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Behind The Mask (Yellow Magic Orchestra Song)
"Behind the Mask" is a 1979 song by Japanese synth-pop group Yellow Magic Orchestra. Initially an instrumental written by band member Ryuichi Sakamoto for a 1978 Seiko commercial, the song was elaborated upon with bandmates Haruomi Hosono and Yukihiro Takahashi and lyricist Chris Mosdell for inclusion on ''Solid State Survivor'' the following year. The song was later featured on the US release of ''X∞Multiplies'' in 1980, which combined tracks from the Japanese version and ''Solid State Survivor'', and was released as a single in the US and UK to promote the album. In the early 1980s, producer Quincy Jones brought the song to the attention of American pop singer Michael Jackson, who rewrote Mosdell's lyrics and added an accompanying melody. The Jackson version was planned for inclusion on his 1982 album '' Thriller'', but was dropped following legal disputes. Since then, artists including Greg Phillinganes, Eric Clapton, and The Human League have recorded versions based on Jack ...
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Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions ...
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Eric Clapton
Eric Patrick Clapton (born 1945) is an English rock and blues guitarist, singer, and songwriter. He is often regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in ''Rolling Stone''s list of the " 100 Greatest Guitarists of All Time" and fourth in Gibsons "Top 50 Guitarists of All Time". He was also named number five in ''Time'' magazine's list of "The 10 Best Electric Guitar Players" in 2009. After playing in a number of different local bands, Clapton joined the Yardbirds in 1963, replacing founding guitarist Top Topham. Dissatisfied with the change of the Yardbirds sound from blues rock to a more radio-friendly pop rock sound, Clapton left in 1965 to play with John Mayall & the Bluesbreakers. On leaving Mayall in 1966, after one album, he formed the power trio Cream with drummer Ginger Baker and bassist Jack Bruce, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop". After Cream br ...
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Maxi Single
A maxi single or maxi-single (sometimes abbreviated to MCD or CDM) is a music single release with more than the usual two tracks of an A-side song and a B-side song. The first maxi singles Mungo Jerry's first single, "In the Summertime" was the first maxi single in the world. The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with "Changes" and "Velvet Goldmine", is a typical example. By the mid-1970s, it was used to refer to 12" vinyl singles with three or four tracks (or an extended or remixed version of the lead single/song) on the A-side, with an additional two or three tracks on the B-side; the B-side was initially used by DJs. Later, in the 1980s, a typical practice was to release a two-song single on 7" vinyl and cassette, and a maxi-single on 12" vinyl. These first 12" maxi-singles were prom ...
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Bernard Fowler
Bernard Fowler (born January 2, 1960) is an American musician. He is known for a long association with The Rolling Stones, providing backing vocals since 1989 and on their studio recordings and live tours. Fowler has been a featured guest vocalist on the majority of solo albums released by the members of that band. He has released two solo albums, and he has also been a regular featured singer on other musicians' recordings and tours. Fowler has toured and recorded with the bands Tackhead and Bad Dog and occasionally with Nicklebag and Little Axe. Biography Fowler's first recordings were with the group The Total Eclipse for the album ''A Great Combination'' released 1975. In the early 1980s he was a member of The New York City Peech Boys with DJ Larry Levan and keyboard player Michael De Benedictus. The group had dance hits with tracks like " Don't Make Me Wait" and "Life Is Something Special". He provided vocals for the songs "I'm the One" and "Come Down" from the Material ...
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Day Tripper
"Day Tripper" is a song by the English rock band the Beatles that was released as a double A-side single with "We Can Work It Out" in December 1965. The song was written primarily by John Lennon with some contributions from Paul McCartney and was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's ''Rubber Soul'' album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, "Day Tripper" peaked at number five on the ''Billboard'' Hot 100 chart and "We Can Work It Out" held the top position. "Day Tripper" is a rock song based around an electric guitar riff and drawing on the influence of American soul music. The Beatles included it in their concert set-list until their retirement from live performances in late August 1966. The single was the first example of a double A-side in Britain. Its success popularised the format and, in giving equal treatment to two songs, allowed recording ...
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Yellow Magic Orchestra (album)
''Yellow Magic Orchestra'' is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc. The album was an early example of synth-pop, a genre that the band helped pioneer. It contributed to the development of electro, hip hop, techno, and bleep techno. The album's innovations in electronic music included its use of the microprocessor-based Roland MC-8 Microcomposer music sequencer which allowed the creation of new electronic sounds, and its sampling of video game sounds. The album sold 250,000 copies in Japan and entered the ''Billboard'' 200 a ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Red Bull Music Academy
The Red Bull Music Academy (RBMA) is a world-traveling series of music workshops and festivals that was founded in 1998 by Red Bull GmbH. The main five-week event is held in a different city each year. The public portion of its program is a festival of concerts, art installations, club nights and lectures by influential figures in contemporary music. The other part of the program is by invitation only and is held in a building that has been custom-fitted with a large recording studio, a lecture hall, a radio booth and 8–12 bedroom-sized studios. There, 60 up-and-coming producers, singers, sound artists, DJs and musicians from around the world learn from and collaborate with top industry professionals. The Red Bull Music Academy maintains an online magazine and lecture video archive year-round. The Academy hosts additional music workshops and club nights and curates stages at festivals in around 60 countries worldwide. In 2019, it was announced that both the Red Bull Music Academy ...
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Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ...
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Gated Reverb
Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate. The effect is often associated with the sound of 1980s British popular music. It was developed in 1979 by producer Steve Lillywhite and engineer Hugh Padgham while working on Peter Gabriel's self-titled third solo album, after Phil Collins played drums without using cymbals at London's Townhouse Studios. The effect is known for demonstrating in Collins' hit song "In the Air Tonight". The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system) to make the hits sound powerful and "punchy" while keeping the overall mix clean and transparent sounding. Unlike many reverberation or delay effects, the gated reverb effect does not try to emulate any kind of reverb that occurs in nature. In addition to drums, the effect has occasionally been applied to vocals. History Producer Steve Lillywhite claimed he first experimented the "am ...
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Daily Camera
The ''Daily Camera'' is a newspaper in Boulder, Colorado, United States. It is owned by Prairie Mountain Publishing, a division of Digital First Media. History Frederick P. Johnson and Bert Bell founded the weekly ''Boulder Camera'' in 1890, and it became a daily in 1891. Ownership has changed over the years. The paper has been owned by Ridder (1969–1974), Knight Ridder (1974–1997), Scripps (1997–2009) and MediaNews Group (2009–present). In 2013 MediaNews Group and Digital First Media MNG Enterprises, Inc., doing business as Digital First Media and MediaNews Group, is a Denver, Colorado-based newspaper publisher owned by Alden Global Capital. The company has been growing its portfolio and as of May 2021, owns over 100 newsp ... merged under the Digital First Media name. The official name of this newspaper at various times has been the ''Boulder Camera'', the ''Boulder Daily Camera'', the ''Daily Camera'', the ''Camera'', and most recently the ''Daily Camera'' ...
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Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ...
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