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Bal Du Moulin De La Galette
''Bal du moulin de la Galette'' (commonly known as ''Dance at Le moulin de la Galette'') is an 1876 painting by French artist Pierre-Auguste Renoir. It is housed at the Musée d'Orsay in Paris and is one of Impressionism's most celebrated masterpieces. The painting depicts a typical Sunday afternoon at the original Moulin de la Galette in the district of Montmartre in Paris. In the late 19th century, working class Parisians would dress up and spend time there dancing, drinking, and eating galettes into the evening. Like other works of Renoir's early maturity, ''Bal du moulin de la Galette'' is a typically Impressionist snapshot of real life. It shows a richness of form, a fluidity of brush stroke, and a flickering, sun-dappled light. From 1879 to 1894 the painting was in the collection of the French painter Gustave Caillebotte; when he died it became the property of the French Republic as payment for death duties. From 1896 to 1929 the painting hung in the Musée du Luxembourg in ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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Portrait Of Dr
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Rod Stewart
Sir Roderick David Stewart (born 10 January 1945) is a British rock and pop singer and songwriter. Born and raised in London, he is of Scottish and English ancestry. With his distinctive raspy singing voice, Stewart is among the best-selling music artists of all time, having sold over 250 million records worldwide. He has had 10 number-one albums and 31 top ten singles in the UK, six of which reached number one. Stewart has had 16 top ten singles in the US, with four reaching number one on the ''Billboard'' Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity. Stewart's music career began in 1962 when he took up busking with a harmonica. In 1963, he joined The Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also maintained a solo career releasing his debut album that year. Stewart's early albums were a fusion ...
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A Night On The Town (Rod Stewart Album)
''A Night on the Town'' is Rod Stewart's seventh album, released in 1976. The cover art is based on Pierre-Auguste Renoir's painting ''Bal du moulin de la Galette'', with Stewart inserted in the centre in period costume. On 30 June 2009, Rhino reissued the album as a two-disc CD with bonus tracks. ''A Night on the Town'' was Stewart's last UK number-one studio album until ''Time'' in 2013. The album is regarded as one of Stewart's finest. "The Killing of Georgie" is one of Stewart's most hard hitting set of lyrics, a melancholic tale of a gay friend who is cast out by his family and becomes a sensation in the New York nightlife, only to be murdered by a New Jersey gang during an attempted robbery. Controversial " Tonight's the Night" was a No. 1 hit but was banned by some radio stations due to the very obvious lyrics about sex and loss of virginity. A cover of Cat Stevens' "The First Cut Is the Deepest" was also a success and has since become one of Stewart's signature songs. T ...
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Homage (arts)
Homage or ''hommage'' ( or ) is a show or demonstration of respect or dedication to someone or something, sometimes by simple declaration but often by some more oblique reference, artistic or poetic. The term is often used in the arts, where one author or artist shows respect to another by allusion or imitation; this is often spelled and pronounced like the original French ''hommage'' (). Description It was originally a declaration of fealty in the feudal system—swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord. The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and other graces. In German scholarship, followers of a great scholar developed the custom of honouring their mentor by producing papers for a ''festschrift'' dedicated to him. In music, homage can take the form of a composition (''Homage to Paderewski''), a tribute albu ...
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En Plein Air
''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were varian ...
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Dance In The Country
''Dance in the Country'' (French: ''Danse à la campagne'') is an 1883 oil painting by French artist Pierre-Auguste Renoir. It is currently kept at the Musée d'Orsay in Paris. Background This painting was commissioned in 1882 by the merchant Paul Durand-Ruel who wanted works on the theme of the ball. He bought it in 1886, exhibited it for the first time in April 1883, and kept it until Renoir's death in 1919. Two complementary painting on the same theme, named '' Dance in the City'' and '' Dance at Bougival'', were also painted by Renoir the same year. The painting, influenced by the artist's trip in Italy in 1881 where he found inspiration from Raphael, marked an evolution of the painter who tried then to break away from Impressionism. Description The painting depicts a couple dancing under a chestnut tree: the man is Paul Lhôte, a friend of the painter, and the woman is Aline Charigot Aline Victorine Charigot (23 May 1859 – 27 June 1915) was a model for Auguste Renoir ...
