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Beauchamp–Feuillet Notation
Beauchamp–Feuillet notation is a system of dance notation used in Baroque dance. The notation was commissioned by Louis XIV (who had founded the Académie Royale de Danse in 1661), and devised in the 1680s by Pierre Beauchamp. The notation system was first described in detail in 1700 by Raoul-Auger Feuillet in ''Chorégraphie''. Feuillet also then began a programme of publishing complete notated dances. It was used to record dances for the stage and domestic use throughout the eighteenth century, being modified by Pierre Rameau in 1725, and surviving into at least the 1780s in various modified forms. One of the innovations of this notation, as you can see in the sample below, was to show the music, on a staff as a musician would use it, across the top of a page. The roles of the dancer or dancers, the tract they were to follow, and the steps to perform are shown in the notation below. The bar markings on the music are also drawn across the tract of the dancers, clarifyin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Notation
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A ''dance score'' is a recorded dance notation that describes a particular dance. Usage The primary uses of dance notation are historical dance preservation through documentation and analysis (e.g., in ethnochoreology) or reconstruction of choreography, dance forms, and technical exercises. Dance notation systems also allow for dance works to be documented and therefore potentially copyrighted. Two popular dance notation systems used in Western culture are Labanotation (also known as Kinetography Laban) and Benesh Movement Notation. Others include Eshkol-Wachman Movement No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's ''The Dancing Master''. Playford only gives the floor patterns of the dances, with no indication of the steps. However, other sources of the period, such as the writings of the French dancing-masters Feuillet and Lorin, indicate that steps more complicated than simple walking were used at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, and to all levels of society. The French Noble style The great innovations in dance in the 17th century originated at the French court under Louis XIV, and it is here that we see the first clear stylistic ancestor of classical ballet. The same basic technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Page 1 Of The Dance La Bouree D'Achille Published In 1700 By Feuillet
Page most commonly refers to: * Page (paper), one side of a leaf of paper, as in a book Page, PAGE, pages, or paging may also refer to: Roles * Page (assistance occupation), a professional occupation * Page (servant), traditionally a young male servant * Page (wedding attendant) People with the name * Page (given name) * Page (surname) Places Australia * Page, Australian Capital Territory, a suburb of Canberra * Division of Page, New South Wales * Pages River, a tributary of the Hunter River catchment in New South Wales, Australia * The Pages, South Australia, two islands and a reef **The Pages Conservation Park, a protected area in South Australia United States * Page, Arizona, a city * Page, Indiana * Page, Minneapolis, Minnesota, a neighborhood * Page, Nebraska, a village * Page, North Dakota, a city * Page, Oklahoma, an unincorporated community * Page, Virginia * Page, Washington, a ghost town * Page, West Virginia, a census-designated place * Page Airport (disambiguati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XIV Of France
, house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Versailles, Versailles, France , burial_date = 9 September 1715 , burial_place = Basilica of Saint-Denis , religion = Catholicism (Gallican Rite) , signature = Louis XIV Signature.svg Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any sovereign in history whose date is verifiable. Although Louis XIV's France was emblematic of the age of absolutism in Europe, the King surrounded himself with a variety of significant political, military, and cultural figures, such as Bossuet, Colbert, Le Brun, Le Nôtre, Lully, Mazarin, Molière, Racine, Turenne, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Danse
The Académie Royale de Danse, founded by Letters Patent on the initiative of King Louis XIV of France in March 1661, was the first dance institution established in the Western world. As one of King Louis’ first official edicts after the death of royal adviser Jules Mazarin, the “Letters Patent of the King to Establish a Royal Academy of Dance in the City of Paris” represented a critical step towards the young King's wielding of consolidated personal power. Structurally, the Académie consisted of thirteen dancing masters selected by King Louis XIV for being the “most experienced in the Art f dance” This "experience" was determined by each dancer's history of success in previous royal productions of ''ballets de cour''. Most famously, eight of the selected dancing masters performed with King Louis XIV during his portrayal of Apollo, the Sun King, in ''Le'' ''Ballet de la nuit'' (1653). Although the object of the Académie was to reflect, analyze and normalize matters of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Beauchamp
