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Beit Hanoun 1945
A Beit (also spelled bait, ar, بيت , literally "a house") is a metrical unit of Arabic, Iranian, Urdu and Sindhi poetry. It corresponds to a line, though sometimes improperly renderered as "couplet" since each ''beit'' is divided into two hemistichs of equal length, each containing two, three or four feet, or from 16 to 32 syllables."Arabian Poetry for English Readers," by William Alexander Clouston (1881)p. 379in Google Books William Alexander Clouston concluded that this fundamental part of Arabic prosody originated with the Bedouins or Arabs of the desert, as, in the nomenclature of the different parts of the line, one foot is called "a tent-pole", another "tent-peg" and the two hemistichs of the verse are called after the folds or leaves of the double-door of the tent or "house". Through Ottoman Turkish, it got into Albanian and the bards of Muslim tradition in the Albanian literature took their name after this metrical unit, the poets known as bejtexhi The Bejte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desert
A desert is a barren area of landscape where little precipitation occurs and, consequently, living conditions are hostile for plant and animal life. The lack of vegetation exposes the unprotected surface of the ground to denudation. About one-third of the land surface of the Earth is arid or semi-arid. This includes much of the polar regions, where little precipitation occurs, and which are sometimes called polar deserts or "cold deserts". Deserts can be classified by the amount of precipitation that falls, by the temperature that prevails, by the causes of desertification or by their geographical location. Deserts are formed by weathering processes as large variations in temperature between day and night put strains on the rocks, which consequently break in pieces. Although rain seldom occurs in deserts, there are occasional downpours that can result in flash floods. Rain falling on hot rocks can cause them to shatter, and the resulting fragments and rubble strewn over the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhi Folklore
Sindhi folklore ( sd, لوڪ ادب) Sindhi Folklore is the folk tradition which has developed in Sindh over a number of centuries. Sindh abounds with folklore, in all forms, and colors from such obvious manifestations as the traditional Watayo Faqir tales, the legend of Moriro, epic poetry tale of Dodo Chanesar, to the heroic character of Marui which distinguishes it among the contemporary folklores of the region. The love story of Sassui, who pines for her lover Punhu, is known and sung in every Sindhi settlement. Other examples of the folklore of Sindh include the stories of Umar Marui and Suhuni Mehar ( Sohni Mahiwal in Punjab region).Kalyan Adwani, ed. ''Shah Jo Risalo''. Jamshoro: Sindhi Adabi Board, 2002. Sindhi folk Singers and women play a vital role to transmit the Sindhi folklore. They sang the folktales of Sindh in songs with passion in every village of Sindh. Sindhi folklore has been compiled in a series of forty volumes under Sindhi Adabi Board's project of Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Poetics
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic And Central Asian Poetics
Arabic (, ' ; , ' or ) is a Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is the language of literature, official documents, and formal written m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bejtexhi
The Bejtexhinj (in Albanian sing. ''bejtexhi'', pl. ''bejtexhinj''; from tr, beyte meaning "poem"), were popular bards of the Muslim tradition, literally meaning "couplet makers". It means the same in the Albanian literature, firstly muslim poets, that engaged in beit poetry. This genre of literature created in Albania in the 18th century that prevailed in different cities of what is now Albania, Kosovo, Chameria as well as in religious centers. The spread of Bejtexhinj was a product of two different significant factors. There was a demand in religious practices to write in Albanian and to free it from foreign influence. The other factor was the accretion of ideological pressure from Turkish rulers. The ruling Ottomans sought the submission of Albanians through the Muslim religion and culture. Albania rulers opened their own schools with many Bejtexhinj poets in attendance. History The Bejtexhinj wrote Albanian in the Elifba alphabet, an adaption of the Ottoman Turkish alpha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albanian Literature
Albanian literature stretches back to the Middle Ages and comprises those literary texts and works written in Albanian. It may also refer to literature written by Albanians in Albania, Kosovo and the Albanian diaspora particularly in Italy. Albanian occupies an independent branch within the Indo-European family and does not have any other closely related language. The origin of Albanian is not entirely known, but it may be a successor of the ancient Illyrian language. The Archbishop of Antivari Guillaume Adam wrote a report in 1332 in which he said that Albanians used Latin letters in their books although their language was quite different from the Latin language. The oldest surviving documents written in Albanian are the "Formula e pagëzimit" (Baptismal formula) recorded by Pal Engjëlli, Bishop of Durrës in 1462 in the Gheg dialect, and some New Testament verses from that period. Medieval period 15th century The expansion of the Ottoman Empire pushed many Albanians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bard
In Celtic cultures, a bard is a professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), mga, bard and ('bard, poet'), wlm, bardd ('singer, poet'), Middle Breton: ''barz'' ('m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albanian Language
Albanian ( endonym: or ) is an Indo-European language and an independent branch of that family of languages. It is spoken by the Albanians in the Balkans and by the Albanian diaspora, which is generally concentrated in the Americas, Europe and Oceania. With about 7.5 million speakers, it comprises an independent branch within the Indo-European languages and is not closely related to any other modern Indo-European language. Albanian was first attested in the 15th century and it is a descendant of one of the Paleo-Balkan languages of antiquity. For historical and geographical reasons,: "It is often thought (for obvious geographic reasons) that Albanian descends from ancient Illyrian (see above), but this cannot be ascertained as we know next to nothing about Illyrian itself." the prevailing opinion among modern historians and linguists is that the Albanian language is a descendant of a southern Illyrian dialect spoken in much the same region in classical times. Alternativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Turkish Language
Ottoman Turkish ( ota, لِسانِ عُثمانى, Lisân-ı Osmânî, ; tr, Osmanlı Türkçesi) was the standardized register of the Turkish language used by the citizens of the Ottoman Empire (14th to 20th centuries CE). It borrowed extensively, in all aspects, from Arabic and Persian, and its speakers used the Ottoman Turkish alphabet for written communication. During the peak of Ottoman power (), words of foreign origin in Turkish literature in the Ottoman Empire heavily outnumbered native Turkish words, with Arabic and Persian vocabulary accounting for up to 88% of the Ottoman vocabulary in some texts.''Persian Historiography & Geography''Pustaka Nasional Pte Ltd p 69 Consequently, Ottoman Turkish was largely unintelligible to the less-educated lower-class and to rural Turks, who continued to use ("raw/vulgar Turkish"; compare Vulgar Latin and Demotic Greek), which used far fewer foreign loanwords and is the basis of the modern standard. The Tanzimât era (1839–187 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
