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Bandini (film)
''Bandini'' (Hindi: बन्दिनी, translation: ''Imprisoned'') is a 1963 Hindi drama film directed and produced by Bimal Roy, the man who directed classics such as ''Do Bigha Zameen'' and ''Devdas.'' Bandini stars Nutan, giving one of the most acclaimed roles of her career, her performance in the film is regarded among the best performances ever given by an actress of Hindi cinema. along with Ashok Kumar and Dharmendra as leads, and explores the human conflicts of love and hate intertwined in the mind of Kalyani (Nutan). Nutan, who had worked with Roy in '' Sujata'' (1959), was persuaded to ace in the film. The movie tells the story of a woman prisoner serving life imprisonment for murder, Kalyani, the all suffering, selfless, sacrificing and strong, yet weak Indian woman. She must make a choice between two very different men, Devendra (Dharmendra), the loving prison doctor, and Bikash (Ashok Kumar), a man from her past.
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Bimal Roy
Bimal Roy (12 July 1909 – 8 January 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as ''Do Bigha Zamin'', ''Parineeta (1953 film), Parineeta'', ''Biraj Bahu'', ''Devdas (1955 film), Devdas'', ''Madhumati'', ''Sujata (1959 film), Sujata'', ''Parakh (1960 film), Parakh'' and ''Bandini (1963 film), Bandini'', making him an important director of Bollywood, Hindi cinema. Inspired by Italian neorealism, Italian neo-realistic cinema, he made ''Do Bigha Zamin'' after watching Vittorio De Sica's'' Bicycle Thieves'' (1948). His work is particularly known for his mise en scène which he employed to portray Realism (arts), realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. ''Madhumati'' won 9 6th Filmfare Awards, Filmfare Awards in 1958, a record held for 37 years. Biography Bimal Roy was born on 12 July 1909 ...
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Bollywood Films Of 1963
A list of films produced by the Bollywood film industry based in Mumbai in 1963: Highest-grossing films The ten highest-grossing films at the Indian Box Office in 1963: A-B C-F G-J K-M N-R S-Z References {{reflist External links Bollywood films of 1963at the Internet Movie Database Indian Film Songs from the Year 1963- A look back at 1963 with a special focus on Hindi film songs 1963 Bollywood Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (fo ... Films, Bollywood ...
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Bela Bose
Bela Bose is an Indian dancer and actress who was active in Hindi films during the 1960s and 70s. Early life Bela Bose was born in Calcutta in a well-to-do family. Her father was a cloth merchant and her mother was a homemaker. Following a bank crash that wiped out their fortune, the family relocated to Bombay in 1951. She started her career as a schoolgirl as a group dancer in films to help support her family after her father's death in a road accident. She picked up more films after she finished her schooling. Career Bela Bose began to receive independent credit from the late 1950s. Her big break came when she was asked to do a dance number with Raj Kapoor in ''Main Nashe Mein Hoon'', released in 1959. Her first leading role was in ''Sautela Bhai'' (1962) opposite Guru Dutt at age 21. She honed her acting skills performing in Bengali plays. Her career consisted of more than 150 films. In ''Hawa Mahal'' (1962), she played the role of Helen's sister. She was often calle ...
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Iftekhar (actor)
Sayedna Iftekhar Ahmed Sharif (22 February 1924 – 4 March 1995), often mononymously credited as Iftekhar, was an Indian actor who mainly worked in Hindi cinema. He is known for his role as a police officer. Career Iftekhar was born in Jalandhar and was the eldest among four brothers and a sister. After completing his matriculation, Iftekhar did a diploma course in painting from Lucknow College Of Arts. Iftekhar had a passion for singing and was impressed with the famous singer Kundanlal Sehgal. In his 20s, Iftekhar travelled to Calcutta for an audition conducted by the music composer Kamal Dasgupta, who was then serving for HMV. Dasgupta was so impressed by Iftekhar's personality that he recommended his name to M. P. Productions as an actor. Iftekhar made his debut in the 1944 film ''Taqraar'', which was made under the banner of Art Films-Kolkata. Many of Iftekhar's close relatives, including his parents and siblings, migrated to Pakistan during the partition. He wou ...
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Hiralal (actor)
Hiralal Thakur (14 March 1909/1910 – 27 June 1981), known mononymously as Hiralal, was an Indian actor known for his work in Hindi films. Known for his performances as a character actor, he was called the 'bad man of the Indian screen' for his portrayal of roles with negative shades. He made his debut with the silent film '' Safdar Jung'' (1930). Hiralal also took part in India's independence movement and became an activist with the Indian National Congress when he was 14. He was later associated with the group of political and social workers that included Lala Lajpat Rai and Bhagat Singh, before moving into a career in films in 1928. After a distinguished career in films for over fifty years which included at least 150 films, he died penniless in 1981. Career Hiralal took to acting in films "as a hobby" after being asked by filmmaker Abdur Rashid Kardar, who was making '' Safdar Jung'' in Lahore, to play the role of a Pathan. Filming of ''Safdar Jung'' had begun in 1924 an ...
