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Batucada Sound Machine
Batucada is a substyle of samba and refers to a percussive style, usually performed by an ensemble, known as a bateria. Batucada is characterized by its repetitive style and fast pace. As is Samba, the Batucada is a Brazilian musical expression with African roots. Overview/Instruments The wide variety of instruments used in a batucada include: *Repinique, a high-pitched tom-tom like drum played with a single stick (or two long sticks) and the hand. Traditionally the leader of the ensemble uses the repinique (also referred to as 'repique') to direct and solo. * Surdo, a large drum with an average size of 50 cm in diameter. It provides the downbeat, the bass downbeat of the rhythm. When only one surdo is playing, it accentuates the 2nd and 4th beat of every measure. When a second surdo is playing, it is tuned slightly higher and is played accentuating the first and third beats of the measure. A third surdo de terceira or Surdo-mor syncopates in between the beats. * Tamborim, a sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reco-reco
The reco-reco (also called the raspador, caracaxá or querequexé) is a scraper of African origin used as a percussion instrument in Brazilian music,ROCCA, Edgar Nunes "Bituca", ''Escola Brasileira de Música: Uma visão Brasileira no ensino da música e seus instrumentos de percussão 1''. Rio de Janeiro: Europa, EBM, 1986 but also in many Latin American countries, where it is known as güiro, güira, guayo and guacharaca. Traditionally, the reco-reco was made from a sawtooth notched cylindrical body made of bamboo or wood, and played with a wooden stick. The instrument is used in many styles of Brazilian music, such as samba and related genres. For some time, reco-recos have been made of a metallic cylinder with springs attached and played with a metal stick, which results in a much louder sound. In some models, the sound box has a hole on the bottom part, which can be covered with the hand to achieve different timbral possibilities. Nowadays, reco-recos have also been made out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sérgio Mendes
Sérgio Santos Mendes (; born February 11, 1941) is a Brazilian musician. His career took off with worldwide hits by his group Brasil '66. He has over 55 releases and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film ''Rio''. Mendes is a unique example of a Brazilian musician primarily known in the United States, where his albums were recorded and where most of his touring took place. Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s. Mendes has also collaborated with many artists through the years, including The Black Eyed Peas, with whom he re-recorded in 2006 a version of his breakthrough hit " Mas que Nada". Biography Early career Mendes was born in Niterói, Brazil, the son of a physician. He attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he starte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcos Valle
Marcos may refer to: People with the given name ''Marcos'' *Marcos (given name) Sports ;Surnamed * Dayton Marcos, Negro league baseball team from Dayton, Ohio (early twentieth-century) * Dimitris Markos, Greek footballer * Nélson Marcos, Portuguese footballer * Randa Markos, Iraqi-Canadian female mixed martial artist ;Nicknamed * Marcos Joaquim dos Santos (born 1975), Brazilian footballer known as ''Marcos'' * Marcos de Paula (born 1983), Brazilian footballer known as ''Marcos'' playing for ''A.C. ChievoVerona'' * Marcos Alonso Peña (born 1959), Spanish footballer known as ''Marcos'' ;Named * Marcos Ambrose, Australian racing driver currently competing in ''NASCAR'' * Marcos Baghdatis, Cypriot tennis player * Marcos Hernández (swimmer), Cuban freestyle swimmer * Marcos Pizzelli, Brazilian-Armenian footballer * Marcos (footballer, born 1973), Brazilian football goalkeeper * Marcos García Barreno, Spanish footballer * Marcos Mazzaron, Brazilian cyclist * Marcos Carneiro de Mendo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Fattoruso
Hugo Fattoruso was born in Montevideo, Uruguay in 1943. Fattoruso is a composer, arranger, multi-instrumentalist and vocalisAs well as developing a career as a soloist, he has participated and performed in many different genres: Trio Fattoruso (with his son Francisco Fattoruso, Francisco and his brother Osvaldo), Hot Blowers, Los Shakers, Opa, Eduardo Mateo, etc. He has collaborated also with such renowned artists as : Airto Moreira, Abraham Laboriel, Manolo Badrena, Chico Buarque, Milton Nascimento, Ruben Rada, Djavan, etc. Career *1952–1958: Trío Fattoruso *1959–1963: The Hot Blowers. *1964–1969: Los Shakers *1969–2005: Opa *2000–present: Trío Fattoruso *2003–present: Hugo Fattoruso and Rey Tambor *2004–present: Soloist *2007: With Yahiro Tomohiro created " Dos Orientales" Discography * Los Shakers: ** "Los Shakers" ** "Shakers for You" ** "La Conferencia Secreta del Toto´s Bar" ** "Por Favor" ** "Break it All" ** "Bonus Tracks" * Hugo & Osvald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airto
Airto Guimorvan Moreira (born August 5, 1941) is a Brazilian jazz drummer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a member of the Brazilian ensemble Quarteto Novo, he moved to the United States and worked in jazz fusion with Miles Davis and Return to Forever. Biography Airto Moreira was born in Itaiópolis, Brazil, into a family of folk healers, and raised in Curitiba and São Paulo. Showing an extraordinary talent for music at a young age, he became a professional musician at age 13, noticed first as a member of the samba jazz pioneers Sambalanço Trio and for his landmark recording with Hermeto Pascoal in Quarteto Novo in 1967. Shortly after, he followed his wife Flora Purim to the United States. After moving to the US, Moreira studied with Moacir Santos in Los Angeles. He then moved to New York where he began playing regularly with jazz musicians, including the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olodum
