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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadside (music)
A broadside (also known as a broadsheet) is a single sheet of inexpensive paper printed on one side, often with a ballad, rhyme, news and sometimes with woodcut illustrations. They were one of the most common forms of printed material between the sixteenth and nineteenth centuries, particularly in Britain, Ireland and North America because they are easy to produce and are often associated with one of the most important forms of traditional music from these countries, the ballad. Development of broadsides Ballads developed out of minstrelsy from the fourteenth and fifteenth century. These were narrative poems that had combined with French courtly romances and Germanic legends that were popular at the King’s court, as well as in the halls of lords of the realm. By the seventeenth century, minstrelsy had evolved into ballads whose authors wrote on a variety of topics. The authors could then have their ballads printed and distributed. Printers used a single piece of paper known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Thomas And Fair Annet
Lord Thomas and Fair Annet (), also known as Lord Thomas and Fair Eleanor, is an English folk ballad. Synopsis Lord Thomas (or Sweet Willie) is in love with Fair Annet, or Annie, or Elinor, but she has little property. He asks for advice. His father, mother, and brother (or some of them) advise that he should marry the nut-brown maid with a rich dowry. His mother promises to curse him if he marries Annet and bless him if he marries the nut-brown maid. His sister warns her that her dowry may be lost and then he will be stuck with nothing but a hideous bride. Nevertheless, he takes his mother's advice. Fair Annet dresses as splendidly as she can and goes to the wedding. The nut-brown maid is so jealous that she stabs Annet to death. Lord Thomas stabs both the nut-brown maid and himself to death. A rose grows from Fair Annet's grave, a brier from Lord Thomas's, and they grow together. Texts The oldest known text, entitled "A tragical Story of Lord Thomas and Fair Ellinor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Metre
Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the syllable count of each line, i.e. 8.6.8.6, 86.86, or 86 86, depending on style, or by its shorthand abbreviation "CM". Common metre has been used for ballads such as "Tam Lin" and hymns such as "Amazing Grace" and the Christmas carol "O Little Town of Bethlehem". The upshot of this commonality is that lyrics of one song can be sung to the tune of another; for example, "Advance Australia Fair", "House of the Rising Sun", Pokémon Theme and "Amazing Grace" can have their lyrics set to the tune of any of the others. Historically, lyrics were not always wedded to tunes and would therefore be sung to any fitting melody; "Amazing Grace", for instance, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judas (ballad)
"Judas", Child ballad 23, dates to at least the 13th century and is one of the oldest surviving English ballads. It is numbered as 23 in Francis Child's collection.Bertrand Harris Bronson -''The Ballad as Song'' 1969 Page 97 "First, then, for the materials, taking the Child ballads as our convenient base. ... Whereas the earliest text among Child's ballads, the "Judas," goes back to the mid-thirteenth century, no tune specifically attached in the record by title or ... Synopsis Christ gives Judas 30 pieces of silver to buy food for the Apostles; on his way to the market, Judas is waylaid by his sister, who lulls him to sleep and steals the money. Unwilling to confess his loss, Judas sells Christ to the Romans for the same amount. See also *List of Child Ballads The Child Ballads is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child Francis James Child (February 1, 1825 – September 11, 1896) was an American schola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Stanza
In poetry, a ballad stanza is a type of a four- line stanza, known as a quatrain, most often found in the folk ballad. The ballad stanza consists of a total of four lines, with the first and third lines written in the iambic tetrameter and the second and fourth lines written in the iambic trimeter with a rhyme scheme of ABCB. Assonance in place of rhyme is common. Samuel Taylor Coleridge adopted the ballad stanza in ''The Rime of the Ancient Mariner''. :All in a hot and copper sky! :The bloody Sun, at noon, :Right up above the mast did stand, :No bigger than the Moon. :::Coleridge, ''The Rime of the Ancient Mariner','' lines 111 – 114 The longer first and third lines are rarely rhymed, although at times poets may use internal rhyme In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrains
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of France
In France, music reflects a diverse array of styles. In the field of classical music, France has produced several prominent romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The earliest known sound recording device in the world, the phonautograph, was patented in France by Édouard-Léon Scott de Martinville in 1857. France is also the 5th largest market by value in the world, and its music industry has produced many internationally renowned artists, especially in the nouvelle chanson and electronic music. Classical music Medieval French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period. The fiddle was their instrument of choice. By the end of the 12th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical modes, rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition (narrative), exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied metho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb () or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the grc, ἴαμβος ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and ''thriambus'', but H. S. Versnel rejects this etymology and sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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