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Benedetta Rosmunda Pisaroni
Benedetta Rosmunda Pisaroni (born Piacenza, 16 May 1793 – died Piacenza, 6 August 1872) was an Italian soprano who later became a contralto. She was born as Benedetta Pisaroni to Giambattista Pisaroni and Luigia Pratti. Active on the operatic stage from 1811 to 1831, she suffered from smallpox in the early years of her career which caused a change (downward) in her extended vocal range. Appearing in Bergamo, Padua, Bologna, Venice, Milan, Rome and eventually Paris in the 1810s and 1820s, she was closely associated with the operas of Gioachino Rossini and Giacomo Meyerbeer. Roles created *Romilda in Meyerbeer's '' Romilda e Costanza'' (1817) *Zomira in Rossini's ''Ricciardo e Zoraide'' (1818) *Andromaca in Rossini's ''Ermione'' (1819) *Malcolm in Rossini's ''La donna del lago'' (1819) *Almanzor in Meyerbeer's ''L'esule di Granata'' (1821) Sources * Forbes, Elizabeth (1992), 'Pisaroni, Benedetta Rosmunda' in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of ...
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Benedetta Rosmunda Pisaroni Portrait By Sasso
Benedetta is a feminine given name of Italian origin, the feminine equivalent of the masculine name Benedetto, a cognate of Benedict. Persons having the name include: *Benedetta Barzini (contemporary), Italian actress and model *Benedetta Bianchi Porro (1936–1964), Italian Christian blessed; beatified by the church in 1994 *Benedetta of Cagliari (1194–1233), medieval ruler of Caligiari, Sardinia *Benedetta Cambiagio Frassinello (1791–1858), Italian missionary, founder of the Benedictine Sisters of Providence, saint in the Roman Catholic Church *Benedetta Cappa (1897- 1977), Italian Futurist artist and wife of Filippo Tommaso Marinetti * Benedetta Carlini (1591–1661), Catholic mystic and lesbian nun in Counter-Reformation Italy *Benedetta Ceccarelli (b. 1980), Italian hurdler *Benedetta Rosmunda Pisaroni (1793–1872), Italian opera diva *Benedetta Tagliabue (contemporary), Italian architect *Benedetta Valanzano Benedetta Valanzano (born May 5, 1985) is an Italian actress. ...
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L'esule Di Granata
(''The Exile of Granada'') is a ''melodramma serio'' (serious opera) in two acts by Giacomo Meyerbeer. The Italian libretto was by Felice Romani based on the rivalries between the Zegridi and the Abenceraggi factions in the last days of the kingdom of Granada. It is the fifth of Meyerbeer's Italian operas but had only three confirmed stagings in the 19th century. The world premiere took place at La Scala, Milan, on 12 March, 1822. Background Born in Berlin to a wealthy family, as a young man Giacomo Meyerbeer had musical ambitions and studied and traveled in Italy. Much impressed and influenced by the leading Italian composer of operas of the day, Rossini, Meyerbeer composed an opera in the style of that composer, ''Romilda e Costanza'', which was produced in Padua in 1817. He then went on to compose three further operas in Italian for three different cities - '' Semiramide riconosciuta'', Turin 1819, '' Emma di Resburgo'', Venice, also 1819, and ''Margherita d'Anjou'', for ...
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Italian Operatic Sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ...
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Italian Contraltos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in t ...
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People From Piacenza
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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1872 Deaths
Year 187 ( CLXXXVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Quintius and Aelianus (or, less frequently, year 940 ''Ab urbe condita''). The denomination 187 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Septimius Severus marries Julia Domna (age 17), a Syrian princess, at Lugdunum (modern-day Lyon). She is the youngest daughter of high-priest Julius Bassianus – a descendant of the Royal House of Emesa. Her elder sister is Julia Maesa. * Clodius Albinus defeats the Chatti, a highly organized German tribe that controlled the area that includes the Black Forest. By topic Religion * Olympianus succeeds Pertinax as bishop of Byzantium (until 198). Births * Cao Pi, Chinese emperor of the Cao Wei state (d. 226) * G ...
