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Barbara Lubomirska (17th Century)
''Portrait of Barbara Lubomirska'' is a 17th-century funerary portrait of the Polish noblewoman Barbara Lubomirska. She died between 1667 and 1676 and the portrait is shaped like a cross-section of her coffin. It was painted in oil on a sheet of metal by an anonymous master-painter active in Masovia in mid-second half of the 17th century. The painting is on display at the National Museum in Warsaw on loan from the Portrait Gallery of the Palace Museum in Wilanów. It is a prominent example of the funerary art tradition popular among the nobles (szlachta) of the Polish–Lithuanian Commonwealth The Polish–Lithuanian Commonwealth, formally known as the Kingdom of Poland and the Grand Duchy of Lithuania, and, after 1791, as the Commonwealth of Poland, was a bi-confederal state, sometimes called a federation, of Crown of the Kingdom of .... References {{17C-painting-stub Barbara Lubomirska Paintings in the National Museum, Warsaw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffin Portrait Of Barbara Lubomirska
A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation. Sometimes referred to as a casket, any box in which the dead are buried is a coffin, and while a casket was originally regarded as a box for jewelry, use of the word "casket" in this sense began as a euphemism introduced by the undertaker's trade. A distinction is commonly drawn between "coffins" and "caskets", using "coffin" to refer to a tapered hexagonal or octagonal (also considered to be anthropoidal in shape) box and "casket" to refer to a rectangular box, often with a split lid used for viewing the deceased as seen in the picture. Receptacles for cremated and cremulated human ashes (sometimes called cremains) are called urns. Etymology First attested in English in 1380, the word ''coffin'' derives from the Old French , from Latin , which means ''basket'', which is the latinisation of the Greek κόφινος (''kophinos''), ''basket''. The earliest attested form of the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffin Portrait
A coffin portrait ( pl, Portret trumienny) was a realistic portrait of the deceased person put on coffins for the funeral and one of the elements of the castrum doloris, but removed before the burial. It became a tradition to decorate coffins of deceased nobles ('' szlachta'') with such funerary art in the times of the Polish–Lithuanian Commonwealth, particularly in the 17th and 18th centuries, the time of the baroque in Poland and Sarmatism. The tradition was limited to Commonwealth countries, although the term may also describe the Ancient Egyptian mummy portraits. Design They were commonly painted on sheet metal (copper, tin or lead plates) and fixed on the narrow ends of the coffins at the side where the head of the deceased lay. On the opposite of the coffin there was usually an epitaph, and the sides held a coat of arms. The shape of the upper edges of the portraits was based on the shape of the coffin, and the lower edges were often used to turn the whole into a hexagon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masovia
Mazovia or Masovia ( pl, Mazowsze) is a historical region in mid-north-eastern Poland. It spans the North European Plain, roughly between Łódź and Białystok, with Warsaw being the unofficial capital and largest city. Throughout the centuries, Mazovia developed a separate sub-culture featuring diverse folk songs, architecture, dress and traditions different from those of other Poles. Historical Mazovia existed from the Middle Ages until the partitions of Poland and consisted of three voivodeships with the capitals in Warsaw, Płock and Rawa. The main city of the region was Płock, which was even capital of Poland from 1079 to 1138; however, in Early Modern Times Płock lost its importance to Warsaw, which became the capital of Poland. From 1138, Mazovia was governed by a separate branch of the Piast dynasty and when the last ruler of the independent Duchy of Mazovia died, it was fully incorporated to the Polish Crown in 1526. During the Polish–Lithuanian Commonwealth over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum In Warsaw
The National Museum in Warsaw ( pl, Muzeum Narodowe w Warszawie), popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art (Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting (Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects. The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplemented by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Museum In Wilanów
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Szlachta
The ''szlachta'' (Polish: endonym, Lithuanian: šlėkta) were the noble estate of the realm in the Kingdom of Poland, the Grand Duchy of Lithuania, and the Polish–Lithuanian Commonwealth who, as a class, had the dominating position in the state, exercising extensive political rights and power. Szlachta as a class differed significantly from the feudal nobility of Western Europe. The estate was officially abolished in 1921 by the March Constitution."Szlachta. Szlachta w Polsce" ''Encyklopedia PWN'' The origins of the ''szlachta'' are obscure and the subject of several theories. Traditionally, its members owned land (allods), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish–Lithuanian Commonwealth
The Polish–Lithuanian Commonwealth, formally known as the Kingdom of Poland and the Grand Duchy of Lithuania, and, after 1791, as the Commonwealth of Poland, was a bi-confederal state, sometimes called a federation, of Crown of the Kingdom of Poland, Poland and Grand Duchy of Lithuania, Lithuania ruled by a common Monarchy, monarch in real union, who was both King of Poland and List of Lithuanian monarchs, Grand Duke of Lithuania. It was one of the largest and most populous countries of 16th- to 17th-century Europe. At its largest territorial extent, in the early 17th century, the Commonwealth covered almost and as of 1618 sustained a multi-ethnic population of almost 12 million. Polish language, Polish and Latin were the two co-official languages. The Commonwealth was established by the Union of Lublin in July 1569, but the Crown of the Kingdom of Poland and the Grand Duchy of Lithuania had been in a ''de facto'' personal union since 1386 with the marriage of the Polish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Portraits
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
