Barbod The Great
Barbad or Bārbad ( fa, باربد; various other names; ) was a Persian poet-musician, lutenist, music theorist and composer of Sasanian music who served as chief minstrel-poet under Shahanshah Khosrow II (). A '' barbat'' player, he is among the major figures in the history of Iranian/Persian music and was the most distinguished Persian musician of his time. He appears frequently in later Persian literature, most famously in Ferdowsi's ''Shahnameh''. The content and abundance of such references demonstrate his unique influence on the music and culture of his time, with some sources declaring him the "founder of Persian music". Despite scarce biographical information, Barbad's historicity is generally secure. Purportedly born in Merv or Jahrom, Barbad served most of his career under Khosrow, who held him in high regard. He interacted closely and rivaled with other musicians of his time, such as Sarkash. After Khosrow's assassination, sources vary as to whether Barbad was murd ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barbat (lute)
The ''barbat'' ( fa, بربت) or ''barbud'' was a lute of Central Asian or Greater Iranian or Persian origin. Barbat is characterized as carved from a single piece of wood, including the neck and a wooden sound board. Possibly a skin-topped instrument for part of its history, it is ancestral to the wood-topped oud and biwa and the skin-topped Yemeni qanbus. Although the original barbat disappeared, modern Iranian luthiers have re-created the instrument, looking at historical images for details. The modern re-created instrument (Iranian Barbat) resembles the oud, although differences include a smaller body, longer neck, a slightly raised fingerboard, and a sound that is distinct from that of the oud. History The ''barbat'' probably originated in Central Asia. The earliest image of the ''barbat'' dates back to the 1st century BC from ancient northern Bactria. While in his book (''Les instruments de musique de l’Inde ancienne'') musicologist Claudie Marcel-Dubois pointed o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ishaq Al-Mawsili
Ishaq al-Mawsili ( ar, إسحاق الموصلي; 767/772 – March 850) was an Arab musician of Persian origin active as a composer, singer, music theorist and writer on music. The leading musician of his time in the Abbasid Caliphate, he served under six successive Abbasid caliphs: Harun al-Rashid, Al-Amin, Al-Ma'mun, Al-Mu'tasim, Al-Wathiq and Al-Mutawakkil. The caliphs and Abbasid court held him in high regard, and his diverse intellect elevated him to a social status that was highly unusual for musicians of the time. Taught by his similarly renowned father Ibrahim al-Mawsili and the noted lutenist Zalzal, he succeeded his father in leading the conservative musical establishment, putting him at odds with progressive musicians such as Ibrahim ibn al-Mahdi and Ziryab. He has appeared in the ''Maqamat'' of Al-Hariri of Basra and ''One Thousand and One Nights''. Life and career Early life Modern sources vary on the exact location and birthdate of Ishaq al-Mawsili. The arabist Ev ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Seal (emblem)
A seal is a device for making an impression in Sealing wax, wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal ''matrix'' or ''die''; the imprint it creates as the seal impression (or, more rarely, the ''sealing''). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a ''dry seal''; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in Intaglio (sculpture), intaglio (cut below th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ahmad Tafazzoli
, image = احمد تفضلی 1316 - 1375.jpg , imagesize = , alt = , caption = Prominent Iranian Iranist , pseudonym = , birth_name = , birth_date = December 16, 1937 , birth_place = Isfahan , death_date = January 1997 (he was murdered by the islamic regime at age 59) , occupation = Writer, Iranologist , nationality = Iranian , ethnicity = , citizenship = , education = , alma_mater = , period = , genre = , subject = , movement = , notableworks = , spouse = , partner = , children = , relatives = , influences = , influenced = , awards = , signature = , website = , portaldisp = Ahmad Tafazzoli (December 16, 1937, Isfahan – January 15, 1997, Tehran) ( fa, احمد تفضلی) was a prominent Iranian Iranist and professor of ancient Iranian languages and culture at Tehran University. One of his most important books is ''Pre-Islamic Persian Literature''. Jaleh Amouzegar contributed in editing it. In January 1997, Ahmad Tafazzoli was found dead in Pu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Iranologist
Iranian studies ( fa, ايرانشناسی '), also referred to as Iranology and Iranistics, is an interdisciplinary field dealing with the research and study of the civilization, history, literature, art and culture of Iranian peoples. It is a part of the wider field of Oriental studies. Iranian studies is broader than and distinct from Persian studies, which is the study of the modern Persian language and literature specifically. The discipline of Iranian Studies focuses on broad trends in culture, history, language and other aspects of not only Persians, but also a variety of other contemporary and historical Iranian peoples, such as Kurds, Lurs, Gilakis, Talysh, Tajiks, Pashtuns, Ossetians, Baluchis, Scythians, Sarmatians, Alans, Parthians, Sogdians, Bactrians, Khwarazmians, and Mazandaranis. In medieval Iran The medieval Persian poet Ferdowsi, author of the Iranian national epic the ', can be considered the founder of Iranian studies in the sense that in his work ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pahlavi Scripts
Pahlavi is a particular, exclusively written form of various Middle Iranian languages. The essential characteristics of Pahlavi are: *the use of a specific Aramaic-derived script; *the incidence of Aramaic words used as heterograms (called '' hozwārishn'', "archaisms"). Pahlavi compositions have been found for the dialects/ethnolects of Parthia, Persis, Sogdiana, Scythia, and Khotan. Independent of the variant for which the Pahlavi system was used, the written form of that language only qualifies as Pahlavi when it has the characteristics noted above. Pahlavi is then an admixture of: *written Imperial Aramaic, from which Pahlavi derives its script, logograms, and some of its vocabulary. *spoken Middle Iranian, from which Pahlavi derives its terminations, symbol rules, and most of its vocabulary. Pahlavi may thus be defined as a system of writing applied to (but not unique for) a specific language group, but with critical features alien to that language group. It has the char ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arabicization