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Sulochana Latkar
Sulochana Latkar (born 30 July 1928) known by her screen name Sulochana, is a well-known actress of Marathi and Hindi cinema and has acted in 50 films in Marathi and around 250 films in Hindi. She is most known for her performances in Marathi films such as ''Sasurvas'' (1946), ''Vahinichya Bangdya'' (1953), ''Meeth Bhakar'', ''Sangtye Aika'' (1959) and ''Dhakti Jau'' in the lead roles, as well as for the mother roles she played in Hindi cinema right from 1959 film ''Dil Dekhe Dekho'' to the year 1995. She and Nirupa Roy epitomized the "mother" roles right from 1959 until the early 1990s. Career Sulochana Latkar made her debut in films in 1946. She was lead actress in Marathi films from 1946 to 1961 with films like ''Sasurvas'' (1946), ''Vahinichya Bangdya'' (1953), ''Meeth Bhakar'', ''Sangtye Aika''(1959), ''Laxmi Ali Ghara'', Moti Manse, Jivacha Sakha, Pativrata, Sukhache Sobti, Bhaubheej, Akashganga and ''Dhakti Jau''. She was often paired opposite Nazir Hussain, Trilok Kapoo ...
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Asit Sen (actor)
Asit Sen (13 May 1917 – 18 September 1993) was an Indian film director turned famous comedian in the Hindi film industry. He directed 2 films and starred in over 200 films between 1953 and 1993 until his death. As an actor/comedian, he often portrayed a character with authority, such as a police inspector or landlord, but with comic effect, mostly as a slow-speaking person. His acting career was particularly prolific in the 1960s, 1970s, and early 1980s. He had a very thin voice, in striking contrast to his huge physical frame and spoke his dialogues at a slow pace. Sen started his career, assisting director-producer Bimal Roy in Kolkata, however, the Kolkata-based film industry was now on the decline, thus Roy shifted base to Bombay (now Mumbai) along with Roy's team in 1950, which included Sen, Hrishikesh Mukherjee, Nabendu Ghosh, Kamal Bose and later Salil Chaudhury. Along with doing small roles in films he directed two films for his mentor's production house, Parivar ...
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Tarun Bose
Tarun Bose (14 September 1928 – 8 March 1972) was an Indian actor, active in Bollywood during the 1960s and 1970s. Early life and education Bose was born in Kolkata, though he grew up in Nagpur, where he studied at St. Francis High School. Early in his teen he started performing a local plays and at age 15 he auditioned for the newly opened All India Radio, Nagpur, where he went on to work in radio plays. Career After completing his education, he started working with the Post and Telegraph Department, so that he could pursue acting on the side, without any family pressure. Bose made his film debut in 1957 in the Asit Sen film, ''Apradhi Kaun?'' (1957), which also starred Mala Sinha and Abhi Bhattacharya. His acting in Bimal Roy's '' Sujata'' (1959) was appreciated, where he was cast with Nutan, Sunil Dutt and Sulochana. Bose was noted for his intense performances in movies such as ''Gumnaam'', '' Bandini'' (1963), '' Anupama'' (1966), ''Devar'', ''Mujhe Jeene Do'' (1963) ...
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Nutan Behl
Nutan Samarth Bahl (4 June 1936 – 21 February 1991), known mononymously as Nutan, was an Indian actress who worked in Hindi films. In a career spanning nearly four decades, she appeared in more than 70 films, mostly as a protagonist, in both big productions and arthouse films that ranged in genre from urban romances, literary adaptations, to psychological and socio-realist dramas. Regarded as one of the finest actors in the history of Indian cinema, Nutan was noted for her naturalistic acting style in parts of conflicted women often deemed unconventional. Her accolades include a record five Filmfare Awards for Best Actress and the Padma Shri by the Government of India in 1974. Born in Bombay to filmmaker Kumarsen Samarth and film actress Shobhna Samarth, Nutan started her career at the age of 14 in the 1950 film ''Hamari Beti'', directed by her mother. She subsequently starred in such films as ''Nagina'' and '' Hum Log'' (both 1951). Her role in '' Seema'' (1955) garnered her w ...
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British Raj
The British Raj (; from Hindi ''rāj'': kingdom, realm, state, or empire) was the rule of the British Crown on the Indian subcontinent; * * it is also called Crown rule in India, * * * * or Direct rule in India, * Quote: "Mill, who was himself employed by the British East India company from the age of seventeen until the British government assumed direct rule over India in 1858." * * and lasted from 1858 to 1947. * * The region under British control was commonly called India in contemporaneous usage and included areas directly administered by the United Kingdom, which were collectively called British India, and areas ruled by indigenous rulers, but under British paramountcy, called the princely states. The region was sometimes called the Indian Empire, though not officially. As ''India'', it was a founding member of the League of Nations, a participating nation in the Summer Olympics in 1900, 1920, 1928, 1932, and 1936, and a founding member of the United Nations in San F ...
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Bengal
Bengal ( ; bn, বাংলা/বঙ্গ, translit=Bānglā/Bôngô, ) is a geopolitical, cultural and historical region in South Asia, specifically in the eastern part of the Indian subcontinent at the apex of the Bay of Bengal, predominantly covering present-day Bangladesh and the Indian state of West Bengal. Geographically, it consists of the Ganges-Brahmaputra delta system, the largest river delta in the world and a section of the Himalayas up to Nepal and Bhutan. Dense woodlands, including hilly rainforests, cover Bengal's northern and eastern areas, while an elevated forested plateau covers its central area; the highest point is at Sandakphu. In the littoral southwest are the Sundarbans, the world's largest mangrove forest. The region has a monsoon climate, which the Bengali calendar divides into six seasons. Bengal, then known as Gangaridai, was a leading power in ancient South Asia, with extensive trade networks forming connections to as far away as Roman Egypt. ...
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Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the v ...
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