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Beautiful People (Barbara Tucker Song)
"Beautiful People" is a song recorded by American singer-songwriter Barbara Tucker, who co-wrote it with India, Lem Springsteen and "Little" Louie Vega, who along with partner Kenny "Dope" Gonzalez, co-produced the track. It was released on March 2, 1994, as her first single by Strictly Rhythm Records, and was also Tucker's first of seven number-one singles on the US ''Billboard'' Hot Dance Club Play chart, reaching the top spot on April 16, 1994. On the UK Singles Chart, it peaked at number 23, while it topped both the UK Dance Singles Chart and the UK Club Chart. ''Mixmag'' featured "Beautiful People" in their list of "The 30 Best Vocal House Anthems Ever" in 2018, and ''Pitchfork'' featured it in their list of "The 30 Best House Tracks of the ’90s" in 2022. Critical reception Larry Flick from ''Billboard'' felt "Beautiful People" had Tucker "flexing her gospel-honed voice to maximum effect. Factor in crafty production by "Little" Louie Vega that carefully balanced asserti ...
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Barbara Tucker
Barbara Tucker (born March 19, 1967), is an American house and soul singer, songwriter and choreographer born in Brooklyn, New York, US. Tucker had six No. 1 hits on the US Hot Dance Club Songs chart in the 1990s and into the 2000s, and several hits in the UK. Biography Raised in Brooklyn, New York, Tucker started singing through her entertainer father, Jayotis Washington of the group, the Persuasions. As an actress, Tucker has performed in off-Broadway plays and received the T.O.R. award through the American Theater. She has choreographed and danced for various dance artists, such as C&C Music Factory, Soul System, Jay Williams, and Deee-Lite. She also choreographed the first Club Music Award show and is choreographer for the Underground Network dancers. She has been managed by celebrity and sports manager Glenn Toby. Tucker has recorded with and sang background vocals for Deee-Lite and George Clinton. She has collaborated with David Guetta and Blaze. She was signed to ...
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Record Mirror Club Chart
The ''Record Mirror'' Club Chart (also known as ''RM'' Club Chart) was a weekly chart compiled by British trade paper ''Music Week ''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music W ...''. It was published in their ''RM'' Dance Update, a supplemental insert, and was compiled from a sample of over 500 DJ returns. Number one singles on the ''Record Mirror'' Club Chart 1993 1994 1995 1996 1997 See also''Music Week'' on World Radio History


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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Garage House
Garage house (originally known as "garage"; local terms include "New York house" and New Jersey sound) is a dance music style that was developed alongside Chicago house music. The genre was popular in the 1980s in the United States and the 1990s in the United Kingdom, where it developed into UK garage and speed garage. Characteristics In comparison to other forms of house music, garage includes more gospel-influenced piano riffs and female vocals. It has a more soulful R&B-derived sound than Chicago house. History Garage house was developed in the Paradise Garage nightclub in New York City and Club Zanzibar in Newark, New Jersey, United States, during the early-to-mid 1980s. There was much overlap between it and early house music, making it difficult to tell the two apart. It predates the development of Chicago house, and according to All Music, is relatively closer to disco than other dance styles. As Chicago house gained international popularity, New York's garage music sce ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Hooks (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be something as ...
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Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ...
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