Arabization or Arabisation ( ar, تعريب, ') describes both the process of growing Arab influence on non-Arab populations, causing a language shift by the latter's gradual adoption of the Arabic language and incorporation of Arab culture, after the Muslim conquest of the Middle East and North Africa, as well as the Arab nationalist policies of some governments in modern Arab states toward non-Arabic speaking minorities, including Algeria, Iraq, Kuwait, Sudan. Historically, aspects of the culture of the Arabian Peninsula were combined in various forms with the cultures of conquered regions and ultimately denominated "Arab". After the rise of Islam in the Hejaz, Arab culture and language were spread outside the Arabian Peninsula through conquest, trade and intermarriages between members of the non-Arab local population and the peninsular Arabs. Even within the Arabian Peninsula itself, Arabization occurred to non-Arab populations such as the Hutaym in the northwestern Arabia and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theodor Nöldeke
Theodor Nöldeke (; born 2 March 1836 – 25 December 1930) was a German orientalist and scholar. His research interests ranged over Old Testament studies, Semitic languages and Arabic, Persian and Syriac literature. Nöldeke translated several important works of oriental literature and during his lifetime was considered an important orientalist. He wrote numerous studies (including on the Qur’ān) and contributed articles to the Encyclopædia Britannica. Among the projects Nöldeke collaborated on was Michael Jan de Goeje’s published edition of al-Tabari's ''Tarikh'' ("Universal History"), for which he translated the Sassanid-era section. This translation remains of great value, particularly for the extensive supplementary commentary. His numerous students included Charles Cutler Torrey, Louis Ginzberg and Friedrich Zacharias Schwally. He entrusted Schwally with the continuation of his standard work "The History of the Qur’ān". Biography Nöldeke was born in Harburg ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arthur Christensen
Arthur Emanuel Christensen (9 January 1875 – 31 March 1945) was a Danes, Danish Orientalism, orientalist and scholar of Iranian peoples, Iranian philology and Persian literature, folklore. He is best known for his works on the Iranian history, Persian Mythology, mythology, Iranian religions, religions and Iranian traditional medicine, medicine. Christensen received his doctorate in 1903. The book ''One Thousand and One Nights'' ignited his interest to the Middle East. The subject of his doctorate dissertation was written about Omar Khayyam, a renowned Persian polymath.مجلهٔ یغما، شمارهٔ ۲۵۳. ص۴۸۵ Selected bibliography * References People from Copenhagen Danish writers Iranologists 1875 births 1945 deaths Members of the Göttingen Academy of Sciences and Humanities {{Denmark-writer-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Diacritic
A diacritic (also diacritical mark, diacritical point, diacritical sign, or accent) is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek (, "distinguishing"), from (, "to distinguish"). The word ''diacritic'' is a noun, though it is sometimes used in an attributive sense, whereas ''diacritical'' is only an adjective. Some diacritics, such as the acute ( ◌́ ) and grave ( ◌̀ ), are often called ''accents''. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters. The main use of diacritics in Latin script is to change the sound-values of the letters to which they are added. Historically, English has used the diaeresis diacritic to indicate the correct pronunciation of ambiguous words, such as "coöperate", without which the letter sequence could be misinterpreted to be pronounced . Other examples are the acute and grave accents, which can indi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Romanization Of Persian
Romanization of Persian or Latinization of Persian ( fa, لاتیننویسی فارسی, Lâtin-Nevisi-ye Fârsi, link=no, ) is the representation of the Persian language (Iranian Persian, Dari and Tajik) with the Latin script. Several different romanization schemes exist, each with its own set of rules driven by its own set of ideological goals. Romanization is familiar to many Persian speakers. Many use an ''ad hoc'' romanization for text messaging and email; road signs in Iran commonly include both Persian and English (in order to make them accessible to foreigners); and websites use romanized domain names. Romanization paradigms Because the Perso-Arabic script is an abjad writing system (with a consonant-heavy inventory of letters), many distinct words in standard Persian can have identical spellings, with widely varying pronunciations that differ in their (unwritten) vowel sounds. Thus a romanization paradigm can follow either transliteration (which mirrors spelling a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sasanian Empire
The Sasanian () or Sassanid Empire, officially known as the Empire of Iranians (, ) and also referred to by historians as the Neo-Persian Empire, was the History of Iran, last Iranian empire before the early Muslim conquests of the 7th-8th centuries AD. Named after the Sasanian dynasty, House of Sasan, it endured for over four centuries, from 224 to 651 AD, making it the longest-lived List of monarchs of Persia, Persian imperial dynasty. The Sasanian Empire succeeded the Parthian Empire, and re-established the Persians as a major power in late antiquity alongside its neighbouring arch-rival, the Roman Empire (after 395 the Byzantine Empire).Norman A. Stillman ''The Jews of Arab Lands'' pp 22 Jewish Publication Society, 1979 International Congress of Byzantine Studies ''Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August 2006, Volumes 1–3'' pp 29. Ashgate Pub Co, 2006 The empire was founded by Ardashir I, an Iranian ruler who rose to po ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |