Benny Golson Quartet
''Benny Golson Quartet'', also released as ''Up, Jumped, Spring'', is an album by saxophonist/composer Benny Golson that was recorded in 1990 and originally released by the LRC Ltd. label. accessed March 22, 2019 Reception The review by Scott Yanow said " the music is excellent ... Golson is heard throughout in top form, stretching himself on Freddie Hubbard's "Up Jumped Spring" (listed as an original called "Up, Jump, Spring!"), Kenny Barron's "Voyage" and his own "Stable Mates." On the latter, Golson plays an effective and intense duet with drummer Reedus. 61 at the time, Benny Golson is heard here at the peak of his powers".[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Goodbye (Gordon Jenkins Song)
"Goodbye" (sometimes written "Good-Bye") is a song by American composer and arranger Gordon Jenkins, published in 1935. It became well known as the closing theme song of the Benny Goodman orchestra. Jenkins had written the song when working with the Isham Jones orchestra, and Jones allegedly rejected it as it was "too sad". Music critic Alec Wilder described "Goodbye" as "as sad a song I know" and Leonard Feather called it among his "top ten songs it would be hardest to tire of hearing". Origin Jenkins' son, the sportswriter Bruce Jenkins, wrote a biography of his father entitled ''Goodbye: In Search of Gordon Jenkins''. While researching the biography, Jenkins interviewed the singer Martha Tilton, who had performed with the Benny Goodman orchestra. Tilton revealed that the song was written by Jenkins after the death of his first wife in childbirth. Recordings The song was used as the closing theme for radio broadcasts by the Benny Goodman orchestra. They recorded it on Septemb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tony Reedus
Tony Reedus (22 September 1959 – 16 November 2008) was an American jazz drummer. Reedus first gained attention performing in Woody Shaw's band during the 1980s. He played with Dave Stryker, Mulgrew Miller, Art Blakey, Mike Nock, Kenny Garrett, James Williams, and Anthony Wonsey, among others, and recorded three albums as a leader. He died of a pulmonary embolism at Kennedy Airport at the age of 49. He had just returned from a tour in Italy with pianist Mike LeDonne. Discography As leader * ''The Far Side'' (Jazz City, 1988) * ''Incognito'' (Enja, 1989) * ''Minor Thang'' ( Criss Cross, 1996) * ''People Get Ready'' (Sweet Basil, 1998) As sideman With Joanne Brackeen *'' Power Talk'' (Turnipseed, 1994) With Robin Eubanks & Steve Turre * '' Dedication'' ( JMT, 1989) With Kenny Garrett * ''Introducing Kenny Garrett'' (Criss Cross 1985) * ''Garrett 5'' (Bellaphon 1989) * ''African Exchange Student'' (Atlantic Jazz 1990) With Benny Golson *'' Benny Golson Quartet Live'' (Dre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rufus Reid
Rufus Reid (born February 10, 1944, in Atlanta, Georgia) is an American jazz bassist, educator, and composer. Biography Reid was raised in Sacramento, California, where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass. After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass. Rufus Reid's major professional career began in Chicago and continues since 197 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mulgrew Miller
Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on. After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. Miller was Director of Jazz Studies at William Paterso ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Haven Gillespie
James Lamont Gillespie (February 6, 1888 – March 14, 1975) pen name Haven Gillespie, was an American Tin Pan Alley composer and lyricist. He was the writer of "You Go to My Head", "Honey", "By the Sycamore Tree", "That Lucky Old Sun", " Breezin' Along With The Breeze", " Right or Wrong," " Beautiful Love", "Drifting and Dreaming", and "Louisiana Fairy Tale" (Fats Waller's recording of which was used as the first theme song in the PBS Production of ''This Old House''), each song in collaboration with other people such as Beasley Smith, Ervin R. Schmidt, Richard A. Whiting, Wayne King, and Loyal Curtis. He also wrote the seasonal standard "Santa Claus Is Comin' to Town". Life and career Gillespie was one of nine children of Anna (Reilley) and William F. Gillespie. The family was poor and lived in the basement of a house on Third Street between Madison Avenue and Russell Street in Covington, Kentucky. Gillespie dropped out of school in grade four and could not find a job. His ol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |