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Baqueteo
A cinquillo is a typical Cuban/Caribbean rhythmic cell, used in the Cuban contradanza (the " habanera") and the danzón.Mauleón, Rebeca (1993: 51). ''Salsa Guidebook: For Piano and Ensemble''. Petaluma, CA: Sher Music. The figure is also a common bell pattern found throughout sub-Saharan Africa. It consists of an eighth, a sixteenth, an eighth, a sixteenth, and an eighth note. Placing this rhythm in a 2/4 measure produces a strongly syncopated character from the sustained note which replaces an articulated one on the first quarter of the second beat. Cinquillo is an embellishment of the more basic pattern known as tresillo. Cinquillo is shown twice below. The first one merely displays the note values. The second one is a so-called orthographic notation, which gives an impression of the syncopated character. When followed by four unsyncopated eighth notes, it is known as the baqueteo. Like the clave, this forms a pair of measures, syncopated and unsyncopated. The baqueteo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinquillo
A cinquillo is a typical Cuban/Caribbean rhythmic cell, used in the Cuban contradanza (the " habanera") and the danzón.Mauleón, Rebeca (1993: 51). ''Salsa Guidebook: For Piano and Ensemble''. Petaluma, CA: Sher Music. The figure is also a common bell pattern found throughout sub-Saharan Africa. It consists of an eighth, a sixteenth, an eighth, a sixteenth, and an eighth note. Placing this rhythm in a 2/4 measure produces a strongly syncopated character from the sustained note which replaces an articulated one on the first quarter of the second beat. Cinquillo is an embellishment of the more basic pattern known as tresillo. Cinquillo is shown twice below. The first one merely displays the note values. The second one is a so-called orthographic notation, which gives an impression of the syncopated character. When followed by four unsyncopated eighth notes, it is known as the baqueteo. Like the clave, this forms a pair of measures, syncopated and unsyncopated. The baqueteo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contradanza
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the Country dance, English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an Rhythm in Sub-Saharan Africa, African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo (music), mambo and cha-cha-chá (music), cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habanera (music)
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama Panama ( , ; es, link=no, Panamá ), officially the Republic of Panama ( es, República de Panamá), is a transcontinental country spanning the southern part of North America and the northern part of South America. It is bordered by Cos ... and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an Rhythm in Sub-Saharan Africa, African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for temporal organization in Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Music
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tresillo (rhythm)
Tresillo ( ; ) is a rhythmic pattern (shown below) used in Latin American music. It is a more basic form of the rhythmic figure known as the ''habanera''. : \new RhythmicStaff Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions. The cinquillo pattern is another common embellishment of tresillo. Cinquillo is used frequently in the Cuban contradanza (the "habanera") and the danzón. Triplet (formal usage) ''Tresillo'' is a Spanish word meaning " triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, ''tresillo'' refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Offspring
The Offspring is an American rock band from Garden Grove, California, formed in 1984. Originally formed under the name Manic Subsidal, the band's current lineup consists of lead vocalist and rhythm guitarist Bryan "Dexter" Holland, lead guitarist Kevin "Noodles" Wasserman and bassist Todd Morse. Over the course of their -year career, The Offspring have released 10 studio albums and have also experienced a number of lineup changes, most notably with their drummer. Their longest-serving drummer was Ron Welty, who replaced original drummer James Lilja in 1987 and stayed with The Offspring for 16 years. Welty was replaced by Atom Willard in 2003, who was replaced four years later by Pete Parada, who remained as the drummer for The Offspring until 2021. Gregory "Greg K." Kriesel (one of the Offspring's cofounders) was their bassist until 2018, when he was fired from the band due to business disputes, thus leaving Holland as the sole remaining original member. Kriesel was replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Out And Play (The Offspring Song)
"Come Out and Play" (sometimes subtitled "Keep 'Em Separated") is a 1994 song by the Californian punk rock group the Offspring. It is the seventh track on their third album, '' Smash'' (1994), and was released as its first single. Written by frontman Dexter Holland, the song was the second single to be released by the band, after " I'll Be Waiting" (1986). It is considered the Offspring's breakthrough song, as it received widespread radio play, with first attention brought by Jed the Fish of KROQ-FM, and reached number one on the ''Billboard'' Modern Rock Tracks chart, bringing both the band and the punk rock genre to widespread attention. The song also appears as the second track on their ''Greatest Hits'' album (2005). Composition Dexter Holland said that most songs on ''Smash'' "were just about whatever was happening in front of me". In the case of "Come Out And Play", it was about gang and school violence: "Back then I was a grad student and I was commuting to school every ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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