 1980), known professionally as Gotye ( , , ), is a Belgian-born Australian singer-songwriter and multi-instrumentalist. He is best known for his 2011 single "Somebody That I Used to Know" (featuring Kimbr ... (born 1980), Belgian-Australian musician, singer, songwriter * Vautier {{disambiguation, geo, hndis ...
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Gautier De Dargies
Gautier de Dargies (ca. 1170 – ca. 1240) was a trouvère from Dargies. He was one of the most prolific of the early trouvères; possibly twenty-five of his lyrics survive, twenty-two with accompanying melodies, in sixteen separate ''chansonniers.'' He was a major influence on contemporary and later trouvères, and one of the most recorded of medieval vernacular composers. Seventeen '' chansons courtoises'' can be assigned indubitably to Gautier, fifteen with music, and three more are probably his, all with music. He imported the Occitan genre of the '' descort'' into Old French and left behind three ''descorts'' with their melodies. He also participated in two ''jeux partis'', but only one with music. His theme everywhere was courtly love. Gautier appears in documents of the years 1195, 1202, and 1206 as a ''vavasour.'' By 1236, his latest appearance in documents, he had achieved the rank of a knight. His military career is obscure, but he probably participated in the Third ...
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Saint-Germain-des-Prés Chansonnier
Saint-Germain-des-Prés () is one of the four administrative quarters of the 6th arrondissement of Paris, France, located around the church of the former Abbey of Saint-Germain-des-Prés. Its official borders are the River Seine on the north, the ' on the west, between the ' and ' on the east, and the ' on the south. Residents of the quarter are known as '. The Latin quarter's cafés include , Café de Flore, le Procope, and the Brasserie Lipp, as well as many bookstores and publishing houses. In the 1940s and 1950s, it was the centre of the existentialist movement (associated with Jean-Paul Sartre and Simone de Beauvoir). It is also home to the , Sciences Po, the Saints-Pères biomedical university center of the University of Paris, the School for Advanced Studies in the Social Sciences, and the Musée national Eugène Delacroix, in the former apartment and studio of painter Eugène Delacroix. History The Middle Ages Until the 17th century the land where the quarter is lo ...
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Jeu-parti
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of France, French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan language, Occitan partimen (also known as ''partia'' or ''joc partit''). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the Puy d'Arras. Over 200 examples survive, of which around 180 are in the classic ...
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Oxford Chansonnier
Oxford () is a cathedral city and non-metropolitan district in Oxfordshire, England, of which it is the county town. The city is home to the University of Oxford, the oldest university in the English-speaking world; it has buildings in every style of English architecture since late Anglo-Saxon. Oxford's industries include motor manufacturing, education, publishing, science, and information technologies. Founded in the 8th century, it was granted city status in 1542. The city is located at the confluence of the rivers Thames (locally known as the Isis) and Cherwell. It had a population of in . It is north-west of London, south-east of Birmingham and north-east of Bristol. History The history of Oxford in England dates back to its original settlement in the Saxon period. The name “Oxford” comes from the Old English ''Oxenaforda'', meaning “ford of the oxen,” referring to a shallow crossing in the river where oxen could pass. The town was of strategic significanc ...
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Chansonnier De Noailles
A chansonnier (, , Galician and , or ''canzoniéro'', ) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers were compiled primarily in France, but also in Italy, Germany and in the Ibe ...
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