Beograd, Uživo '97 – 1
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Beograd, Uživo '97 – 1
''Beograd, uživo '97 – 1'' (trans. ''Belgrade, Live '97 - 1'') is the first disc of the fourth live album by Serbian and former Yugoslav rock band Riblja Čorba, released in 1997. ''Beograd, uživo '97 - 1'' was followed by '' Beograd, uživo '97 - 2'', as the band, instead of releasing a double live album, opted for two separate releases. Album was recorded on Riblja Čorba concert held on June 1, 1997, on Belgrade's Tašmajdan Stadium.Riblja Čorba chronology
Retrieved 9 November 2014


Track listing

#"Zvezda potkrovlja i suterena" - 4:45 #"Volim i ja vas" - 3:42 #"Ljubomorko" - 3:57 #"Gnjilane" - 7:51 #"Priča o Džigi Bau" - 7:15 #"Gastarbajterska pesma" - 7:37 #"Baba Jula" - 4:51 #"Danas nema mleka" - 5:48 #"Jedino moje" - 5:19 #"Neću da ispadne ...
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Riblja Čorba
Riblja Čorba ( sr-Cyrl, Рибља Чорба, pronounced ; translation: lit. ''Fish Stew'') is a Serbian and former Yugoslav rock band formed in Belgrade in 1978. The band was one of the most popular and most influential acts of the Yugoslav rock scene. Riblja Čorba was formed in 1978 by vocalist Bora Đorđević, guitarist Rajko Kojić, bass guitarist Miša Aleksić and drummer Vicko Milatović. Their debut release, the single "Lutka sa naslovne strane" (1978), saw huge success and launched them to fame. They were soon joined by guitarist Momčilo Bajagić "Bajaga", the new lineup releasing the album ''Kost u grlu'' (1979), which was, largely due to Đorđević's social-related lyrics, a huge commercial and critical success. Their following releases, '' Pokvarena mašta i prljave strasti'' (1981), ''Mrtva priroda'' (1981) and '' Buvlja pijaca'' (1982) launched them to the top of the Yugoslav rock scene; Đorđević's provocative social- and political-related lyrics were pra ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Hi-Fi Centar
Hi-Fi Centar was a record label based in Belgrade, Serbia. The company was originally formed in 1987 as a music store and was originally named Audio Klub Centar. In 1993 it changed the name to Hi-Fi Centar and moved to record publishing. During the 1990s it reissued albums by Atheist Rap, Bijelo Dugme, Parni Valjak, Prljavo Kazalište, YU Grupa, and others, and during the late 1990s and early 2000s it released albums by the top acts of the Serbian rock scene, such as Đorđe Balašević, Neverne Bebe, Partibrejkers, Riblja Čorba, Van Gogh, and others. Artists Some of the artist that have been signed to Hi-Fi Centar include: *Atheist Rap *Bajaga i Instruktori *Bijelo Dugme *Đorđe Balašević *Hari Mata Hari * Bilja Krstić & Bistrik Orchestra * Madame Piano *Neverne Bebe *Partibrejkers *Riblja Čorba *Van Gogh ReferencesHi-Fi Centar at Discogs See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record lab ...
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Treći Srpski Ustanak
''Treći srpski ustanak'' (trans. ''The Third Serbian Uprising'') is a compilation album from Serbian and former Yugoslav rock band Riblja Čorba, released in 1997. The album features a choice of Riblja Čorba songs with political-related lyrics recorded and released between 1981 and 1996. Album also features the tracks "Snage opozicije", (recorded in 1985 for the album ''Istina'', but unreleased), "Pacovi iz podruma" (recorded in 1986, previously unreleased), "Crni mercedes" (from the band's frontman Bora Đorđević's solo album ''Bora priča gluposti''), "Seljačine" and "Baba Jula" (from Đorđević's solo album ''Njihovi dani'') and the new song "Volim i ja vas" (recorded in 1997). Track listing #"Na zapadu ništa novo" - 3:03 #"Slušaj sine, obriši sline" - 2:48 #"Kako je lepo biti glup" - 2:17 #"Džukele će me dokusuriti" - 3:17 #"Pogledaj dom svoj, anđele "Pogledaj dom svoj, anđele" (title of Thomas Wolfe's novel ''Look Homeward Angel'' in Serbian) is a song by the ...
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Beograd, Uživo '97 – 2
''Beograd, uživo '97 – 2'' (trans. ''Belgrade, Live '97 – 2'') is the second disc of the fourth live album by Serbian and former Yugoslav rock band Riblja Čorba, released in 1997. ''Beograd, uživo '97 - 2'' was preceded by '' Beograd, uživo '97 - 1'', as the band, instead of releasing a double live album, opted for two separate releases. Album was recorded on Riblja Čorba concert held on June 1, 1997, at Tašmajdan Stadium in Belgrade.Riblja Čorba chronology
Retrieved 9 November 2014


