Ballet De La Merlaison (livret) 1635 – Gallica 2018 (adjusted)
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Ballet De La Merlaison (livret) 1635 – Gallica 2018 (adjusted)
The ''Ballet de la Merlaison'' is a ballet de cour first performed on 15 March 1635 at the Château de Chantilly, during the reign of – and commonly attributed to – Louis XIII.McGowan 2001. It is the most popular ballet performed during the reign of Louis XIII, which marked an important development of the ballet de cour. Music The music of this '' ballet à entrées'' is considered to be written with the participation of Louis XIII. While some claim he had written only a few ''airs'', most experts consider the entire ballet to be written by Louis XIII.Moote 1989, p. 268. One thing we know for sure is that Louis XIII made up the story, the choreography and danced himself in the ballet. The music is very typical for the era of Louis XIII, yet it is very interesting for modern musicologists, since it is crucial for the understanding of development from Late Renaissance to Early and High Baroque music. Recordings and depictions in fiction * A full recording of the ''Ballet de ...
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Ballet De La Merlaison (livret) 1635 – Gallica 2018 (adjusted)
The ''Ballet de la Merlaison'' is a ballet de cour first performed on 15 March 1635 at the Château de Chantilly, during the reign of – and commonly attributed to – Louis XIII.McGowan 2001. It is the most popular ballet performed during the reign of Louis XIII, which marked an important development of the ballet de cour. Music The music of this '' ballet à entrées'' is considered to be written with the participation of Louis XIII. While some claim he had written only a few ''airs'', most experts consider the entire ballet to be written by Louis XIII.Moote 1989, p. 268. One thing we know for sure is that Louis XIII made up the story, the choreography and danced himself in the ballet. The music is very typical for the era of Louis XIII, yet it is very interesting for modern musicologists, since it is crucial for the understanding of development from Late Renaissance to Early and High Baroque music. Recordings and depictions in fiction * A full recording of the ''Ballet de ...
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The Three Musketeers
''The Three Musketeers'' (french: Les Trois Mousquetaires, links=no, ) is a French historical adventure novel written in 1844 by French author Alexandre Dumas. It is in the swashbuckler genre, which has heroic, chivalrous swordsmen who fight for justice. Set between 1625 and 1628, it recounts the adventures of a young man named d'Artagnan (a character based on Charles de Batz de Castelmore d'Artagnan, Charles de Batz-Castelmore d'Artagnan) after he leaves home to travel to Paris, hoping to join the Musketeers of the Guard. Although d'Artagnan is not able to join this elite corps immediately, he is befriended by three of the most formidable musketeers of the age – Athos (character), Athos, Porthos and Aramis, "the three musketeers" or "the three inseparables" – and becomes involved in affairs of state and at court. ''The Three Musketeers'' is primarily a historical and adventure novel. However, Dumas frequently portrays various injustices, abuses and absurdities of the Anci ...
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Ballets De Cour
''Ballet de cour'' ("court ballet") is the name given to ballets performed in the 16th and 17th centuries at courts. The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance. Where early court ballet differed from its predecessors, is that it was a secular, not religious happening. It was a carefully crafted mixture of art, socializing, and politics, with its primary objective being to exalt the State. Because these celebrations occurred long before the proscenium stage had been invented, and were instead executed in large halls with audience members stacked up on three sides of the performance, early court ballet’s choreography was constructed as a series of patterns and geometric shapes that were inten ...
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1635 Works
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The ''Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is execu ...
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17th-century Ballet Premieres
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ke ...
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Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Siege Of La Rochelle
The siege of La Rochelle (, or sometimes ) was a result of a war between the French royal forces of Louis XIII of France and the Huguenots of La Rochelle in 1627–28. The siege marked the height of the struggle between the Catholics and the Protestants in France, and ended with a complete victory for King Louis XIII and the Catholics. Background The 1598 Edict of Nantes that ended the French Wars of Religion granted Protestants, commonly known as Huguenots, a large degree of autonomy and self-rule. La Rochelle was the centre of Huguenot seapower, and a key point of resistance against the Catholic royal government. The assassination of Henry IV of France in 1610 led to the appointment of Marie de' Medici as regent for her nine-year-old son, Louis XIII. Her removal in 1617 caused a series of revolts by powerful regional nobles, both Catholic and Protestant, while religious tensions were heightened by the outbreak of the 1618 to 1648 Thirty Years War. In 1621, Louis re-estab ...
