Bartolomeo Giuliano
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Bartolomeo Giuliano
Bartolomeo Giuliano (15 August 1825, Susa — 12 April 1909, Milan) was an Italian painter; primarily of portraits and genre scenes. Biography His father was a wealthy doctor and he had a comfortable childhood. In 1832, when he was seven, his family moved to Turin. After completing his basic education, he attended the Accademia Albertina, where he studied drawing with Giovanni Battista Biscarra and painting with Carlo Arienti.Giovanni Reduzzi, ''ABC. Rivista d'arte. Artisti dell'ottocento'', 1934, pp.11-13 Upon graduating, in 1845, he worked in the studios of his friend and colleague, Giovanni Battista Arnaud. The following year, he began presenting his works at the "Society for Promotion of the Fine Arts". In 1857, after several years of traveling between Sardinia and Tuscany, he was called to the Accademia in Turin, where he became an assistant professor of figure drawing to Enrico Gamba. After 1860, he held the same position at the Scuola Militare Teulié in Milan, then at ...
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Bartolomeo Giuliano
Bartolomeo Giuliano (15 August 1825, Susa — 12 April 1909, Milan) was an Italian painter; primarily of portraits and genre scenes. Biography His father was a wealthy doctor and he had a comfortable childhood. In 1832, when he was seven, his family moved to Turin. After completing his basic education, he attended the Accademia Albertina, where he studied drawing with Giovanni Battista Biscarra and painting with Carlo Arienti.Giovanni Reduzzi, ''ABC. Rivista d'arte. Artisti dell'ottocento'', 1934, pp.11-13 Upon graduating, in 1845, he worked in the studios of his friend and colleague, Giovanni Battista Arnaud. The following year, he began presenting his works at the "Society for Promotion of the Fine Arts". In 1857, after several years of traveling between Sardinia and Tuscany, he was called to the Accademia in Turin, where he became an assistant professor of figure drawing to Enrico Gamba. After 1860, he held the same position at the Scuola Militare Teulié in Milan, then at ...
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Jules Breton
Jules Adolphe Aimé Louis Breton (1 May 1827 – 5 July 1906) was a 19th-century French naturalist painter. His paintings are heavily influenced by the French countryside and his absorption of traditional methods of painting helped make Jules Breton one of the primary transmitters of the beauty and idyllic vision of rural existence. Early life and training Breton was born on 1 May 1827 in Courrières, a small Pas-de-Calais village. His father, Marie-Louis Breton, supervised land for a wealthy landowner. His mother died when Jules was 4 and he was brought up by his father. Other family members who lived in the same house were his maternal grandmother, his younger brother, Émile, and his uncle Boniface Breton. A respect for tradition, a love of the land and for his native region remained central to his art throughout his life and provided the artist with many scenes for his Salon compositions. His first artistic training was not far from Courrières at the College St. B ...
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19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Painters From Turin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Treccani
The ''Enciclopedia Italiana di Scienze, Lettere e Arti'' (Italian for "Italian Encyclopedia of Science, Letters, and Arts"), best known as ''Treccani'' for its developer Giovanni Treccani or ''Enciclopedia Italiana'', is an Italian-language encyclopaedia. The publication ''Encyclopaedias: Their History Throughout The Ages'' regards it as one of the greatest encyclopaedias along with the ''Encyclopædia Britannica'' and others. History The first edition was published serially between 1929 and 1936. In all, 35 volumes were published, plus one index volume. The set contained 60,000 articles and 50 million words. Each volume is approximately 1,015 pages, and 37 supplementary volumes were published between 1938 and 2015. The director was Giovanni Gentile and redactor-in-chief . Most of the articles are signed with the initials of the author. An essay credited to Benito Mussolini entitled "The Doctrine of Fascism" was included in the 1932 edition of the encyclopedia, although it w ...
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Dizionario Biografico Degli Italiani
The ''Dizionario Biografico degli Italiani'' ( en, Biographical Dictionary of the Italians) is a biographical dictionary published by the Istituto dell'Enciclopedia Italiana, started in 1925 and completed in 2020. It includes about 40,000 biographies of distinguished Italians. The entries are signed by their authors and provide a rich bibliography. History The work was conceived in 1925, to follow the model of similar works such as the German ''Allgemeine Deutsche Biographie'' (1912, 56 volumes) or the British '' Dictionary of National Biography'' (from 2004 the ''Oxford Dictionary of National Biography''; 60 volumes). It is planned to include biographical entries on Italians who deserve to be preserved in history and who lived at any time during the long period from the fall of the Western Roman Empire to the present. As director of the Treccani, Giovanni Gentile entrusted the task of coordinating the work of drafting to Fortunato Pintor, who was soon joined by Arsenio Frugoni ...
