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Beijing Film Academy
Beijing Film Academy (BFA; ) is a coeducational state-run higher education institution in Beijing, China. The film school is the largest institution specializing in the tertiary education for film and television production in Asia. The academy has earned international recognition for its achievements in film production. History Established in May 1950, the Beijing Film Academy was first named ''Performance Art Institution of the Film Bureau of the Ministry of Culture''. During its first year, 38 students enrolled. For the next five years, the school was renamed thrice - ''Film School of the Film Bureau of the Ministry of Culture'' in July 1951, ''Beijing Film School'' in March 1953 and finally, ''Beijing Film Academy'' on June 1, 1956. Upon its first establishment, the academy contained 2 schools - the ''School of Photography'' and the ''Animation School'' with the associated departments and their subsequent specialties. The Screenwriting Department was one of the earliest depar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film School
A film school is an educational institution dedicated to teaching aspects of filmmaking, including such subjects as film production, film theory, digital media production, and screenwriting. Film history courses and hands-on technical training are usually incorporated into most film school curricula. Technical training may include instruction in the use and operation of cameras, lighting equipment, film or video editing equipment and software, and other relevant equipment. Film schools may also include courses and training in such subjects as television production, broadcasting, audio engineering, and animation. History The formal teaching of film began with theory rather than practical technical training starting soon after the development of the filmmaking process in the 1890s. Early film theorists were more interested in writing essays on film theory than in teaching students in a classroom environment. The Moscow Film School was founded in 1919 with Russian filmmakers in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocational
A vocation () is an occupation to which a person is especially drawn or for which they are suited, trained or qualified. People can be given information about a new occupation through student orientation. Though now often used in non-religious contexts, the meanings of the term originated in Christianity. Senses Use of the word "vocation" before the sixteenth century referred firstly to the "call" by God to an individual, or calling of all humankind to salvation, particularly in the Vulgate, and more specifically to the "vocation" to the priesthood, or to the religious life, which is still the usual sense in Roman Catholicism. Roman Catholicism recognizes marriage, religious, and ordained life as the three vocations. Martin Luther, followed by John Calvin, placed a particular emphasis on vocations, or divine callings, as potentially including most secular occupations, though this idea was by no means new. Calvinism developed complex ideas about different types of vocations of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huang Jianxin
Huang Jianxin (born 14 June 1954) is a Chinese filmmaker. He also writes film scripts under the pen name Huang Xin. He is normally considered part of the fifth generation of Chinese filmmakers (a group that includes Chen Kaige, Zhang Yimou and Tian Zhuangzhuang),Pickowicz, Paul G. (1994). "Huang Jianxin and the Notion of Postsocialism" i''New Chinese Cinemas: Forms, Identities, and Politics'' Cambridge University Press, p. 54. . Google Book Search. Retrieved 2008-09-05. due to shared traits in his works, although he was not a strictly a member of the inaugural 1982 class of the Beijing Film Academy.Zhang, Yingjin & Xiao, Zhiwei (1998). "The Fifth Generation" i''Encyclopedia of Chinese Film'' Taylor & Francis, p. 164. . Additionally, Huang's films are distinguished from his contemporaries in that they focused on urban contemporary life, as contrasted to historical dramas, as well as for their satirical observations of the Chinese bureaucracy. Biography Huang was born in Xi'an, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hu Mei