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George Villiers, 1st Duke Of Buckingham
George Villiers, 1st Duke of Buckingham, 28 August 1592 – 23 August 1628), was an English courtier, statesman, and patron of the arts. He was a favourite and possibly also a lover of King James I of England. Buckingham remained at the height of royal favour for the first three years of the reign of James's son, King Charles I, until a disgruntled army officer assassinated him. Early life Villiers was born in Brooksby, Leicestershire, on 28 August 1592, the son of the minor gentleman Sir George Villiers (1550–1606). His mother, Mary (1570–1632), daughter of Anthony Beaumont of Glenfield, Leicestershire, was widowed early. She educated her son for a courtier's life and sent him to travel in France with John Eliot. Villiers took to the training set by his mother: he could dance and fence well, spoke a little French, and overall became an excellent student. Godfrey Goodman (Bishop of Gloucester from 1624 to 1655) declared Villiers "the handsomest-bodied man in all ...
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Anne Of Austria (1601-1666)
Anne of Austria (french: Anne d'Autriche, italic=no, es, Ana María Mauricia, italic=no; 22 September 1601 – 20 January 1666) was an infanta of Spain who became Queen of France as the wife of King Louis XIII from their marriage in 1615 until Louis XIII died in 1643. She was also Queen of Navarre until that kingdom was annexed into the French crown in 1620. After her husband's death, Anne was regent to her son Louis XIV, during his minority, until 1651. During her regency, Cardinal Mazarin served as France's chief minister. Accounts of French court life of Anne's era emphasize her difficult marital relations with her husband, her closeness to her son, and her disapproval of her son's marital infidelity to her niece and daughter-in-law Maria Theresa. Early life Born at the in Valladolid, Spain, and baptised Ana María Mauricia, she was the eldest daughter of King Philip III of Spain and his wife Margaret of Austria. She held the titles of Infanta of Spain and of Portugal ( ...
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Alexandre Dumas
Alexandre Dumas (, ; ; born Dumas Davy de la Pailleterie (), 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (where '' '' is French for 'father', to distinguish him from his son Alexandre Dumas fils), was a French writer. His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of adventure were originally published as serials, including '' The Count of Monte Cristo'', ''The Three Musketeers'', ''Twenty Years After'' and '' The Vicomte of Bragelonne: Ten Years Later''. His novels have been adapted since the early twentieth century into nearly 200 films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. His father, General Thomas-Alexandre Dumas D ...
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Maurice Leloir - Le Ballet De La Merlaison
Maurice may refer to: People *Saint Maurice (died 287), Roman legionary and Christian martyr *Maurice (emperor) or Flavius Mauricius Tiberius Augustus (539–602), Byzantine emperor *Maurice (bishop of London) (died 1107), Lord Chancellor and Lord Keeper of England *Maurice of Carnoet (1117–1191), Breton abbot and saint *Maurice, Count of Oldenburg (fl. 1169–1211) *Maurice of Inchaffray (14th century), Scottish cleric who became a bishop *Maurice, Elector of Saxony (1521–1553), German Saxon nobleman *Maurice, Duke of Saxe-Lauenburg (1551–1612) *Maurice of Nassau, Prince of Orange (1567–1625), stadtholder of the Netherlands *Maurice, Landgrave of Hesse-Kassel or Maurice the Learned (1572–1632) *Maurice of Savoy (1593–1657), prince of Savoy and a cardinal *Maurice, Duke of Saxe-Zeitz (1619–1681) *Maurice of the Palatinate (1620–1652), Count Palatine of the Rhine *Maurice of the Netherlands (1843–1850), prince of Orange-Nassau *Maurice Chevalier (1888–1972), Fre ...
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