Berliner Kammeroper
The Berliner Kammeroper was a Berlin opera company with changing venues, founded in 1981 by Henry Akina and . Around seventy works of music theatre, mostly rarely or previously unperformed, from various genres were developed, including proper chamber opera as well as pre-classical opera and contemporary repertoire. Since 2004, the Berliner Kammeroper has concentrated on the development of contemporary chamber operas and world premieres. All productions were Berlin premieres. Many productions were developed as domestic and foreign co-productions or went on tour. From 1996 to 2002 Brynmor Jones was artistic director and from 2002 to 2012 the artistic direction was held by . In 2012/13, the management team consisted of Katharina Tarján (dramaturgy/public relations) and Karin Lindner (production management). In 2013, the performances were discontinued. The productions were shown in various Berlin venues, including the Konzerthaus Berlin, the Admiralspalast, the , the former , the Han ...
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Chamber Opera
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's '' Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin, William Walton, and Philip Glass have written in this genre. Instrumentation for chamber operas vary: Britten scored ''The Rape ...
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Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ...
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Artistic Director
An artistic director is the executive of an arts organization, particularly in a theatre or dance company, who handles the organization's artistic direction. They are generally a producer and director, but not in the sense of a mogul, since the organization is generally a non-profit organization. The artistic director of a theatre company is the individual with the overarching artistic control of the theatre's production choices, directorial choices, and overall artistic vision. In smaller theatres, the artistic director may be the founder of the theatre and the primary director of its plays. In larger non-profit theatres (often known in Canada and the United States as regional theatres), the artistic director may be appointed by the board of directors. Overview The artistic director of a performing dance company is similar to the musical director of an orchestra, the primary person responsible for planning a company's season. The artistic director's responsibilities can in ...
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Konzerthaus Berlin
The Konzerthaus Berlin is a concert hall in Berlin, the home of the Konzerthausorchester Berlin. Situated on the Gendarmenmarkt square in the central Mitte district of the city, it was originally built as a theater. It initially operated from 1818 to 1821 under the name of the Schauspielhaus Berlin, then as the Theater am Gendarmenmarkt and Komödie. It became a concert hall after the Second World War, and its name changed to its present one in 1994. The Konzerthausorchester Berlin is the resident orchestra of the Konzerthaus Berlin. The concert hall also hosts Young Euro Classic every summer, an international festival of youth orchestras. History National-Theater (1802–1817) The building's predecessor, the ''National-Theater'' in the Friedrichstadt suburb, was destroyed by fire in 1817. It had been designed by Carl Gotthard Langhans, and was inaugurated on 1 January 1802. Königliches Schauspielhaus (1817–1870) The new hall was designed by Karl Friedrich Schinkel betw ...
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Admiralspalast
The Admiralspalast (German for ''admiral palace'') is a 1,756-seat theatre on Friedrichstraße in the Mitte district of Berlin, Germany. Opened in 1910, it is one of the few preserved variety venues of the pre-World War II era in the city. As a place of amusement the Admiralspalast originally included a skating rink, a public bath, bowling alleys, a café and a cinema open day and night. After World War I it changed to a revue theatre, starting with the show ''Drunter und drüber'' by Walter Kollo, later continued by the performance of operettas. As the building suffered little damage from World War II bombing, it was home to the Berlin State Opera until the reconstruction of the Berlin State Opera house in 1955. On April 21–22 1946, the Social Democratic Party of Germany and the Communist Party of Germany in the Soviet occupation zone held a convention at the Admiralspalast where they merged to become the Socialist Unity Party of Germany. The performance of revues and o ...
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Hebbel-Theater
The Hebbel-Theater (Hebbel Theatre) is a historic theatre building for plays in Berlin-Kreuzberg, Germany. It has been a venue of the company Hebbel am Ufer (HAU) from 2003. The theatre, with approximately 800 seats, was built by Oskar Kaufmann in 1907/08 in Jugendstil. The corner building is integrated into the row of houses. It was an early and unique work by the theatre architect, and established his fame as a master theatre builder who then created five more theatres in Berlin. The Hebbel-Theater thrived in the 1920s. It was the only Berlin play theatre to survive World War II almost without damage. The Hebbel-Theater, the and the Theater am Ufer are all venues of HAU. History History and construction period In May 1906, the Hungarian theatre director (aka Jenö Kovázs) planned the construction of a Schauspielhaus in Berlin with the intention of staging popular and modern acting there. He remembered having seen a bedroom's design at an exhibition in Wertheim the same ...
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Opera Houses In Germany
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Musical Groups From Berlin
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...