|
Bernadette Cullen
Bernadette Eileen Cullen is an Australian dramatic mezzo-soprano. Early years Born in Brisbane, she attended All Hallows High School. She received a diploma in kindergarten teaching from Kindergarten Teachers College in Sydney, New South Wales. Cullen worked as a kindergarten teacher in Brisbane and Sydney before entering what was then called the N.S.W. Conservatorium of Music (now the Sydney Conservatorium of Music) to undertake a Diploma of Operatic Art graduating in 1978. This degree was recognized by Sydney University in 2011. Operatic career She joined The Australian Opera's (now Opera Australia) Schools Programme as a principal artist in 1979, touring NSW schools performing in Sid the Serpent'. She then joined the OA chorus for a brief period in 1980. At that time her vocal coach was American Ernest St John Metz (known as Jack Metz). In 1991 she became a full time principal artist for the company, a position she held until 1990 when she moved to London to pursue and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Young
Simone Margaret Young AM (born 2 March 1961) is an Australian conductor. She is currently chief conductor of the Sydney Symphony Orchestra. Biography and career Young was born in Sydney, of Irish ancestry on her father's side and Croatian ancestry on her mother's. Young was educated at the Monte Sant' Angelo Mercy College in North Sydney. She studied composition, piano and conducting at the Sydney Conservatorium of Music. Commencing in 1983, Young worked at Opera Australia as a répétiteur under various conductors, including Charles Mackerras, Richard Bonynge, Carlo Felice Cillario and Stuart Challender. Young started her operatic conducting career at the Sydney Opera House in 1985. In 1986 she was the first woman and youngest person to be appointed a resident conductor with Opera Australia. She received an Australia Council grant to study overseas, and was named Young Australian of the Year. In her early years, she was assistant to James Conlon, and Kapellmeister, at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Opera Of Queensland
Opera Queensland is an opera company based in Brisbane, Queensland. The company was founded with funding from the Queensland State Government in 1981 under the name ''Lyric Opera of Queensland'' after the Queensland Opera Company was closed in December 1980. Opera Queensland is the state’s major creator of opera and music theatre, and delivers opera productions and related projects including three mainstage productions annually at the Queensland Performing Arts Centre (QPAC). Based in Brisbane the company presents works throughout the state. History For the first two years of operation (1982–1983) the ''Lyric Opera of Queensland'' performed at Her Majesty's Theatre in Brisbane. The first production, Gilbert and Sullivan's ''Iolanthe'', opened on 31 July 1982. In 1985, the Lyric Opera moved its productions to the newly opened Queensland Performing Arts Centre, where it continues to present its main stage productions each year. In 1996 the company changed its name to Opera Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Massimo
The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (at the time of its inauguration, it was - with its area of 7730 m² - the third largest opera house in Europe after the Palais Garnier in Paris, and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics. Construction and opening An international competition for the creation of the opera house was announced by the Palermo Council in 1864 at the instigation of the mayor, Antonio Starrabba di Rudinì. For many years there had been talk of building a large new theatre in Palermo, worthy of the second biggest city in southern Italy (after Naples) and designed to promote the image of the city following the unification of Italy in 1861. The opera house was designed, and overseen by the Italian architect Giovan Battista Filippo Basile, who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies of Scotland. Founded in 1962 and based in Glasgow, it is the largest performing arts organisation in Scotland. History Scottish Opera was founded by conductor Alexander Gibson in 1962. In 1975 it purchased the Theatre Royal in Glasgow from Scottish Television re-opening it as the first national opera house for Scotland in October 1975 with ''Die Fledermaus''. In March 2005, the management of the Theatre Royal was transferred to the Ambassador Theatre Group, but remains the home of Scottish Opera and of Scottish Ballet. Scottish Opera dealt with various financial troubles, related to lack of funding and accusations of fiscal profligacy, during the first part of the 2000s. Its cycle of Richard Wagner's ''Ring'' was critically acclaimed, but also was highly draining of the company's financial resources. In 2004, a financial restructuring plan had called for the elimin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Of Wales
Princess of Wales (Welsh: ''Tywysoges Cymru'') is a courtesy title used since the 14th century by the wife of the heir apparent to the English and later British throne. The current title-holder is Catherine (née Middleton). The title was first used in an independent Wales by Eleanor de Montfort, the English bride of Llywelyn ap Gruffydd. Background Historically, several wives of native Welsh princes were theoretically princesses of Wales while their husbands were in power. Joan (or Siwan), Isabella de Braose and Elizabeth Ferrers were all married to princes of Wales, but it is not known if they assumed a title in light of their husbands' status. Prior to 'Princess' (Welsh: ) the title of 'Queen' (Welsh: ) was used by some spouses of the rulers of Wales. Examples are Angharad ferch Owain, wife of Gruffudd ap Cynan, and Cristin verch Goronwy, wife Gruffudd's son, Owain Gwynedd (specifically, she was known as 'Queen Dowager'). Eleanor de Montfort is the first consort show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Charles Mackerras
file:Sir Charles Mackerras.jpg, Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conducting, conductor. He was an authority on the operas of Leoš Janáček, Janáček and Wolfgang Amadeus Mozart, Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra. He also specialized in Czech music as a whole, producing many recordings for the Czech label Supraphon. Early life and education Mackerras was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin. His father was an electrical engineer and a Quaker. Mackerras grew up in a very musical family and his mother was immensely cultured. In 1928, when Charles was aged two, the family returned to Sydney, Australia. They initially lived in the suburb of Rose Bay, New South Wales, Rose Bay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Rizzi (conductor)
Carlo Rizzi (born 19 July 1960, Milan, Italy) is an Italian conductor. Biography One of three children born to a chemist father and an accountant mother, Rizzi studied music at the Milan Conservatory. He later was a conducting student of Vladimir Delman, in Bologna, and with Franco Ferrara in Siena. His opera conducting debut was in 1982, with Donizetti's ''L'ajo nell'imbarazzo''. In 1985, he won the first Toscanini Conductor's Competition in Parma. Rizzi made his UK conducting debut at the 1988 Buxton Festival with Donizetti's ''Torquato Tasso'', and subsequently conducted productions at the Royal Opera House, Covent Garden and Opera North. In August 1992, he became music director of Welsh National Opera (WNO), and served in the post through 2001. He learned to speak Welsh during his tenure. In 2004, following the sudden resignation of Tugan Sokhiev, Rizzi's successor at WNO, Rizzi returned as WNO's music director, which was expected to be initially for a period of 2 years. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Académie Royale de Musique, Opéra rather than for the Opéra-Comique, Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restraine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
