|
Beautiful Brown Eyes
"Beautiful Brown Eyes" is a country song written by Alton Delmore, originally inspired by his oldest daughter. One of the best known versions of the song was originally arranged by Fiddlin' Arthur Smith & Alton Delmore of The Delmore Brothers in 1951. An award was presented to Alton Delmore for "Beautiful Brown Eyes" in 1951. Background The lyrics are sung from the perspective of a woman unlucky in love, divorced, and remarried, who will "never love blue eyes again". Recordings The following recordings are credited to Smith and Delmore only: *Rosemary Clooney 1951 - reached number 11 on '' Billboard'' Pop charts in 1951 ( Rosemary Clooney discography), reissued on the album, '' Rosemary Clooney Sings Country Hits from the Heart''. *Ethel Smith (organist) 1951 *"Beautiful Brown Eyes", Jimmy Wakely and the Les Baxter Chorus - in 1951. This recording peaked at number 5 on the Best Selling Retail Folk Records chart. *"Beautiful Brown Eyes" (Alton Delmore, Arthur Smith ) from ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitty Wells
Ellen Muriel Deason (August 30, 1919 – July 16, 2012), known professionally as Kitty Wells, was an American pioneering female country music singer. She broke down a barrier to women in country music with her 1952 hit recording "It Wasn't God Who Made Honky Tonk Angels", which also made her the first female country singer to top the U.S. country charts and turned her into the first female country superstar. “It Wasn’t God Who Made Honky Tonk Angels” would also be her first of several pop crossover hits. Wells is the only artist to be awarded top female vocalist awards for 14 consecutive years. Her chart-topping hits continued until the mid 1960s, paving the way for and inspiring a long list of female country singers who came to prominence in the 1960s. Wells ranks as the sixth most successful female vocalist in the history of the '' Billboard'' country charts, according to historian Joel Whitburn's book ''The Top 40 Country Hits''. In 1976, she was inducted into the Countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Acuff
Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music", Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952, Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God." Acuff began his music career in the 1930s and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff and Fred Rose founded Acuff-Rose Music, the first major Nashville-based country music publishing company, which signed such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Atkins
Chester Burton Atkins (June 20, 1924 – June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang. Atkins's signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Sk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Walker (musician)
William Marvin Walker (January 14, 1929 – May 21, 2006) was an American country music singer and guitarist best known for his 1962 hit, " Charlie's Shoes". Nicknamed The Tall Texan, Walker had more than 30 charting records during a nearly 60-year career, and was a longtime member of the Grand Ole Opry. Biography Early years Billy Walker was born in Ralls, Texas, United States, and was the youngest of three children. His mother died when he was only six years old, and Billy's father was unable to care for him and his two older brothers. Some of the children, including Billy, were placed in a Methodist orphanage in Waco, Texas. He attended High School in Whiteface, Texas, and had won a talent contest which entitled him to appear on radio in Clovis, New Mexico. He had returned to live with his father at the age of 11. Inspired by the music of Gene Autry as a teenager, he had begun his professional music career in 1947 at age 18. After his debut on Clovis radio as a teenager he la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Essential Glen Campbell Volume Three
''The Essential Glen Campbell Volume Three'' is the third of a series of three albums which cover Glen Campbell's recordings for Capitol Records from 1962-79. The tracks are presented in a non-chronological order. All three ''Essential'' CDs contain, next to single and albums tracks, previously unreleased recordings. On ''The Essential Glen Campbell Volume Three'', these are "Beautiful Brown Eyes", "They'll Never Take Her Love from Me", "All the Way" and "Learnin' the Blues". The last two songs are from a 1979 recording session led by Nelson Riddle. The ''Essential'' albums are also notable for containing some of the songs from '' The Artistry of Glen Campbell'', the only original studio album by Campbell that has not been released on CD or as a digital download. Included here is "Tequila". Track listing #"Beautiful Brown Eyes" (Arthur Smith, Lionel Delmore, Jerry Capehart) - 2:17 #"Tomorrow Never Comes" (Johnny Bond, Ernest Tubb) - 2:28 #" Guess I'm Dumb" ( Brian Wilson, Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathy Linden
