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Barbara Brash
Barbara Nancy Brash (3 November 1925 – 25 February 1998) was a twentieth-century post-war Australian artist known for her painting and innovative printmaking. In an extensive career she contributed to the Melbourne Modernist art scene, beside other significant women artists including: Mary Macqueen, Dorothy Braund, Anne Marie Graham, Constance Stokes, Anne Montgomery (artist) and Nancy Grant.Art Nomad
"Dorothy Mary Braund" Art Nomad, accessed 6 July 2022


Biography

Barbara Nancy Brash was born in Melbourne on the 3 November 1925 to Elsa and Alfred Brasch. The Brasch family had established Brasch Brothers and Salenger partnership in 1866 and opened Braschs music store at 108 Elizabeth Street. Reacting to prejudice against German name ...
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Melbourne
Melbourne ( ; Boonwurrung/Woiwurrung: ''Narrm'' or ''Naarm'') is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania. Its name generally refers to a metropolitan area known as Greater Melbourne, comprising an urban agglomeration of 31 local municipalities, although the name is also used specifically for the local municipality of City of Melbourne based around its central business area. The metropolis occupies much of the northern and eastern coastlines of Port Phillip Bay and spreads into the Mornington Peninsula, part of West Gippsland, as well as the hinterlands towards the Yarra Valley, the Dandenong and Macedon Ranges. It has a population over 5 million (19% of the population of Australia, as per 2021 census), mostly residing to the east side of the city centre, and its inhabitants are commonly referred to as "Melburnians". The area of Melbourne has been home to Aboriginal ...
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Arthur Streeton
Sir Arthur Ernest Streeton (8 April 1867 – 1 September 1943) was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism. Early life Streeton was born in Mt Moriac, Victoria, south-west of Geelong, on 8 April 1867 the fourth child of Charles Henry and Mary (née Johnson) Streeton. His family moved to Richmond in 1874. His parents had met on the voyage from England in 1854."Streeton, Sir Arthur Ernest (1867–1943),"
''Australian Dictionary of Biography Online''
In 1882, Streeton commenced art studies with G. F. Folingsby at the National Gallery School.Reid, John B. (1977). ''Australian Artists at War: Compiled ...
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George Bell (painter)
George Frederick Henry Bell (1 December 1878 – 22 October 1966) was an Australian painter and teacher, critic, portraitist, violinist and war artist who contributed significantly to the advancement of the local Modern movement from the 1920s to the 1930s. Early life and education He was born in Kew, Victoria, the son and fourth child of Clara (née Bowler) and George Bell, public servant, and educated at Kew High School. He studied at the National Gallery of Victoria Art School from 1896 to 1903 under Frederick McCubbin and painting master Bernard Hall as well as taking private instruction from George Coates 1895-6. Europe Bell's father financed his studies so he could afford to travel, and on 19 April 1904 he sailed for England, then Paris where studied with Jean Paul Laurens at Julian's atelier, then at the academies of the Spaniard Castelucha and Colarossi. In 1906 he travelled to Italy to study the Old Masters, particularly Titian and Tintoretto, before visiting ...
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Alan Sumner
Alan Robert Sumner, MBE (10 February 1911, Melbourne – 20 October 1994, Melbourne) was an Australian artist; a painter, printmaker, teacher and stained glass designer. Education Alan Sumner studied at Melbourne's National Gallery Art School in 1933, at Melbourne Technical College, and from 1933 to 1939 at the George Bell School, then 1950–52 at the Académie de la Grande Chaumière, Paris and the Courtauld Institute, London. Career Sumner was apprenticed as a stained-glass designer for the firm of Brooks Robinson, Melbourne then for fifteen years at E.L. Yencken and Co where he was mentored by fellow artist William Frater, becoming head designer. He painted in a post-impressionist style influenced by George Bell, which he applied in his work as a stained glass artist; he was commissioned for around 100 stained glass works, most important of which are the windows for the Services Memorial Chapel, Scots Church, Melbourne, and the memorial window for Charles Joseph La Trobe ...
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National Gallery Of Victoria Art School
The National Gallery of Victoria Art School, associated with the National Gallery of Victoria, was a private fine arts college founded in 1867 and was Australia's leading art school of 50 years. It is also referred to as the 'National Gallery School' ‘National Gallery Art School’, ‘National Gallery School of Art’ and ‘Victorian National Gallery School of Art’. Official correspondence commencing from the 1950s is headed ‘National Gallery of Victoria Art School’ and in McCulloch’s ''Encyclopedia of Australian Art'', it is abbreviated 'NGC School'. It was the leading centre for academic art training in Australia until about 1910. Among its luminaries, the school was headed by Sir William Dargie in 1946–53, John Brack from 1962–68, and Lenton Parr from 1968 to its absorption into the newly created Victorian College of the Arts. History The State Library of Victoria, a public library, opened in Melbourne in 1859, and from 1861 it housed a Mus ...
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RMIT University
RMIT University, officially the Royal Melbourne Institute of Technology,, section 4(b) is a public research university in Melbourne Melbourne ( ; Boonwurrung/Woiwurrung: ''Narrm'' or ''Naarm'') is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania. Its name generally refers to a met ..., Australia. Founded in 1887 by Francis Ormond, RMIT began as a night school offering classes in art, science, and technology, in response to the industrial revolution in Australia. It was a private college for more than a hundred years before merging with the Phillip Institute of Technology to become a public university in 1992. It has an enrolment of around 95,000 higher education, higher and vocational education students, making it the largest dual-sector education institution in Australia. With an annual revenue of around A$1.5 billion, it is also one of the List of Australian universities by ...
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Harold Freedman
Harold Emanuel Freedman O.A.M. (21 May 1915 – 16 July 1999) was an artist from Victoria, Australia, renowned as an illustrator and lithographer, as an official war artist, and for his work in public murals. Early life Harold Freedman's father Julius was born in Bristol, England, and migrated with his parents at four years old to Australia where they lived in Carlton. There Harold Freeman's grandfather started a small picture-frame factory. Julius married Miriam (née Hyams) and Harold was born in Ewart St., Malvern on 21 May 1915. Training Harold Freedman studied at Caulfield Technical College and took extra tuition from Napier Waller, then furthered his education at the Melbourne Technical College from 1929 to 1935. In 1936 he worked as a freelance illustrator and cartoonist for Melbourne weeklies; His ink cartoon ''Calvalcade of Billy'' 1940, is in the State Library of Victoria, donated by the artist. War artist During World War II, Freedman enlisted in the Royal Au ...
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ...
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Screen Printing
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. One colour is printed at a time, so several screens can be used to produce a multi-coloured image or design. Traditionally, silk was used in the process. Currently, synthetic threads are commonly used in the screen printing process. The most popular mesh in general use is made of polyester. There are special-use mesh materials of nylon and stainless steel available to the screen-printer. There are also different types of mesh size which will determine the outcome and look of the fi ...
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Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ...
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Linocut
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Technique Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally diced, much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and ...
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