Beside Yourself
''Beside Yourself'' is the seventeenth album (and third collection of outtakes) by the Australian psychedelic rock band The Church, released in October 2004. It consists of material recorded during the sessions for their 2003 album Forget Yourself and was only released in Australia, with a limited pressing of 500 copies. Some of the tracks had already been made available in the United States on the ''iTunes Exclusive Tracks'' EP and on the bonus disc given away with the U.S. release of ''Forget Yourself''. Track listing All songs written by Kilbey/Koppes/Powles/Willson-Piper #"Jazz" – 4:57 #"Hitspacebar" – 3:03 #"Crash/Ride" – 5:29 #"Moodertronic" – 4:17 #"Tel Aviv" – 3:03 #"Nervous Breakthrough" – 4:17 #"The Illusion Mysteries" – 4:40 #"Cantilever" – 9:43 #"Serpent Easy" – 14:46 The tracks "Serpent Easy", "Cantilever" and "Moodertronic" are available on the bonus disc given away with the US-only release of Forget Yourself. Personnel *Steve Kilbey †... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Church (band)
The Church are an Australian Rock music, rock band formed in Sydney in 1980. Initially associated with New wave music, new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of dream pop and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The ''Los Angeles Times'' has described the band's music as "dense, shimmering, exquisite guitar pop". The founding members were Steve Kilbey on lead vocals and bass guitar, Peter Koppes and Marty Willson-Piper on guitars, and Nick Ward on drums. Ward played only on their debut album, and the band's drummer for the rest of the 1980s was Richard Ploog. Jay Dee Daugherty (ex-Patti Smith Group) played drums from 1990 to 1993, followed by "timEbandit" Ti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Neo-psychedelia
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the 1980s spawned the subgenres dream pop and shoegazing. Characteristics Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Beat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cooking Vinyl
Cooking Vinyl is a British independent record label, based in Acton, London, England, founded in 1986 by former manager and booking agent Martin Goldschmidt and business partner Pete Lawrence. Goldschmidt remains the current owner and chairman, while Rob Collins is managing director. The company focuses on artist service-based deals where the artist retains ownership of their copyrights. History 1986–1992 Cooking Vinyl was set up in 1986 by former manager and booking agent Martin Goldschmidt and distribution manager Pete Lawrence, who initially ran the business as a part-time venture out of a spare room in Goldschmidt's council house in Stockwell, South London. In 1986 Cooking Vinyl recorded an impromptu live performance around a campfire at a folk festival by the singer Michelle Shocked, on a Sony Walkman with fading batteries. One of its first releases, Cooking Vinyl released the recording as The Campfire Tapes, and it sold 250,000 copies worldwide. In 1989, the company w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tim Powles
Timothy Guy Gerard Powles (born 21 December 1959) is a New Zealand music producer and artist. Also known as "timEbandit" Powles, his main instrument and first love was the drums and percussion in general, though over time he's become a dab hand on a medium-sized pile of instruments and gadgets, not to mention the studio itself- and virtual instruments as they occur. Early career Powles started his music career at Nelson College, which he attended from 1973 to 1977.''Nelson College Old Boys' Register, 1856–2006'', 6th edition He subsequently moved to Wellington and then Auckland to join the band Flight X-7. In the 1970s he won a scholarship to join the New Zealand Youth Orchestra in a training camp in Cambridge. His interest in both classical and rock orchestrations and ambience has continued throughout his career, and was instrumental in his becoming the drummer with the Australian-formed band The Church, with whom he was inducted into the ARIA Hall Of FAME in October 2010, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jammed (album)
''Jammed'' is the sixteenth album by the Australian alternative rock band The Church, released in August 2004. It was their second album of entirely improvised material, following the ''Bastard Universe'' bonus disc from ''Hologram of Baal'' (September 1998) and consists of only two extremely long tracks. It was only available from the band's website or at their gigs. Track listing All tracks by Kilbey/Koppes/Powles/Willson-Piper #"The Sexual Act" - 38:44 (instrumental) #"Interlock" - 20:00 (instrumental) Personnel * Steve Kilbey – bass guitar * Peter Koppes – guitar *Tim Powles Timothy Guy Gerard Powles (born 21 December 1959) is a New Zealand music producer and artist. Also known as "timEbandit" Powles, his main instrument and first love was the drums and percussion in general, though over time he's become a dab han ... – drums, percussion * Marty Willson-Piper – guitar References {{Authority control 2004 albums The Church (band) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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El Momento Descuidado
''El Momento Descuidado'' (a Spanish rendering of "''The Unguarded Moment''") is the eighteenth album by the Australian psychedelic rock band The Church, released in November 2004. The album followed the outtakes compilation ''Beside Yourself'' by only a month. This time, the band decided to revisit past material in an all-acoustic setting, along with five new songs. For the first time in years, they performed " The Unguarded Moment" (albeit in strongly modified form), an early hit from which they had long distanced themselves. As a nod to the song's reappearance, they titled the album ''El Momento Descuidado'' - a rough Spanish translation of its name. A short all-acoustic tour followed the release in late 2004. The album was nominated for an 2005 ARIA Music Award for Best Adult Contemporary album, but it lost to The Go-Betweens' ''Oceans Apart''. James Christoper Monger at AllMusic praised the album's "intimacy and intensity", stating that "for musicians who have made a car ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Forget Yourself
''Forget Yourself'' is the fifteenth album by the Australian alternative rock band The Church, released in October 2003. It was recorded at drummer Tim Powles' Spacejunk studios in Australia and features many straight-to-tape recordings with few overdubs. Around the time of ''Parallel Universe''s (late 2002) release, the Church returned to the studio to record another album, eventually entitled ''Forget Yourself''. Rather than fleshing the songs out over a long, gradual process, the band decided to keep the music as close to the original jam-based material as possible. Stylistically, this made for a much rawer sound, primarily recorded live and with minimal overdubs. As had become routine since '' Sometime Anywhere'' (May 1994), songs saw numerous instrument changes between members, with Powles playing guitar on "Sealine" and Willson-Piper switching to drums on "Maya." John D. Luersson at AllMusic described the album as "a timeless, magical disc that is easily as strong as anyt ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Steve Kilbey
Steven John Kilbey (born 13 September 1954) is an English Australians, English-Australian singer-songwriter and bass guitarist for the rock band The Church (band), the Church. He is also a music producer, poet, and painter. As of 2020, Kilbey has released 14 solo albums and has collaborated on recordings with musical artists such as Martin Kennedy, Stephen Cummings and Ricky Maymi as a vocalist, musician, writer and/or producer. Ian McFarlane writes that "Kilbey's solo recordings [are] challenging and evocative. They ran the gamut of sounds and emotions from electronic and avant-garde to acoustic and symphonic, joyous and dreamy to saturnine and sardonic". As of 2020, Kilbey has over 1000 original songs registered with Australian copyright agency Australasian Performing Right Association, Australasian Performing Right Association (APRA). Career 1957-1979: Early years Kilbey was born in Welwyn Garden City, England, UK, and moved to Australia with his parents at the age of five. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |