|
Bastard (typeface)
Bastard is a blackletter typeface designed by Jonathan Barnbrook in 1990. The name derives from a typographic classification known as Bastarda. The Bastard face is an exploration of the blackletter face (the earliest types, similar to those made by Gutenberg, and based upon monastic script) with a simple kit of parts. The face is available in three weights: Spindly Bastard, Fat Bastard, and Even Fatter Bastard. While the angular terminals suggest the nib of a pen, the typeface was drawn electronically and avoids curved strokes. The c. 1865 typeface Fletcher Fletcher may refer to: People * Fletcher (occupation), a person who fletches arrows, the origin of the surname * Fletcher (singer) (born 1994), American actress and singer-songwriter * Fletcher (surname) * Fletcher (given name) Places United ... is similar in its purely geometric construction. References *Bain, Peter and Paul Shaw. ''Blackletter: Type and National Identity.'' Princeton Architectural Press: 1998. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Blacklett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Barnbrook
Jonathan Barnbrook (born 1966), is a British graphic designer, film maker and typographer. He trained at Saint Martin's School of Art and at the Royal College of Art, both in London. Work Barnbrook designed the cover artwork of David Bowie's 2002 album '' Heathen'', where he used his 'Priori' typeface for the first type. He went on to design the sleeves for ''Reality'' (2003), ''The Next Day'' (2013) and ''Blackstar'' (2016), each with their own specially-designed typography. He cites record cover artwork as an early design influence, and possibly the interest that drew him to graphic design, with other covers including ones for John Foxx, Tuxedomoon and Cult with No Name. Barnbrook is also a type designer and has released typefaces including Bastard, Exocet, False Idol, Infidel, Moron, Newspeak, Olympukes, Sarcastic, Shock & Awe. Many have emotive and controversial titles reflecting the style and themes of Barnbrook's work. His typeface Mason, originally released as Manson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastarda
Bastarda (or bastard) was a blackletter script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy. The early printers produced regional versions in type which were used especially to print texts in the vernacular languages, more rarely for Latin texts. The earliest bastarda type was produced by the German Gutenberg in 1454–55. The main variety was the one used in France, which was also found in Geneva, Antwerp and London. Another local variety was found in the Netherlands; Caxton's first types were a rather poor copy of this. The French ' passed out of use by the mid-16th century, but the German variety developed into the national ' type, which remained in use until the mid-twentieth century.A.F. Johnson, ''Type designs, their history and development''. Third edition. (London: 1966) pp. 21–23 British typeface designer Jonathan Barnbrook has des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletcher (typeface)
Fletcher is the name given to a revival of a nineteenth-century blackletter typeface designed in the Paris foundry of Theophile Beaudoire (1833–1903). The typeface appears in the title pages of many 1870s books. Dan X. Solo's revival is based on a Beaudoire & Cie. specimen and alters several characters towards improved legibility. The face is geometrically constructed, and though showing influence of the pen has no curved strokes in some ways anticipating Jonathan Barnbrook's 1990 Bastard Bastard may refer to: Parentage * Illegitimate child, a child born to unmarried parents ** Bastard (law of England and Wales), illegitimacy in English law People People with the name * Bastard (surname), including a list of people with that na ... typeface. References *Bain, Peter and Paul Shaw. ''Blackletter: Type and National Identity.'' Princeton Architectural Press: 1998. {{ISBN, 1-56898-125-2. External linksMyFont web page on Fletcher Blackletter typefaces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter Typefaces
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Blacklett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typefaces With Text Figures
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typefaces And Fonts Introduced In 1990
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