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Henri Gervex
Henri Gervex (Paris 10 December 1852 – 7 June 1929 Paris) was a French painter who studied painting under Alexandre Cabanel, Pierre-Nicolas Brisset, and Eugène Fromentin. Biography Early years He was the son of Joséphine Peltier and Félix Nicolas Gervex, a piano maker. When he was 15, a friend of the family helped him get admitted to the atelier of Pierre-Nicolas Brisset. Three years later, he served in the 152nd Battalion of the National Guard. In 1871 he was accepted into the École des Beaux-Arts in the studio of Alexandre Cabanel, where he studied for five years along with Jean-Louis Forain, Fernand Cormon, and Eugène Damas, a landscape painter. He also apprenticed himself to the Orientalist painter Eugène Fromentin. Debut His early work belonged almost exclusively to the mythological genre, which served as an excuse for the painting of the nude, but not always in the best of taste. His ''Rolla'' of 1878, based on a poem by Alfred de Musset, was rejected by the jury o ...
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Norbert Goeneutte
Norbert Goeneutte (23 July 1854 – 9 October 1894) was a French painter, etcher and illustrator; notably for the novel ''La Terre'' by Émile Zola. Biography He was born in Paris into a family that had moved there from Saint-Omer 1850.Biography
@ Van Gogh.fr
He attended classes at the . Following a long interruption by the Franco-Prussian War and the , when he lived away from Paris, he graduated in 1871 and his father found him a place in an attorney's office.
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Jeanne Samary
Jeanne Samary (4 March 1857 as Léontine Pauline Jeanne Samary in Neuilly-sur-Seine – 18 September 1890 in Paris) was a French actress at the Comédie-Française and a model for Auguste Renoir, including for Renoir's 1881 painting, ''Luncheon of the Boating Party''. Between the years 1871–1874, Jeanne Samary attended the Paris drama school and passed with distinction. In 1874, she became a member of the Comédie-Française and debuted on 24 August 1874 as Dorine in ''Tartuffe'' by Molière. Jeanne Samary excelled in numerous roles in the comedies, but also in parts of Édouard Pailleron (''L'Étincelle''; ''La Monde ou l'on s'ennuie''). Renoir painted Samary around a dozen times between the years 1877–1881; Louise Abbéma painted her twice. In 1882, she married Paul Lagarde, with whom she had three children. Shortly before her death she wrote a children's book titled ''Les gourmandises de Charlotte'' for their children. She died in 1890 of typhoid fever, and was ...
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Musée De Montmartre
The Musée de Montmartre ( en, Montmartre Museum) is located in Montmartre, at 8-14 rue Cortot in the 18th (XVIII) arrondissement of Paris, France. It was founded in 1960 and was classified as a Musée de France in 2003. The buildings were formerly the home of several famous artists, including Pierre-Auguste Renoir and Suzanne Valadon. Description The museum is housed in buildings which are three centuries old, the Hotel Demarne and the Maison du Bel Air. The 17th-century French actor Rosimond acquired the house in 1680. It was home to many famous artists and writers such as Pierre-Auguste Renoir who painted his celebrated '' La Balançoire'' and '' Le Bal du Moulin de la Galette'' here in 1876. As a home its residents included: * Suzanne Valadon, her home and studio * Maurice Utrillo, Valadon's son, painter * André Utter, Valadon's husband, painter * Émile Bernard * The fauves Othon Friesz and Raoul Dufy * Demetrios Galanis * Francisque Poulbot * Léon Bloy * Pierre Re ...
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The Swing (Pierre-Auguste Renoir)
''The Swing'' (French: ''La balançoire'') is an 1876 oil on canvas painting by the French artist Pierre-Auguste Renoir who was a leading exponent of the Impressionist style. The painting measures 92 x 73 centimetres and is in the Musée d’Orsay. Renoir executed the painting in what are now the Musée de Montmartre gardens. He had rented a cottage in the gardens so that he could be closer to the ''Moulin de la Galette'' where he was engaged in painting ''Bal du moulin de la Galette''. Description Renoir's people seem to stand on a forest floor of blossoms. The girl on the swing could be fifteen, her pink dress with a hat on head increases the charm of painting. The quivering light is rendered by the patches of pale colour, particularly on the clothing and the ground. This particularly annoyed the critics when the painting was shown at the Impressionist exhibition of 1877. The model was Jeanne Samary, a favourite of Renoir's who appears in many of his paintings. The two men a ...
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