|
Benjamin Feliksdal
Benjamin Feliksdal (born 22 January 1940, in Den Helder) is a Dutch ballet dancer. He has danced as soloist and principal dancer with Het Nederlandse Ballet 1960, Het Nationale Ballet 1961/1971, and with the Royal Ballet of Flanders 1972/1973. Professional career Feliksdal began his professional dance-training in 1955 in Amsterdam. He was taught classical ballet and modern dance by well-known Dutch pedagogues such as Florrie Rodrigo, Ineke Sluiter and Lucas Hoving. To finish his training he went to Rome in 1959 to study with the Dutch dancer and teacher Pieter van der Sloot and to the Rambert School of Ballet in London for special coaching. In September 1960 he joined Het Nederlands Ballet under the direction of Sonia Gaskell. One year later, in 1961, he joined the Dutch National Ballet, again with artistic leader Sonia Gaskell, and since 1965 with co-artistic leader Rudi van Dantzig. During his performing career with Het Nationale Ballet he was a principal dancer, partne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Feliksdal
Benjamin Feliksdal (born 22 January 1940, in Den Helder) is a Dutch ballet dancer. He has danced as soloist and principal dancer with Het Nederlandse Ballet 1960, Het Nationale Ballet 1961/1971, and with the Royal Ballet of Flanders 1972/1973. Professional career Feliksdal began his professional dance-training in 1955 in Amsterdam. He was taught classical ballet and modern dance by well-known Dutch pedagogues such as Florrie Rodrigo, Ineke Sluiter and Lucas Hoving. To finish his training he went to Rome in 1959 to study with the Dutch dancer and teacher Pieter van der Sloot and to the Rambert School of Ballet in London for special coaching. In September 1960 he joined Het Nederlands Ballet under the direction of Sonia Gaskell. One year later, in 1961, he joined the Dutch National Ballet, again with artistic leader Sonia Gaskell, and since 1965 with co-artistic leader Rudi van Dantzig. During his performing career with Het Nationale Ballet he was a principal dancer, partne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prisoner Of The Caucasus (opera)
''Prisoner of the Caucasus'' (''Кавказский пленник'' in Cyrillic, ''Kavkazskij plennik'' in transliteration) is an opera in three acts, composed by César Cui. The libretto is credited to Viktor Krylov, and is based on Alexander Pushkin's 1822 poem '' The Prisoner of the Caucasus''. The English title has been rendered also as ''Prisoner in the Caucasus'' and ''The Captive in the Caucasus''. The opera was preceded on the Russian stage by choreographer Charles Didelot's ballet of 1825. Composition The opera was composed in three versions. The first, in 1857–1858, consisted of only two acts (which later became Acts I and III), but its staging was cancelled due to poor orchestration and insufficient length. Meanwhile, the overture, orchestrated by Mily Balakirev, could be heard in concerts. Many years later, Cui decided to revise the two-act work: during 1881-1882 he added a new middle act (Act II) and another dance to Act III. This version constituted the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade (ballet)
''Serenade'' is a ballet by George Balanchine to Tchaikovsky's 1880 '' Serenade for Strings in C'', Op. 48. Serenade is credited as being George Balanchine's first full-length ballet in America. Using the students of his newly formed School of American Ballet, Balanchine choreographed this ballet for an American audience that had not been widely exposed to ballet before.Bird, "Principles of Choreography as Exemplified in the Works of George Balanchine" (1980). Master's Theses. 1851 Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where '' Mozartiana'' had been danced the previous day. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miraculous Mandarin
''The Miraculous Mandarin'' ( hu, A csodálatos mandarin, translit= ˈt͡ʃodaːlɒtoʃ}, ; german: Der wunderbare Mandarin) Op. 19, Sz. 73 (BB 82), is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music. Synopsis # Beginning—Curtain rises # First seduction game # Second seduction game # Third seduction game—the Mandarin enters # Dance of the girl # The chase—the tramps leap out # Suddenly the Mandarin's head appears # The Mandarin falls to the floor After an orchestral introduction depicting the chaos of the big city, the action begins in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Barocco
''Concerto Barocco'' is a neoclassical ballet made for students at the School of American Ballet by George Balanchine, subsequently ballet master and co-founder of New York City Ballet, to Johann Sebastian Bach's Concerto in D minor for Two Violins, BWV 1043. After an open dress rehearsal on May 29, 1941, in the Little Theatre of Hunter College, New York, the official premiere took place June 27, 1941, at Teatro Municipal in Rio de Janeiro as part of American Ballet Caravan's South American tour. ''Concerto Barocco'' subsequently entered the repertory of the Ballet Russe de Monte Carlo, premiering on September 9, 1945, at New York City Center.Martin, John"THE DANCE: BALLET RUSSE: Monte Carlo Company to Present New Works in City Center Season,"''New York Times'' (August 26, 1945). The New York City Ballet premiere was October 11, 1948, as one of three ballets on the program of its first performance at New York City Center. Three years later, in 1951, Balanchine replaced th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Designs With Strings