Hu Mei (born 2 September 1958) is a Chinese film director, television director and producer. Usually classed as a Fifth Generation director, since she graduated from the Directors' class of the 1982 Beijing Film Academy cohort, she is a classmate of famous Fifth Generation directors such as Chen Kaige and Tian Zhuangzhuang. In 1997, she directed the historical television series ''Yongzheng Dynasty'', which received critical acclaim in mainland China. She has since directed a number of television series, including ''The Emperor in Han Dynasty'' (2005), '' Qiao's Grand Courtyard'' (2006), and ''Cao Cao'' (2014). In 2007, she was originally selected to direct a television series adaptation of the Chinese classical novel '' A Dream of the Red Chamber'' but withdrew from the job (she was replaced by Li Shaohong). Her 2010 film ''Confucius'', starring Chow Yun-fat as the eponymous character, was released in Beijing on 14 January 2010. Life Hu was an actress in the Modern Drama Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xie Fei (director)
Xie Fei (; born August 14, 1942) is a Chinese film director. Xie was born in Yan'an city of Shaanxi Province, China. A graduate of the Beijing Film Academy Beijing Film Academy (BFA; ) is a coeducational state-run higher education institution in Beijing, China. The film school is the largest institution specializing in the tertiary education for film and television production in Asia. The academy h ..., Xie has also taught at his almamater as a vice-president of that institution. Selected films References External links * *Xie Feiat the Chinese Movie Database Film directors from Shaanxi Beijing Film Academy alumni People from Yan'an 1942 births Living people Beijing No. 4 High School alumni Directors of Golden Bear winners {{China-film-director-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang Yimou
Zhang Yimou (; born 2 April 1950) is a Chinese film director, producer, writer, actor and former cinematographer.Tasker, Yvonne (2002). "Zhang Yimou" i''Fifty Contemporary Filmmakers'' Routledge Publishing, p. 412. . Google Book Search. Retrieved 21 August 2008. He is a part of the Cinema of China#Rise of the Fifth Generation, Fifth Generation of Chinese filmmakers, Honorary Doctorate of Boston University and Yale University, Distinguished Professor of Beijing Film Academy. He made his List of directorial debuts, directorial debut in 1988 with ''Red Sorghum (film), Red Sorghum''. Zhang has won numerous awards and recognitions, with three Academy Awards nominations for Best Foreign Language Film for ''Ju Dou'' in 1990, ''Raise the Red Lantern'' in 1991, and ''Hero (2002 film), Hero'' in 2003; a Silver Lion, two Golden Lion prizes and the Jaeger-LeCoultre Glory to the Filmmaker Award, Glory to the Filmmaker Award at the Venice Film Festival; Grand Prix (Cannes Film Festival), Gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chen Kaige
Chen Kaige (; born 12 August 1952) is a Chinese film director and a leading figure of the fifth generation of Chinese cinema.Berry, Michael (2002). "Chen Kaige: Historical Revolution and Cinematic Rebellion" in Speaking in Images: Interviews with Contemporary Chinese Filmmakers'. Columbia University Press, pg. 83; His films are known for their visual flair and epic storytelling. Chen won the Palme d'Or at 1993 Cannes Film Festival and the International Federation of Film Critics (FIPRESCI) Award in 1993 for directing '' Farewell My Concubine''. In recent years, Chen directed the war film ''The Battle at Lake Changjin'' and its sequel with Tsui Hark and Dante Lam, with the two films characterized by propagandistic storytelling and made in cooperation with the Chinese Communist Party. Early life Chen Kaige was born in Beijing, China into a family of Changle, Fuzhou origin, and grew up with fellow Fifth Generation alumnus Tian Zhuangzhuang as a childhood friend. His father wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tian Zhuangzhuang
Tian Zhuangzhuang (; born April 1952 in Beijing) is a Chinese film director, producer and actor. Tian was born to an influential actor and actress in China. Following a short stint in the military, Tian began his artistic career first as an amateur photographer and then as an assistant cinematographer at the Beijing Agricultural Film Studio. In 1978, he was accepted to the Beijing Film Academy, from which he graduated in 1982, together with classmates Chen Kaige and Zhang Yimou. The class of 1982 collectively would soon gain fame as the so-called Fifth Generation film movement, with Tian Zhuangzhuang as one of the movement's key figures. Tian's early career was marked both with avant-garde documentary infused films (''On the Hunting Ground'' (1985), ''The Horse Thief'' (1986)) to more commercial fare ('' Li Lianying: The Imperial Eunuch'' (1991)). In 1991, Tian began work on a quiet epic about one of modern China's darkest moments. This film, ''The Blue Kite'' (1993), would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang Nuanxin