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Cimitero Monumentale Di Milano
The Cimitero Monumentale ("Monumental Cemetery") is one of the two largest cemeteries in Milan, Italy, the other one being the Cimitero Maggiore. It is noted for the abundance of artistic tombs and monuments. Designed by the architect Carlo Maciachini (1818–1899), it was planned to consolidate a number of small cemeteries that used to be scattered around the city into a single location. Officially opened in 1866, it has since then been filled with a wide range of contemporary and classical Italian sculptures as well as Greek temples, elaborate obelisks, and other original works such as a scaled-down version of the Trajan's Column. Many of the tombs belong to noted industrialist dynasties, and were designed by artists such as Adolfo Wildt, Giò Ponti, Arturo Martini, Agenore Fabbri, Lucio Fontana, Medardo Rosso, Giacomo Manzù, Floriano Bodini, and Giò Pomodoro. The main entrance is through the large Famedio, a massive ''Hall of Fame''-like Neo-Medieval style building made of ...
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Giulio Branca
Giulio Branca (December 15, 1851 – February 28, 1926) was an Italian sculptor, active mainly in Milan. He was born in Cannobio, a Piedmont town on Lago Maggiore. As a boy, he showed inclination to become an artist. His father Lodovico wanted him to study commerce, but he filled his school books with drawings of soldiers and battles. After a severe illness, his parents relented and allowed him to study art, initially locally under the sculptor Bergonzoli. At 14 years of age, he left of Milan, where he had studied for five years, including two years under the professor Giovanni Strazza. One of his first works was ''Monello di campagna'' (Young Grape-harvester), displayed at the 1873 Viennese Esposition.A. Ottino Della Chiesa, Treccani entry. Other works include a life-size marble statue of Louis XVII, displayed at the 1878 Universal Exposition of Paris; and of '' Rosmunda al banchetto di Alboino'', displayed in 1880 in Turin and awarded a silver medal in the 1883 International ...
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Exposition Universelle (1878)
The third Paris World's Fair, called an Exposition Universelle in French, was held from 1 May to 10 November 1878. It celebrated the recovery of France after the 1870–71 Franco-Prussian War. Construction The buildings and the fairgrounds were somewhat unfinished on opening day, as political complications had prevented the French government from paying much attention to the exhibition until six months before it was due to open. However, efforts made in April were prodigious, and by 1 June, a month after the formal opening, the exhibition was finally completed. This exposition was on a far larger scale than any previously held anywhere in the world. It covered over , the main building in the Champ de Mars and the hill of Chaillot, occupying . The Gare du Champ de Mars was rebuilt with four tracks to receive rail traffic occasioned by the exposition. The Pont d'Iéna linked the two exhibition sites along the central allée. The French exhibits filled one-half of the entir ...
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Ligurian Riviera
Ligurian may refer to: * Ligurian, pertaining to modern Liguria in Italy * Ligurian, pertaining to the ancient Ligures * Ligurian language, a modern Romance language spoken in parts of Italy, France, Monaco and Argentina * Ligurian (ancient language), an extinct language spoken by the ancient Ligures * Ligurian Sea, an arm of the Mediterranean Sea * Ligurian bee, a type of Italian bee ''Apis mellifera ligustica'' is the Italian bee which is a subspecies of the western honey bee (''Apis mellifera''). Origin The Italian honey bee is thought to originate from the continental part of Italy, south of the Alps, and north of Sicily ... (''Apis mellifera ligustica'') {{disambig Language and nationality disambiguation pages ...
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Quarto Dei Mille
Quarto dei Mille is a residential district in the east of Genoa. Overlooking the sea and between the " Sturla" and "Quinto al mare" districts, it was originally called the "Quarto al mare". In 1860, the "Expedition of the Thousand The Expedition of the Thousand ( it, Spedizione dei Mille) was an event of the Italian Risorgimento that took place in 1860. A corps of volunteers led by Giuseppe Garibaldi sailed from Quarto, near Genoa (now Quarto dei Mille) and landed in Mars ..." (Garibaldi's volunteer force) embarked for Sicily there. The district was later renamed in honor of this event. In 1926 it was integrated into Greater Genoa. Quartieri of Genoa {{Italy-geo-stub ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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