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Baude Cordier
Baude Cordier () was a French composer in the style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this. He is best known for his unique and experimental notational methods, often with shapes relating to the subject matter. These include a heart-shaped staff in ''Belle, Bonne, Sage'', a rondeau about love, and numerous circles in the ''Tout par compas suy composés'' rondeau. Such an approach is thought to have inspired later composers, ranging from Gilles Binchois to Karlheinz Stockhausen. Identity It has been suggested that Cordier was the pen name of Baude Fresnel. Music Cordier's works are considered among the prime examples of ''ars subtilior''. In line with that cultural trend, he was fond of using re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eye Music
Eye music (often referred to in English by its exact German translation ''Augenmusik'') describes graphical features of scores which when performed are unnoticeable by the listener. Difficulties in defining eye music By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music. Historical development Tone painting of words ... and Canon (music), canon. Moreover, the concept is demonstrated by sometimes differing perceptions of composer, performer, and listener.Dart, Thurston. "Eye music." New Grove Dictionary of Music and Musicians, Stanley Sadie, ed. London:Macmillan, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Mensurabilis Musicae
The ''Corpus mensurabilis musicae'' (CMM) is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories. CMM is a publication of the American Institute of Musicology, and consists of 109 series (individual volumes or sets of volumes) as of 2007. Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set. Many of the series are devoted to works of a single composer, and in some cases they are organized into sub-volumes because of their size (for example, "Volume 1" contains the works of Guillaume Dufay; it actually consists of 6 separate bound volumes, separately containing motets, masses, mass fragments, other liturgical music, and secular songs). Other series contain anthologies and contents o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recto
''Recto'' is the "right" or "front" side and ''verso'' is the "left" or "back" side when text is written or printed on a leaf of paper () in a bound item such as a codex, book, broadsheet, or pamphlet. Etymology The terms are shortened from Latin: and ' (which translate as "on the right side of the leaf" and "on the back side of the leaf"). The two opposite Page (paper), pages themselves are called ' and ' in Latin, and the ablative ', ' already imply that the text on the page (and not the physical page itself) are referred to. Usage In codicology, each physical sheet (', abbreviated ''fol.'' or ''f.'') of a manuscript is numbered, and the sides are referred to as ' and ', abbreviated as ''r'' and ''v'' respectively. Editions of manuscripts will thus mark the position of text in the original manuscript in the form ''fol. 1r'', sometimes with the ''r'' and ''v'' in superscript, as in ''1r'', or with a superscript ''o'' indicating the Ordinal indicator#Latin, ablative ', ', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verso
'''' is the "right" or "front" side and ''verso'' is the "left" or "back" side when text is written or printed on a leaf of paper () in a bound item such as a codex, book, broadsheet, or pamphlet. Etymology The terms are shortened from Latin: and ' (which translate as "on the right side of the leaf" and "on the back side of the leaf"). The two opposite pages themselves are called ' and ' in Latin, and the ablative ', ' already imply that the text on the page (and not the physical page itself) are referred to. Usage In codicology, each physical sheet (', abbreviated ''fol.'' or ''f.'') of a manuscript is numbered, and the sides are referred to as ' and ', abbreviated as ''r'' and ''v'' respectively. Editions of manuscripts will thus mark the position of text in the original manuscript in the form ''fol. 1r'', sometimes with the ''r'' and ''v'' in superscript, as in ''1r'', or with a superscript ''o'' indicating the ablative ', ', as in ''1ro''. This terminology has been stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apt, Vaucluse
Apt (; Provençal Occitan: ''At / Ate'' in both classical and Mistralian norms) is a commune in the Vaucluse department in the Provence-Alpes-Côte d'Azur region in southeastern France. It lies on the left bank of the Calavon, east of Avignon. It is the principal town of the Luberon mountains. The town is known for defining the Aptian age of the Early Cretaceous. Geography Apt lies north of Aix-en-Provence and the river Durance, in the valley of the river Calavon, (also called the Coulon), and at the foot of the north-facing slopes of the Luberon mountain. Geological age Apt is the etymological source of the Aptian, an age in the geologic timescale, a subdivision of the Early or Lower Cretaceous epoch or series and encompasses the time from 125.0 ± 1.0 Ma to 112.0 ± 1.0 Ma (million years ago), approximately. The original type locality is in the vicinity of Apt. The Aptian was introduced in scientific literature by French palaeontologist Alcide d'Orbigny in 1840. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain (Stockhausen)
''Refrain'' for three players (piano with woodblocks, vibraphone with alpine cowbells, and amplified celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. History ''Refrain'' was composed in June and July 1959 on commission from Gerhart von Westerman for the Berlin Festwochen, and is dedicated to . It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Berlin Congresshalle, as part of an all-Stockhausen concert that also included ''Kreuzspiel'', ''Zeitmaße'', ''Zyklus'', and the ''Klavierstücke I'', ''IV'', ''V'', ''VII'', ''VIII'', and ''XI''. Materials and form The title refers to the disturbance six times of a placid and wide-rangingly composed sound texture by a short refrain. These refrains are notated on a rotatable transparent plastic strip, superimposed on curved sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