Zhang Nuanxin (, 27 October 1940-28 May 1995) was a Chinese film director, and a leading figure of the Fourth Generation of Chinese directors. Her most famous film ''The Drive to Win'' won the 2nd Golden Rooster special awards. Nuanxin Zhang is also best known for her films ''Sacrifice of Youth'', ''A Yunnan Story''. Chinese film theorist, the doctoral supervisor of Peking university Jinhua Dai, argues that she is not only a film director but also a film theorist. Her journal article ''The Film Language' s Modernization'' which she co-authored with her husband Li Tuo, is being considered as the manifesto of new era Chinese cinema.Dai, Jinhua. "The visible and the invisible: The Chinese Female Film and Chinese Female Film Maker." September 23, 2013. -http://www.doc88.com/p-4774137693988.html Another film theorist, Zhenqin Zhang, argues that she is the pioneer of Chinese film realistic aesthetics and Chinese women cinema.Zhang, Zhenqin. From “self-consciousness” to “freedom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wu Yigong
Wu Yigong (; 1 December 1938 – 14 September 2019) was a Chinese film director and producer. Biography Born in Hangzhou, Zhejiang Province, Wu Yigong enrolled in the directing department of the Beijing Film Academy in 1956. After graduation in 1960, he was appoint as director assistant in Shanghai Haiyan Film Factory.Zhang, Yingjin & Xiao, Zhiwei (1998)''Encyclopedia of Chinese Film'' Taylor & Francis, p. 371. . Google Book Search. Retrieved 2008-09-28. His first solo film, '' My Memories of Old Beijing'' (城南旧事), won the 3rd Golden Rooster Award for best director. His other films include ''Evening Rain'' (巴山夜雨) (1st Golden Rooster Award for best motion picture) (co-directed with Wu Yonggang), '' The Tribulations of a Young Master'' (少爷的磨难), and ''A Confucius Family'' (阙里人家), among others. Wu served as the president of the Shanghai Film Studio, as well as the general manager of the General Shanghai Film Corporation and the president of the Shang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wu Tianming
Wu Tianming (; December 5, 1939 – March 4, 2014) was a Chinese film director and producer who was considered one of the leading "Fourth Generation" directors. Biography Wu was born in Sanyuan County, Shaanxi Province, China on December 5, 1939. In 1960, aged twenty, he was accepted into a training class for film acting run by the Xi’an Film Studio. There were sixteen state-run studios in China at that time, and this was the closest to his home in Sanyuan, Shaanxi Province. He was put on the studio's payroll and had some bit-parts in the studio's productions of the early 1960s. In 1966, Mao's Cultural Revolution stopped productions in the studios. In 1974–1976, the last three years of the Cultural Revolution, Wu studied at the partly re-opened Beijing Film Academy, majoring in Film Directing. In 1982, Wu co-directed two features at Xi’an with his friend Teng Wenji. Afterwards Wu made his debut as a solo director with ''River Without Buoys'', whose commercial success le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liu Yifei At The 2016 BAZAAR Stars’ Charity Night
/ ( or ) is an East Asian surname. pinyin: in Mandarin Chinese, in Cantonese. It is the family name of the Han dynasty emperors. The character originally meant 'kill', but is now used only as a surname. It is listed 252nd in the classic text Hundred Family Surnames. Today, it is the 4th most common surname in Mainland China as well as one of the most common surnames in the world. Distribution In 2019 劉 was the fourth most common surname in Mainland China. Additionally, it was the most common surname in Jiangxi province. In 2013 it was found to be the 5th most common surname, shared by 67,700,000 people or 5.1% of the population, with the province with the most people being Shandong.中国四百大姓, 袁义达, 邱家儒, Beijing Book Co. Inc., 1 January 2013 Origin One source is that they descend from the Qí (祁) clan of Emperor Yao. For example the founding emperor of the Han dynasty (one of China's golden ages), Liu Bang (Emperor Gaozu of Han) was a descendant of E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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