|
Bessie Brown
Bessie Brown (1890–1955) also known as "The Original" Bessie Brown, was an American classic female blues, jazz, and cabaret singer. She sometimes recorded under the pseudonyms Sadie Green, Caroline Lee, and possibly Helen Richards. Brown was active as a recording artist from 1925 to 1929. She should not be confused (although often is in biographies and discographies) with the Bessie Brown who recorded vaudeville and blues-styled duets with George W. Williams, over a similar timespan. Life and career Brown was born in Marysville, Ohio. She recorded between November 10, 1925, and April 1, 1929. In her concurrent vaudeville career, she sometimes performed as a male impersonator. She also appeared in revues, including ''Moonshine Revue'', ''The Whirl of Joy'' and ''Dark-Town Frolics'', and on the stage as a cabaret performer, primarily on the East Coast. On her recordings she sang in a deepened tone, without any notable African-American dialect. Thus, to more than one comment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marysville, Ohio
Marysville is a city in and the county seat of Union County, Ohio, United States, approximately 27 miles (44 km) northwest of Columbus. The population was 22,094 at the 2010 census, a 38.59% increase from 2000. Marysville's longtime slogan is "Where the Grass is Greener". In December 2008, the city was designated as a "Preserve America Community" by First Lady Laura Bush. History Origins Marysville was originally part of Northwest Territory, and then became part of the Virginia Military District within that territory, and eventually became part of the state of Ohio. One of the original surveyors of the area was James Galloway, Jr., who first visited in 1805. Marysville was founded in 1819 by Samuel W. Cuthbertson, who named the town after his daughter Mary, along the small waterway of Mill Creek. County seat designation After the organization of the county by the Ohio Legislature, Marysville was designated as the seat of Union County. The first recorded meeting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Industry
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porter Grainger
Porter Grainger ( Granger; October 22, 1891 − October 30, 1948) was an American pianist, songwriter, playwright, and music publisher. Biography When Grainger was born in Bowling Green, Kentucky, the Granger family name did not include an "i". Although the exact date at which Grainger changed his name is unknown, he registered for the World War I draft by signing his name "Grainger". At that time, he was living in Chicago, and by 1916, he had begun his professional career. In the spring of 1920 he left Chicago for New York City, and by 1924, he was living in Harlem. Working with another pianist and composer Bob Ricketts, in 1926, Grainger wrote and published the book ''How to Play and Sing the Blues Like the Phonograph and Stage Artists''. Though he would never really be known as an exceptional soloist in his own right, Grainger thrived as an accompanist, working with singers such as Fannie May Goosby, Viola McCoy, Clara Smith, and Victoria Spivey. From 1924 to 1928, he wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Holiday
Clarence Halliday (Baltimore, July 23, 1898 – Dallas, March 1, 1937), also known as Clarence Holiday, was an American musician. He was the father of the singer Billie Holiday. Early life In Baltimore he attended a boys' school with the banjo player Elmer Snowden. Both of them played banjo with various Baltimore jazz bands, including the band of Eubie Blake. At the age of 16, Holiday became the unmarried father of Billie Holiday, who was born to 19-year-old Sarah Fagan (later Sadie Harris). He rarely visited Harris or her daughter. He moved from Baltimore to Philadelphia when he was 21 years old. Career Holiday played rhythm guitar and banjo as a member of the Fletcher Henderson Orchestra (1928–33). He also recorded with Benny Carter (1934) and Bob Howard (1935) and worked with Charlie Turner (1935), Louis Metcalf (1935–36), and the Don Redman Big Band (1936–37). Death Holiday died in 1937. He was exposed to mustard gas while serving in World War I. Later, he fell il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Christian
Narcisse J. "Buddy" Christian (1895? - 1958?) was an American jazz banjoist, guitarist, and pianist. Christian worked professionally as a pianist starting in the early 1910s. He played in New Orleans with Peter Bocage in 1912-1913 and with King Oliver at Lala's Cafe in the middle of the decade. Around 1920 he moved to New York City, where he began playing banjo in addition to piano. He played with Lucille Hegamin, June Clark, and the Red Onion Jazz Babies, and played in the studio on Clarence Williams's sessions, including Eva Taylor and the Blue Five (with Louis Armstrong and Sidney Bechet Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic tempe ...). He can also be heard on Bessie Smith recordings made in 1923. In 1926, he recorded under his own name, and continued working as a session ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Bailey
William C. "Buster" Bailey (July 19, 1902 – April 12, 1967) was an American jazz clarinetist. Career history Early career Buster Bailey was taught clarinet by classical teacher Franz Schoepp, who also taught Benny Goodman. Bailey gained his start with W.C. Handy, W.C. Handy's Orchestra in 1917, when he was just fifteen years old. After two years of touring with Handy, Bailey quit the orchestra while the band was in Chicago. In 1919, Bailey joined Erskine Tate, Erskine Tate's Vendome Orchestra and remained with Tate until 1923 when he joined up with King Oliver, Joe "King" Oliver. As a member of King Oliver's Creole Jazz Band, Bailey met and became friends with Louis Armstrong, who was also a member of the band at that time. In 1924, Armstrong left King Oliver's Jazz Band to join Fletcher Henderson, Fletcher Henderson's Orchestra in New York. Within a month, Armstrong extended an invitation for Buster Bailey to join him as a member of Henderson's band. Bailey accepted and moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Fletcher Henderson")
.jpg "Click for more on -> Coleman Hawkins")