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Berlin Staatsoper
The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ''Königliche Oper'' (Royal Opera) from 1743, it was renamed as the ''Preußische Staatsoper'' (Prussian State Opera) in 1919, then as the ''Deutsche Staatsoper '' in 1955. Until 1990, it housed the state opera of East Germany. Since 1990, it is officially called the ''Staatsoper Unter den Linden'' (State Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unter Den Linden
Unter den Linden (, "under the linden trees") is a boulevard in the central Mitte district of Berlin, the capital of Germany. Running from the City Palace to Brandenburg Gate, it is named after the linden (lime in England and Ireland, not related to citrus lime) trees that line the grassed pedestrian mall on the median and the two broad carriageways. The avenue links numerous Berlin sights, landmarks and rivers for sightseeing. Overview Unter den Linden runs east–west from the site of the Stadtschloss royal palace (main residence of the House of Hohenzollern) at the Lustgarten park, where the demolished Palace of the Republic once stood, to Pariser Platz and Brandenburg Gate. Eastward the boulevard crosses the Spree river at Berlin Cathedral and continues as Karl-Liebknecht-Straße. The western continuation behind Brandenburg Gate is Straße des 17. Juni. Major north–south streets crossing Unter den Linden are Friedrichstraße and Wilhelmstrasse. Unter den Linden, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wanstead House
Wanstead House was a mansion built to replace the earlier Wanstead Hall. It was commissioned in 1715, completed in 1722 and demolished in 1825. Its gardens now form the municipal Wanstead Park in the London Borough of Redbridge. History Construction Sir Richard Child gathered large estates, including Wanstead Manor, partly by his 1703 marriage to Dorothy Glynne, whose mother was of the Tylney family of Tylney Hall in Rotherwick, Hampshire. In 1715 Child commissioned the Scottish architect Colen Campbell to design a grand mansion in the then emerging Neo-Palladian style, to replace the former house, and to rival contemporary mansions such as Blenheim Palace. When completed in 1722 it covered an area of . by , the facade having a portico with six Corinthian columns, the earliest in England. Heirs During the house's construction, in 1718, Child had been created 1st Viscount Castlemaine. When Child's wife's cousin Ann Tylney died in 1730, Dorothy and her husband Viscount Castlem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Lustigen Weiber Von Windsor
''The Merry Wives of Windsor'' (German: ''Die lustigen Weiber von Windsor'') is an opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on the play ''The Merry Wives of Windsor'' by William Shakespeare. The opera is a ''Singspiel'', containing much spoken dialogue between distinct musical numbers. The opera remains popular in Germany, and the overture is sometimes heard in concert in other countries. Composition history Otto Nicolai composed the music from 1845 to 1849. He had previously achieved great success with a few Italian operas, but this opera was to become his masterpiece in the German language. The composer himself made some changes to the libretto. Performance history It was difficult at first to find a stage that was willing to mount the opera. Following the premiere at the Königliches Opernhaus (Royal Opera House, now Berlin State Opera) in Berlin on 9 March 1849 under the baton of the composer, it proved unsuccessful at first, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ein Feldlager In Schlesien
''Ein Feldlager in Schlesien'' (''A Camp in Silesia'') is a Singspiel in three acts by Giacomo Meyerbeer with a German-language libretto by Ludwig Rellstab after Eugène Scribe's ''Le camp de Silésie''. It was first performed at the Hofoper, Berlin, on 7 December 1844; a version with a revised libretto by Charlotte Birch-Pfeiffer, titled ''Vielka'', opened in Vienna on 18 February 1847. Much material from the opera was later reused for Meyerbeer's opéra comique ''L'étoile du nord'' (1854). Background Shortly after Meyerbeer arrived in Berlin in 1842 the opera house was destroyed by a fire. Meyerbeer was invited to compose a brand new work for the festive occasion of the reopening of the opera house. The reigning Prussian king at the time was Frederick William IV, of the house of Hohenzollern. What better theme for this opera than a work celebrating the king's famous ancestor, Frederick the Great? But there was one problem; members of the ruling Hohenzollern family could not be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Ferdinand Langhans
Carl Ferdinand Langhans (14 January 1782 – 22 November 1869) was a Prussian architect whose specialty was designing theaters. Born in Breslau (Wrocław), Silesia, Langhans was the son of the architect Carl Gotthard Langhans. Langhans' designs included opera houses in Berlin and Leipzig, theaters in Breslau and Liegnitz, and the Berlin palace (''Altes Palais'') of Kaiser Wilhelm I. He is also remembered for his innovative pleorama entertainment. Langhans died in Berlin. His grave is preserved in the Protestant ''Friedhof III der Jerusalems- und Neuen Kirchengemeinde'' (Cemetery No. III of the congregations of Jerusalem's Church and New Church) in Berlin-Kreuzberg, south of Hallesches Tor The Hallesches Tor was located in today's Berlin district Kreuzberg south of Mehringplatz. Today, as a historic monument listed underground station on the site of the former gate bears the name ''Hallesches Tor''. It is a major transfer point f .... ReferencesArtcyclopedia links fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical ''tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Taubert
Carl Gottfried Wilhelm Taubert (23 March 1811 – 7 January 1891) was a German pianist, composer, and conductor, and the father of philologist and writer Emil Taubert. Life Born in Berlin, Taubert studied under Ludwig Berger (piano) and Bernhard Klein (composition). In 1831, he became assistant conductor and accompanist for Berlin court concerts. Between 1845 and 1848, he was music director of the Berlin Royal Opera and was also court conductor in Berlin from 1845 to 1869. From 1865, he taught music at the Prussian Academy of Arts; Theodor Kullak was one of his pupils. His compositions include six operas, incidental music, four symphonies, concertos for piano and cello, four string quartets, other orchestral, choral, and piano works, and more than 300 songs. His early compositions were praised by the composer Felix Mendelssohn, who had also studied piano with Berger. Taubert died in Berlin. His grave is preserved in the Protestant "Friedhof I der Jerusalems- und Neuen Kirchengem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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