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Bessie Abbot
Bessie Abott (1878 – February 9, 1919) was an American operatic soprano who had an active international career during the early 20th century. She was particularly associated with the Paris Opera and the Metropolitan Opera, and excelled in performances of Italian and French operas of the Romantic Period. Biography Bessie Abott was one of twin daughters, Bessie and Jessie, born in Heuvelton, New York as Bessie Pickens to John Pickens Jr., and his wife, Frances Josephine Button. She utilized her grandmother's maiden name, Abbott, as her stage name and later dropped one "b" after she saw a misprinted theater program in Paris. Abott made her professional stage debut in a vaudeville act with her twin sister Jessie at Pickens Hall, which was built by her grandfather, John Pickens Sr. The act was known as the Abbott Sisters. In 1894 she was hired by Edward E. Rice to star in the American premiere of Ivan Caryll's ''Little Christopher Columbus'' at the Garden Theatre in New York. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heuvelton, New York
Heuvelton is a small rural, incorporated, village located in St. Lawrence County in the state of New York, United States. It is approximately southeast of the city of Ogdensburg, in the Town of Oswegatchie. It is the only village in the town. Route 812 bisects the village, and is named State Street within the village boundaries. As of the 2010 census, the village had a total population of 714. History Prior to settlement, a Native American tribe called the "Oswegatchie" inhabited the local area. The settlement that became Heuvelton was originally named "Fordsburgh" after Nathan Ford, the man who has since become known as the "Father of St. Lawrence County". He is known to have established a second home in the village (principal home in Ogdensburg) and assisted in some of the area's early development. Early on, the location was also called "East Branch," in reference to its location on the east branch of the Oswegatchie River. The current name was assumed in 1832 to honor Jaco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Christopher Columbus
''Little Christopher Columbus'' is a burlesque opera in two acts, with music by Ivan Caryll and Gustave Kerker and a libretto by George R. Sims and Cecil Raleigh. It opened on 10 October 1893 at the Lyric Theatre in London and then transferred to Terry's Theatre, running for a total of 421 performances, which was a very successful run at the time. May Yohé created the title role, and Furneaux Cook and E. J. Lonnen were in the cast. Mabel Love, Geraldine Ulmar and Florence St. John joined the cast as replacements. The piece was produced in 1894 in New York at the Garden Theatre and has enjoyed various tours and revivals over the years. Roles and original cast *O'hoolegan (Private Detective to Silas Block) – E. J. Lonnen *Capt. Joseph H. Slammer (of the S.S. "Chocktaw") – Harry Parker *The Mayor of Cadiz – Henry Wright *Don Juan (of the Spanish Police) – George Tate *Hotel Proprietor – Roland Carse *Silas Block (a Millionaire) – Furneaux Cook *Pedro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille (opera)
''Mireille'' is an 1864 opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mirèio. The vocal score is dedicated to George V of Hanover. Composition history Mistral had become well known in Paris with the publication of the French prose translation of ''Mireio'' in 1859, and Gounod probably knew the work by 1861.Huebner 1992. He was charmed by its originality, the story being much less contrived than many of those on the operatic stage at the time.Condé G. Mireille (notes for the 1979 EMI recording). The action of the opera is quite faithful to Mistral, although the sequence of events of the Val d’Enfer (Act 3, Scene 1) and Mireille's avowal of her love of Vincent to her father (Act 2 finale) are reversed in the opera. Gounod's biographer James Harding has argued that "what matters in this extended lyric poem is not the story but the rich tapestry of Provençal traditions, beliefs and customs that Mistral unfolds." Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathilde Marchesi
Mathilde Marchesi (née Graumann; 24 March 1821 – 17 November 1913) was a German mezzo-soprano, a singing teacher, and a proponent of the bel canto vocal method. Biography Marchesi was born in Frankfurt. Her father's last name was Graumann; her aunt was the pianist and friend of Beethoven, Dorothea von Ertmann (née Graumann). In her adolescence her family fortunes failed, so she travelled at the age of 22 to Vienna to study voice. Thereafter she went to Paris and studied with Manuel García II, who was to have the foremost influence on her. She made her debut as a singer in 1844, and had a short career in opera and recital. Her voice, however, was only adequate, so she moved to teaching in 1849. In 1852, she married Italian baritone Salvatore Marchesi (pseudonym of Salvatore de Castrone della Rajata) (d. 1908). It was in this field that she would become famous. She taught at the conservatory in Cologne and, in the 1870s at the Vienna Conservatory, where she tutored Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Capoul
Joseph Victor Amédée Capoul (27 February 1839 – 18 February 1924) was a French operatic lyric tenor with a graceful singing style. Forbes E., Steane J.B., "Victor Capoul". In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Early life Capoul was born in Toulouse on 27 February 1839. Career Victor Capoul began his studies in Toulouse. He was admitted to the Conservatoire de Paris in 1859, where, as a pupil of Révial (singing) and Mocker ( opéra comique), he won a first prize for the latter in 1861. He was engaged at the Opéra-Comique the same year and made his debut on 26 August as Daniel in Adolphe Adam's ''Le Chalet''. He sang other roles in the repertoire such as in ''La fille du régiment'', '' La part du diable'', ''La dame blanche'', ''Le pré aux clercs'' and ''L'étoile du nord'', until leaving in 1870. He also created the roles of Renaud in Lefébure-Wély's 1861 opera ''Les Recruteurs'', Eustache in ''Les Absents'' by Ferdinand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Bouhy
Jacques-Joseph-André Bouhy (18 June 1848 – 29 January 1929) was a Belgian baritone, most famous for being the first to sing the "Toreador Song" in the role of Escamillo in the opera ''Carmen''. Bouhy was born in Pepinster. After studying at the Liège Conservatory of Music, he made his début at the Paris Opéra as Méphistophélès (''Faust'') in 1871. He performed at the Opéra-Comique as Figaro (''Le Nozze di Figaro''), Escamillo (''Carmen'') in 1875. At the Comique he also created the role of ''Don César de Bazan'' in 1872. In 1882 he appeared at Covent Garden singing in ''Faust'' and ''Carmen''. He spent time in the United States as the first director of the National Conservatory of Music of America in New York City before returning to Paris to sing the High Priest in ''Samson et Dalila'' (1890). He was extremely popular with audiences, and counted Massenet among his admirers. Singers taught by him or who received instruction from him include Gervase Elwes, Clara Butt, Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De Reszke
Jean de Reszke (14 January 18503 April 1925) was a Polish tenor and opera star. Reszke came from a musically inclined family. His mother gave him his first singing lessons and provided a home that was a recognized music centre. His sister Josephine and younger brother Édouard performed in Western Europe, and Reszke would perform with each of them throughout his career. He began as a baritone, but after having been trained by Giovanni Sbriglia he found that he was better suited and was most proficient as a tenor. His performance of Meyerbeer's ''Robert le diable'' in Madrid in 1879, made him a notable singer. Reszke ranked as the foremost dramatic tenor from that point until his retirement from the stage. He performed at opera venues in Paris, London, and New York, including command performances for Queen Victoria. He was known for his desire to perform operas in the language in which they were written. Rather than taking the time-honored interpretation of the music and the char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