Olodum is a ''bloco-afro'' from Salvador's carnival, in Bahia, Brazil. It was founded by the percussionist Neguinho do Samba. Banda Olodum (Olodum's Band) Olodum is widely credited with developing the music style known as samba reggae and for its active participation in '' carnaval'' each year. Neguinho do Samba, the lead percussionist, created a mix of the traditional Brazilian samba beat with merengue, salsa, and reggae rhythms for the Bahian Carnival of 1986; this became known as samba reggae. This " bloco afro" music is closely tied to its African roots, as seen through its percussion instruments, participatory dancing and unique rhythm. It also directly draws from many Caribbean cultures, like Cuba and Puerto Rico. Olodum gained worldwide notoriety as an African-Brazilian percussive group and performed in Europe, Japan, and almost all of South America. Olodum's performing band (or ''Banda'') has released records in its own right and has been featured on recordings by Braz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rhythm Of The Saints
''The Rhythm of the Saints'' is the eighth solo studio album by American singer-songwriter Paul Simon, released on October 16, 1990 on Warner Bros. In much the same way that Simon's 1986 album ''Graceland'' drew upon South African music, this album was inspired by Brazilian musical traditions. Like its predecessor, the album was commercially successful and received mostly favorable reviews from critics. In 1992, ''The Rhythm of the Saints'' earned two nominations for the 34th Grammy Awards – Album of the Year and Producer of the Year. Reception ''The Rhythm of the Saints'' peaked at No. 4 on the US album chart, while ''Graceland'' had peaked at No. 3, ranking them both among Simon's most commercially successful albums. The album was also successful across the Atlantic, reaching No. 1 on the UK album chart. However, with the exception of "The Obvious Child", none of its three singles—including "Proof" and "Born at the Right Time"—charted or received substantial radio play. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Simon
Paul Frederic Simon (born October 13, 1941) is an American musician, singer, songwriter and actor whose career has spanned six decades. He is one of the most acclaimed songwriters in popular music, both as a solo artist and as half of folk rock duo Simon & Garfunkel with Art Garfunkel. Simon was born in Newark, New Jersey, and grew up in the Queens, borough of Queens in New York City. He began performing with his schoolfriend Art Garfunkel in 1956 when they were still in their early teens. After limited success, the pair reunited after an electrified version of their song "The Sound of Silence" became a hit in 1966. Simon & Garfunkel recorded five albums together featuring songs mostly written by Simon, including the hits "Mrs. Robinson", "America (Simon & Garfunkel song), America", "Bridge over Troubled Water (song), Bridge over Troubled Water" and "The Boxer". After Simon & Garfunkel split in 1970, Simon recorded three acclaimed albums over the following five years, all of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Obvious Child
"The Obvious Child" is a song recorded by American singer-songwriter Paul Simon. It was the lead single from his eighth studio album, ''The Rhythm of the Saints'' (1990), released by Warner Bros. Records. Written by Simon, its lyrics explore mortality and aging. The song is accompanied by a performance from Brazilian drumming collective Olodum in a live recording. The single, released in September 1990, was commercially successful, performing well on charts worldwide. In the United States, it was mainly successful on the Album Rock Tracks chart, where it peaked at number 21. Outside the US, "The Obvious Child" was a top 15 hit in the United Kingdom and the Netherlands. The song received highly positive reviews upon its release. Simon promoted the song alongside Olodum in a performance on ''Saturday Night Live''. The song also influenced popular culture; it is the namesake of the 2014 film ''Obvious Child''. Background The rhythm tracks are performed by Grupo Cultural Olodum, a dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teena Marie
Mary Christine Brockert (March 5, 1956 – December 26, 2010), known professionally as Teena Marie, was an American singer-songwriter, musician, composer, arranger, and producer. She was known by her childhood nickname Tina before taking the stage name Teena Marie and later acquired the nickname Lady T, given to her by her collaborator and friend, Rick James. She was known for her distinctive soprano vocals, which caused many listeners to believe she was black. Her success in R&B and soul music, and loyalty to these genres would earn her the title Ivory Queen of Soul. She played rhythm guitar, keyboards, and congas. Teena Marie was a three-time Grammy Award nominee. Life and career 1956–1978: Early life and career beginnings Mary Christine Brockert was born on March 5, 1956, in Santa Monica, California, the daughter of construction worker Thomas Leslie Brockert and home renovator Mary Anne. She spent her early childhood in Mission Hills, California. She said that her ethnic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whistle
A whistle is an instrument which produces sound from a stream of gas, most commonly air. It may be mouth-operated, or powered by air pressure, steam, or other means. Whistles vary in size from a small slide whistle or nose flute type to a large multi-piped church organ. Whistles have been around since early humans first carved out a gourd or branch and found they could make sound with it. In prehistoric Egypt, small shells were used as whistles. Many present day wind instruments are inheritors of these early whistles. With the rise of more mechanical power, other forms of whistles have been developed. One characteristic of a whistle is that it creates a pure, or nearly pure, tone. The conversion of flow energy to sound comes from an interaction between a solid material and a fluid stream. The forces in some whistles are sufficient to set the solid material in motion. Classic examples are Aeolian tones that result in galloping power lines, or the Tacoma Narrows Bridge (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
