Bathers At Asnières
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Bathers At Asnières
''Bathers at Asnières'' (french: Une Baignade, Asnières) is an 1884 oil on canvas painting by French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The canvas is of a suburban, placid Parisian riverside scene. Isolated figures, with their clothes piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. A combination of complex brushstroke techniques and a meticulous application of contemporary color theory bring to the composition a sense of gentle vibrancy and timelessness. Seurat completed the painting of ''Bathers at Asnières'' in 1884, at 24 years old. He applied to the jury of the Salon of the same year to have the work exhibited there, only to be rejected. The ''Bathers'' continued to puzzle many of Seurat’s contemporaries, and the picture would only be widely acclaimed many years after the artist's death (age 31). An appreciation of t ...
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Georges-Pierre Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome Seu ...
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Seurat Bathers Grass Water
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome ...
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Piero della Francesca
Piero della Francesca (, , ; ; – 12 October 1492) was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to Lisa Gherardini who was known as "la Gioconda" through her marriage in ...
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Arezzo
Arezzo ( , , ) , also ; ett, 𐌀𐌓𐌉𐌕𐌉𐌌, Aritim. is a city and ''comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea level. As of 2022, the population was about 97,000. Known as the city of gold and of the high fashion, Arezzo was home to artists and poets such as Giorgio Vasari, Guido of Arezzo and Guittone d'Arezzo and in its province to Renaissance artist Michelangelo. In the artistic field, the city is famous for the frescoes by Piero della Francesca inside the Basilica of San Francesco, and the crucifix by Cimabue inside the Basilica of San Domenico. The city is also known for the important Giostra del Saracino, a game of chivalry that dates back to the Middle Ages. History Described by Livy as one of the ''Capita Etruriae'' (Etruscan capitals), Arezzo (''Aritim'' in Etruscan) is believed to have been one of the twelve most important Etruscan cities ...
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Quattrocento
The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500. Historical context After the decline of the Western Roman Empire in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent fiefdoms into larger, more stable nation states ruled by monarchies. In Italy, urban ce ...
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Charles Blanc
Charles Blanc (17 November 1813, Castres (Tarn) – 17 January 1882, Paris) was a French art critic. Life and career He was the younger brother of the French socialist politician and historian Louis Blanc. After the February Revolution of 1848, he was director of the Department for the Visual Arts at the Ministry of the Interior. As director of the École des Beaux-Arts he reinstituted a program of copying from casts after the antique and commissioned a series of copies of Old Masters for a projected "Musée des copies" that was objected to by the school's overseers, who cashiered Blanc. He published the ''Histoire des peintres de toutes les écoles'' (Par. 1849–69, 14 vols.), which was translated into English and German. In his book, ''Chromophobia'', David Batchelor argues that Charles Blanc thought of color in art as something not to be totally relied upon. With regard to painting, Blanc says that while color is essential, its place is delegated behind the formal charac ...
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Monochrome
A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept. Application Of an image, the term monochrome is usually taken to mean the same as black and white or, more likely, grayscale, but may also be used to refer to other combinations containing only tones of a single color, such as green-and-white or green-and-red. It may also refer to sepia displaying tones from light tan to dark brown or cyanotype ("blueprint") images, and early photographic methods such as daguerreotypes, ambrotypes, and tintypes, each of which may be used to produce a monochromatic image. In computing, monochrome has two meanings: *it may mean having only one color which is either on or off (also known as ...
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Conté
Conté (), also known as Conté sticks or Conté crayons, are a drawing medium composed of compressed powdered graphite or charcoal mixed with a clay base, square in cross-section. They were invented in 1795 by Nicolas-Jacques Conté, who created the combination of clay and graphite in response to the shortage of graphite caused by the Napoleonic Wars (when the British naval blockade of France prevented import). Conté crayons had the advantage of being cost-effective to produce, and easy to manufacture in controlled grades of hardness. They are now manufactured using natural pigments (iron oxides, carbon black, titanium dioxide), clay (kaolin), and a binder (cellulose ether). Conté crayons are most commonly found in black, white, and sanguine tones, as well as bistre, shades of grey, and other colors. Colors sets are especially useful for field studies and color studies. Some artists create entire paintings with them, using them more like pastels than like a drawing medium. ...
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Seurat L'Echo
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome ...
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Nonce Word
A nonce word (also called an occasionalism) is a lexeme created for a single occasion to solve an immediate problem of communication.''The Cambridge Encyclopedia of The English Language''. Ed. David Crystal. Cambridge: Cambridge University Press, 1995. Some nonce words may acquire a fixed meaning inferred from context and use, possibly even becoming an established part of the language, at which point they stop being nonce words. Some nonce words may be essentially meaningless and disposable, but they are useful for exactly that reason—the words " wug" and "blicket" for instance were invented by researchers to be used in exercises in child language testing. Lexicology The term is used because such a word is created " for the nonce" (i.e., for the time being, or this once). All nonce words are also neologisms, that is, recent or relatively new words that have not been fully accepted into mainstream or common use. The term ''nonce word'' in this sense is due to James Murray ...
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Final Study For Bathers 1883
Final, Finals or The Final may refer to: *Final (competition), the last or championship round of a sporting competition, match, game, or other contest which decides a winner for an event ** Another term for playoffs, describing a sequence of contests taking place after a regular season or round-robin tournament, culminating in a final by the first definition. *final (Java), a keyword in the Java programming language *Final case, a grammatical case *Final examination or finals, a test given at the end of a course of study or training *Part of a syllable *Final, a tone of the Gregorian mode Art and entertainment * ''Final'' (film), a science fiction film * ''The Final'' (film), a thriller film * ''Finals'' (film), a 2019 Malayalam sports drama film *Final (band), an English electronic musical group * ''Final'' (Vol. 1), album by Enrique Iglesias * ''The Final'' (album), by Wham! *"The Final", a song by Dir en grey on the album ''Withering to Death'' * ''Finals'' (comics), a four-is ...
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École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ...
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