Kathy Linden (born 1938) is an American pop singer from Moorestown Township, New Jersey. She grew up in Burlington, New Jersey. Linden scored two big hits on the U.S. ''Billboard'' Hot 100 late in the 1950s. The first was " Billy", a song originally written in 1911; it hit number seven in 1958.Joel Whitburn, ''The Billboard Book of Top 40 Hits''. 7th edn, 2000 The second was "Goodbye Jimmy, Goodbye", a song written by a radio program director named Jack Vaughn; it rose to number eleven in 1959. Both singles were released on Felsted Records and featured Joe Leahy's backing orchestra. Linden was known for having a breathy, childlike voice, even as a married woman in her 20s. Linden's talents appeared early. Her first public appearance was as a tap and ballet dancer when she was five years old. Since then, she acted in school plays and musicals, appeared in public pageants, played piano and violin in several local symphony orchestras, and with an all-girl string quintet called the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Curtis
Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as " Respect" by Aretha Franklin (1965), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967). Early life Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015). Career Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brothers Four
The Brothers Four is an American folk singing group, founded in 1957 in Seattle, Washington, and known for their 1960 hit song "Greenfields." History Bob Flick, John Paine, Mike Kirkland, and Dick Foley met at the University of Washington, where they were members of the Phi Gamma Delta fraternity in 1956 (hence the "Brothers" appellation). Their first professional performances were the result of a prank played on them in 1958 by a rival fraternity, who had arranged for someone to call them, pretend to be from Seattle's Colony Club, and invite them to come down to audition for a gig. Even though they were not expected at the club, they were allowed to sing a few songs and were subsequently hired. Flick recalls them being paid "mostly in beer". They left for San Francisco in 1959, where they met Mort Lewis, Dave Brubeck's manager. Lewis became their manager and later that year secured them a contract with Columbia Records. Their second single, "Greenfields", released in January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Capehart
Jerry Neil Capehart (August 22, 1928 – June 7, 1998) was an American songwriter and music manager. Capehart co-wrote the songs "Summertime Blues" and " C'mon Everybody" with Eddie Cochran, whom he also managed. One of his most-recorded songs, "Turn Around, Look at Me," was a chart hit for Glen Campbell (his first), the Lettermen, and the Vogues. Career Eddie Cochran's 1958 recordings of Capehart compositions reached No. 8 and No. 35 respectively on the Billboard Pop chart. Besides managing Cochran, Capehart was manager for actor and impressionist Frank Gorshin and vocalists Rosemary Clooney and Glen Campbell, among others. Other notable songs written by Capehart are "Beautiful Brown Eyes" recorded by Rosemary Clooney which reached No. 11 on ''Billboard'' Pop chart in 1951 and "Turn Around, Look at Me", which was Glen Campbell's first hit single, peaking at No. 15 on ''Billboard'' Adult Contemporary chart in 1961, followed by The Vogues recording which made No. 7 on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Vincent
Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), known as Gene Vincent, was an American musician who pioneered the styles of rockabilly and rock and roll. His 1956 top ten hit with his backing band the Blue Caps, " Be-Bop-a-Lula", is considered a significant early example of rockabilly. His chart career was brief, especially in his home country of the US, where he notched three top 40 hits in 1956 and '57, and never charted in the top 100 again. In the UK, he was a somewhat bigger star, racking up eight top 40 hits from 1956 to 1961. Vincent was inducted into the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame. He is sometimes referred to by his somewhat unusual nickname/moniker the "Screaming End". Biography Early life Craddock was born February 11, 1935, in Norfolk, Virginia, to Mary Louise and Ezekiah Jackson Craddock. His musical influences included country, rhythm and blues, and gospel. His favorite composition was Beethoven's Egmont overtur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