Track listing

#"Dva dinara druže"- 6:50 #"Vetar duva, duva, duva" - 1:48 #"Dobro jutro" - 5:38 #"Južna Afrika '85 (Ja ću da pevam)" - 4:46 #"Amsterdam - 5:10 #"Avionu slomiću ti krila" - 4:14 #"Zelena trava doma mog" - 3:50 #"Kada padne noć (Upomoć)" - 7:54 ...
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Belgrade
Belgrade ( , ;, ; Names of European cities in different languages: B, names in other languages) is the Capital city, capital and List of cities in Serbia, largest city in Serbia. It is located at the confluence of the Sava and Danube rivers and the crossroads of the Pannonian Basin, Pannonian Plain and the Balkan Peninsula. Nearly 1,166,763 million people live within the administrative limits of the City of Belgrade. It is the third largest of all List of cities and towns on Danube river, cities on the Danube river. Belgrade is one of the List of oldest continuously inhabited cities, oldest continuously inhabited cities in Europe and the world. One of the most important prehistoric cultures of Europe, the Vinča culture, evolved within the Belgrade area in the 6th millennium BC. In antiquity, Thracians, Thraco-Dacians inhabited the region and, after 279 BC, Celts settled the city, naming it ''Singidunum, Singidūn''. It was Roman Serbia, conquered by the Romans under the reign ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Bora Đorđević
Borisav "Bora" Đorđević ( sr-cyr, Борисав, Бора Ђорђевић; born 1 November 1952), also known as Bora Čorba ( sr-cyr, Бора Чорба), is a Serbian singer, songwriter, and poet. He is best known as the frontman of the rock band Riblja Čorba. Renowned for his brand of poetic lyrics and husky baritone voice, Đorđević is widely considered one of the top and most influential authors of the Serbian and Yugoslav rock scene. Early life Čačak years Đorđević was born in Čačak in 1952 to machinist father Dragoljub and mother Nerandža, professor of Serbian. At age thirteen, he formed his first band, Hermelini (trans. ''The Ermines''), with Borko Ilić (lead guitar), Prvoslav Savić (rhythm guitar), and Aca Dimitrijević (drums). Đorđević played bass guitar and the band's sound was influenced by the Zagreb-based beat band . Two years later Đorđević switched to rhythm guitar and began writing song lyrics and poetry. One of his earliest songs/p ...
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Vidoja Božinović
Vidoja Božinović (Serbian Cyrillic: Видоја Божиновић, born 3 October 1955), also known as Džindžer (transliteration for ''Ginger''), is a Serbian musician. He is best known as the guitarist for the Serbian and former Yugoslav rock band Riblja Čorba. Biography Vidoja Božinović started his career in 1974 as the guitarist for the band Dim Bez Vatre. After the group disbanded Božinović joined band Mirjan. In 1976 he joined progressive rock band Pop Mašina, whose member was already his brother Zoran Božinović. After Pop Mašina disbanded in 1978 Vidoja Božinović joined Dah. In 1979 he became a member of the last Opus lineup. In 1980 former Pop Mašina members Robert Nemeček and Božinović brothers formed hard rock band Rok Mašina. They released their self-titled debut album ''Rok Mašina'' in 1981, only to disband a year later. Songs they recorded during 1982 were released on the album ''Izrod na granici''. During 1984 Božinović performed with jaz ...
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Miša Aleksić
Miroslav "Miša" Aleksić (Serbian Cyrillic: Мирослав Миша Алексић, 16 August 1953 — 29 November 2020) was a Serbian musician, best known as the bass guitarist for the Serbian and former Yugoslav rock band Riblja Čorba. Biography Miša Aleksić started his career in 1970 in a band called Royali as their bass guitarist and vocalist. In 1970 the band won second place at the contest organized by editors of Radio Belgrade show ''Veče uz radio''. In 1971, Aleksić went to United States of America where he graduated at Pikesville High School in Pikesville, Maryland. With other students he formed rockabilly band Shih-Muh-Fuh (abbreviation from Shit Motherfucker). Influenced by the music of Grand Funk Railroad, Deep Purple and Led Zeppelin, after returning to Yugoslavia, Aleksić formed SOS with Dragan Štulović (guitar), Dragan Tasić (guitar) and Stevan Stevanović (drums). After Tasić left the band SOS continued performing as a trio. In 1977 Štulović and St ...
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