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1793 Births
The French Republic introduced the French Revolutionary Calendar starting with the year I. Events January–June * January 7 – The Ebel riot occurs in Sweden. * January 9 – Jean-Pierre Blanchard becomes the first to fly in a gas balloon in the United States. * January 13 – Nicolas Jean Hugon de Bassville, a representative of Revolutionary France, is lynched by a mob in Rome. * January 21 – French Revolution: After being found guilty of treason by the French National Convention, ''Citizen Capet'', Louis XVI of France, is guillotined in Paris. * January 23 – Second Partition of Poland: The Russian Empire and the Kingdom of Prussia partition the Polish–Lithuanian Commonwealth. * February – In Manchester, Vermont, the wife of a captain falls ill, probably with tuberculosis. Some locals believe that the cause of her illness is that a demon vampire is sucking her blood. As a cure, Timothy Mead burns the heart of a deceased person in ...
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New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Elizabeth Forbes (musicologist)
Elizabeth Forbes (3 August 1924 – 22 October 2014) was an English author, music critic, and musicologist who specialised in writing about opera. Her main areas of interest were 19th- and 20th-century opera (French and Scandinavian in particular) and singers, both historical and present-day. She contributed many reviews and articles to several notable periodicals and newspapers internationally including the ''Financial Times'' (which she joined in the early 1970s, working with Andrew Porter and then Ronald Crichton), ''The Independent'', ''The Musical Times'', ''Opera'', ''Opera Canada'' and ''Opera News'' among several others. Born in Camberley, she was the author of numerous books on various subjects related to opera, including her 1985 work, ''Mario and Grisi'', which details the lives of opera singers Giulia Grisi and Giovanni Matteo Mario. She wrote a significant number of singing translations of many operas, from French, German and Swedish, including works by Gaspare Spontin ...
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La Donna Del Lago
''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 1994, p. 94 of ''The Lady of the Lake'', a narrative poem written in 1810 by Sir Walter Scott, whose work continued to popularize the image of the romantic Scottish Highlands. Scott's basic story has been noted as coming from "the hint of an incident stemming from the frequent custom of James V, the King of Scotland, of walking through the kingdom in disguise". It was the first of the Italian operas to be based on Scott's romantic works,Gossett and Brauner (2001), in Holden (Ed.), p. 785 and marked the beginning of romanticism in Rossini's work. Scott was "deeply influential in the development of Italian romantic opera"Commons 2007, pp. 9 - 12 to the extent that by 1840 (barely 20 years after this opera), there were 25 Italian operas base ...
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Piacenza
Piacenza (; egl, label= Piacentino, Piaṡëinsa ; ) is a city and in the Emilia-Romagna region of northern Italy, and the capital of the eponymous province. As of 2022, Piacenza is the ninth largest city in the region by population, with over 102,000 inhabitants. Westernmost major city of the region of Emilia-Romagna, it has strong relations with Lombardy, with which it borders, and in particular with Milan. It was once defined by Leonardo da Vinci as "Land of passage", in his Codex Atlanticus, by virtue of its crucial geographical location. Piacenza integrates characteristics of the nearby Ligurian and Piedmontese territories added to a prevalent Lombard influence, favored by communications with the nearby metropolis, which attenuate its Emilian footprint. Piacenza is located at a major crossroads at the intersection of Route E35/A1 between Bologna and Milan, and Route E70/A21 between Brescia and Turin. Piacenza is also at the confluence of the Trebbia, draining the north ...
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Ermione
''Ermione'' (1819) is a tragic opera (azione tragica) in two acts by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, based on the play ''Andromaque'' by Jean Racine. Performance history 19th century ''Ermione'' was first performed at the Teatro di San Carlo, Naples, on 27 March 1819. For reasons that are as yet unclear, the opera was withdrawn on 19 April after only seven performances, and was not seen again until over a hundred years after Rossini's death. One possible explanation for its failure might be Rossini's choice to renounce the use of ''secco'' recitative in favour of accompanied declamation and to connect each closed number to the next in a manner reminiscent of Gluck's French operas and of Spontini (the latter was also to have a huge influence on Weber's ''Euryanthe'', four years later) Despite the opera's failure, Rossini seemed to be quite fond of this work and kept its manuscript, along with a few other from his Neapolitan years, until his d ...
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