Pierre Beauchamp or Beauchamps (; 30 October 1631 – February 1705) was a French choreographer, dancer and composer, and the probable inventor of Beauchamp–Feuillet notation. His grand-father was called Christophe (a musician) and his father, a violinist of the king's chamber, was simply called Louis. Following a custom of the time, Pierre Beauchamp was named Pierre after his godfather Pierre Vacherot, tailor of the queen's pages and a relative of the Beauchamps family. Biography Beauchamp was born at Versailles (Yvelines), into a family of French "dance masters" (). He débuted at the court of Louis XIV at age 12, in 1648, in the ''Ballet du dérèglement des passions''. He was made director of the Académie Royale de Danse in 1671 (although he was not a founding member of the Académie as is often claimed). Beauchamp was principal choreographer to Molière's acting company (the Troupe du Roy) during 1664-1673, as well as ballet master at the Académie Royale de Musiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raoul-Auger Feuillet
Raoul Auger (or Anger) Feuillet (c.1660–1710) was a French dance notator, publisher and choreographer most well-known today for his ''Chorégraphie, ou l'art de décrire la danse'' (Paris, 1700) which described Beauchamp–Feuillet notation, and his subsequent collections of ballroom and theatrical dances, which included his own choreographies as well as those of Pécour. His ''Chorégraphie'' (1700) was translated into English by John Weaver (as ''Orchesography. Or the Art of Dancing'') (1706) and P. Siris (as ''The Art of Dancing''), both published in 1706. Weaver also translated the ''Traité de la cadance'' from Feuillet's 1704 ''Recŭeil de dances'' (as ''A Small Treatise of Time and Cadence in Dancing'', 1706). Feuillet's ''Recŭeil de contredances'' (1706), a collection of English country dances, was translated into English by John Essex (as ''For the Furthur Improvement of Dancing'', 1710).Essex, John (1710''For the Furthur Improvement of Dancing'' References E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Rameau
Pierre Rameau (1674 – 26 January 1748), was the French dancing master to Elisabetta Farnese, and the author of two books that now provide us with valuable information about Baroque dance. Rameau's first book, ''Le Maître à Danser'' (1725, Paris), was a dance manual giving instruction on formal ballroom dancing in the French style. The first part covers posture, reverences, steps, and the ballroom minuet, while the second part is concerned entirely with the use of the arms. His second book, ''Abbregé de la Nouvelle Methode'' (c1725, Paris), described a modified version of Beauchamp–Feuillet notation and included several choreographies by Pécour in the new notation. While Rameau's notation was not generally adopted, his information about the shortcomings of Beauchamp–Feuillet notation provides dance historians with clarifications about the execution of the steps. External links * *Library of Congress ''An American Ballroom Companion'' facsimiles of Rameau's works: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Weaver (dancer)
John Weaver (baptised 21 July 1673 – 24 September 1760) was an English dancer, dancing master and choreographer, and producer of a number of works on dancing. He is often regarded as the father of English ballet and of English pantomime. Early life Weaver was born in Shrewsbury where he was baptised on 21 July 1673 at the parish church of Holy Cross ie Shrewsbury Abbey Church, son of John Weaver, a dance teacher. He was educated at the local Free School.Article by William George Dimock Fletcher. His father suggested he go to London and become a ballet master. Weaver seems to have left Shrewsbury in 1696 or 1697, although his first recorded performance in London was not until the summer of 1700. Weaver soon became a specialist in comic roles and created the burlesque ''Tavern Bilkers'' (1702). By the early 1700s, Weaver was part of a circle of dancing masters who were eager to promote the new French system of dance notation. Weaver translated Feuillet’s ''Choregraphie'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Essex
John Essex (born c.1680 - died 1744, London) was an English dancer, choreographer and author who promoted the recording of dance steps through notation as well as performing in London theatre. In 1728 he published his major work ''The Dancing-Master, or, The Art of Dancing Explained'', a translation of Pierre Rameau's ''Le maître à danser'' (1725). Life He is first mentioned in record in 1702 as a dancer at Drury Lane Theatre, performing serious and comic dances. In 1703 he left after a dispute with the manager, Christopher Rich. He set up as an independent dance teacher and teacher of music in Rood Lane (off Fenchurch Street) in the parish of St Dionis Backchurch in the City of London.BDA Vol 5 He became part of a group of dance teachers who sought to modernise and improve the teaching and recording of dancing. These included a Mr Isaac, Thomas Caverley, and John Weaver.Goff in ODNB Essex was involved in several publications in the early 1700s which brought to England and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Notation
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A ''dance score'' is a recorded dance notation that describes a particular dance. Usage The primary uses of dance notation are historical dance preservation through documentation and analysis (e.g., in ethnochoreology) or reconstruction of choreography, dance forms, and technical exercises. Dance notation systems also allow for dance works to be documented and therefore potentially copyrighted. Two popular dance notation systems used in Western culture are Labanotation (also known as Kinetography Laban) and Benesh Movement Notation. Others include Eshkol-Wachman Movement No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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