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Basie One More Time
''Basie One More Time'' (subtitled ''Music from the Pen of Quincy Jones'') is an album by pianist and bandleader Count Basie performing the compositions and arrangements of Quincy Jones recorded in late 1958 and early 1959 and originally released on the Roulette label.Kitora, R.Count Basie Discography accessed November 3, 2015 Reception AllMusic's review states, "Jones's charts helped expand the Basie sound without altering it. An excellent CD". Track listing ''All compositions by Quincy Jones'' # "For Lena and Lennie" - 3:57 # "Rat Race" - 2:57 # "Quince" - 3:55 # "Meet B B" - 3:35 # "The Big Walk" - 2:55 # "A Square at the Roundtable" - 2:16 # "I Needs to Be Bee'd With" - 3:29 # "Jessica's Day" - 4:24 # "The Midnite Sun Never Sets" - 3:34 # "Muttnik" - 5:25 *Recorded in New York City on December 19, 1958 (tracks 1, 2, 4, 5 & 9) and Chicago on January 23 & 24, 1959 (tracks 3, 6, 7, 8 & 10) Personnel *Count Basie - piano *Wendell Culley, Thad Jones, Joe Newman, Snooky Young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Jones (jazz Musician)
Eddie Jones (March 1, 1929, Greenwood, Mississippi – May 31, 1997, West Hartford, Connecticut) was an American jazz double bassist. Jones grew up in Red Bank, New Jersey, and played early in the 1950s with Sarah Vaughan and Lester Young. Jones taught music in South Carolina from 1951 to 1952, and became a member of Count Basie's orchestra in 1953, remaining there until 1962. He recorded frequently with this ensemble, and also played with Basie in smaller ensembles; these featured both Basie sidemen ( Joe Newman, Frank Foster, Frank Wess, Thad Jones, Ernie Wilkins) and others (Milt Jackson, Coleman Hawkins, Putte Wickman). Jones quit music in 1962 and took a job with IBM; he later became vice president of an insurance company. In the 1980s he returned to jazz and played on and off in swing jazz ensembles. Discography With Dorothy Ashby *''The Jazz Harpist'' (Regent, 1957) With Count Basie *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Green
Frederick William Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years. Early life and education Green was born in Charleston, South Carolina on March 31, 1911. He was exposed to music from an early age, and learned the banjo before picking up the guitar in his early teenage years. A friend of his father by the name of Sam Walker taught a young Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group of which Walker was an organizer. Another member of the group was William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as Duke Ellington. Career It was around this time that Green's parents died, and he moved to New York City to live with his aunt and continue his education. The move opened up a new musical world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Fowlkes
Charles Baker Fowlkes (February 16, 1916 – February 9, 1980) was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years. Early life Fowlkes was born in New York City on February 16, 1916. He studied alto and tenor saxophone, clarinet, and violin before settling on the baritone saxophone (he occasionally played flute). Later life and career Fowlkes spent most of his early career in New York. He played with Tiny Bradshaw (1938–1944), Lionel Hampton (1944–1948), and Arnett Cobb (1948–1951). Fowlkes joined Basie's orchestra in 1953 and remained with it until his death; the main interruptions during his time with Basie were absences due to managing the career of his wife, vocalist Wini Brown. He died in Dallas on February 9, 1980. Discography With The Count Basie Orchestra *''The Count!'' (Clef, 1952 955 *''Basie Jazz'' (Clef, 1952 954 *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Clef, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Mitchell (saxophonist)
William Melvin Mitchell (November 3, 1926 – April 18, 2001) was an American jazz tenor saxophonist.Allmusic/ref> Career Mitchell was born in Kansas City, Missouri, United States. He and his family moved to Detroit, where he received early music education at Cass Tech. He was known for his close association with trumpeter Thad Jones, who was also from Detroit, and worked in several big bands, including Woody Herman's when he replaced Gene Ammons. In 1949, Mitchell recorded with the Milt Buckner band, as well as making several recordings with Thad Jones. From 1951 to 1954, Mitchell led the house band at the Blue Bird Inn in Detroit. The band operated in different configurations, including with drummer Oliver Jackson and his bassist brother Ali; as a quartet with Terry Pollard, Beans Richardson, and Elvin Jones; as a quintet including Thad Jones; and, for several months in 1953, with Miles Davis as a guest soloist. From 1956 to 1957, he played with Dizzy Gillespie in his bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