''Designs with Strings'', also ''Designs for Strings'' (french: Dessins pour six or ''pour les six''; da, Variationer), is a ballet choreographed by John Taras to music from the second movement of Tschaikovsky's Trio in A minor. It was first performed on 6 February 1948 in Edinburgh by the Metropolitan Ballet Metropolitan Ballet was a short lived British ballet company. Founded in 1947 by Cecelia Blatch and Leon Hepner, the company performed in London and on tour in the provinces and abroad, staging shortened versions of the classics, some of the Diaghi .... References Sources *''The Oxford Dictionary of Dance'' (p.131), Debra Craine, Judith Mackrell, 2nd ed 2010 ] 1948 ballet premieres Ballets by John Taras Ballets to the music of Pyotr Ilyich Tchaikovsky {{ballet-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night Island (ballet)
Night Island may refer to: * Night Island (Queensland), Great Barrier Reef Marine Park west of Cape Melville, Queensland, Australia * Night Island (Tasmania), Preservation Island Group, Tasmania, Australia {{geodis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle (ballet)
''Jungle'' is a ballet composed by the Dutch composer Henk Badings in 1959. It was choreographed by Rudi van Dantzig for the Dutch National Ballet, with sets and costumes by Toer van Schayk Toer van Schayk (born 28 September 1936) is a Dutch ballet dancer, choreographer, scenic and costume designer, painter, and sculptor. Along with Rudi van Dantzig and Hans van Manen, he is one of the creative triumvirate that brought the Dutch Nati ..., and premiered on 20 December 1961 in Amsterdam.Rudi van Dantzig (unpaginated) References Sources * Leo Samama, Hylke van Lingen, 2006: ''Nederlandse muziek in de 20-ste eeuw'', p.164. AUP Salomé: Amsterdam * Rudi van Dantzig, 2013: ''Herinneringen aan Sonia Gasjkell''. De Arbeiderspers External links TheaterEncyclopedie.nl: Jungle - Het Nationale Ballet - 1961-12-20 1961 ballet premieres Ballets by Rudi van Dantzig Ballets by Henk Badings {{ballet-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Green Table
''The Green Table'' is a ballet by the German choreographer Kurt Jooss. His most popular work, it depicts the futility of peace negotiations of the 1930s. It was the first work to be fully notated using kinetography Laban (Labanotation). It is in the repertoire of ballet companies worldwide, where it has been staged by Jooss himself. Since his death in 1979, his daughter Anna Markard has been responsible for stagings of the work. History ''The Green Table'' was created in 1932 for the "Concours international de chorégraphie" in Paris, in which Jooss had been invited to participate. The originality of the piece won him the first prize and marked an important step in his career. Choreographed between two great conflicts, the work is a sort of generic war, a set of circumstances that produce the same result no matter where or when they are played out. So Death bears the combined iconographic attributes.Marcia Siegel, “The Green Table: Sources of a Classic”, ''Dance Research ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monument For A Dead Boy
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remembe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In C (ballet)
''Symphony in C'', originally titled ''Le Palais de Cristal'', is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra. Production Georges Bizet (1838 – 1875) wrote Symphony in C when he was 17-year-old student, and the score was not found until 1933. Composer Igor Stravinsky informed choreographer George Balanchine about this discovery. In 1947, as a guest ballet master at the Paris Opera Ballet, Balanchine choreographed the ballet, then titled ''Le Palais de Cristal'', to "showcase for the talent of the whole company." Balanchine paid homage to Léo Staats, a French choreographer he admired. According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title ''Symphony in C'', and this version was featured in New York City Ballet's first program. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Temperaments (ballet)
''The Four Temperaments'' or Theme and Four Variations (''The Four Temperaments'') is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments. The music was premiered in Switzerland by the Stadtorchester Winterthur under the direction of Hermann Scherchen on March 10, 1943. However, Balanchine created the choreography a few years later. The ballet, ''The Four Temperaments'' was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was later acknowledged as a "masterpiece," and was reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> The Four Temperaments (ballet)")