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Bajazet (Gasparini Opera)
''Bajazet'' () is an opera by Francesco Gasparini, a revision of his 1711 work ''Tamerlano''. It was first performed at the Teatro Pubblico in Reggio Emilia in 1719, with designs by Pietro Righini. The first production included Francesco Borosini in the title role, Antonio Bernacchi (Tamerlano), Marina Benta Bulgarelli (Asteria), Faustina Bordoni (Irene), Diana Vico (Andronico), Antonio Piasi (Clearco), Battista Roberti (Leone) and Girolamo Bartoluzzi Regiano (Zaida). A second production was staged in Venice in 1723. Three versions of the work are known, but it is only the 1719 one for which all the music is known to have survived. Composition ''Bajazet'' was a nearly complete rewrite of ''Tamerlano'' - there are only six arias in common between them. The rewriting was prompted by the need to rework the material around the renowned tenor Francesco Borosini. The original libretto by Agostino Piovene was extensively rewritten by Ippolito Zanelli - the role of Bajazet was expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page Of The Libretto For Gasparini’s Bajazet 01
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German, Cardinal in Catholic usage (Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary. Types Titles include: * Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office or position held by an official Titles in English-speaking areas Common titles * Mr. – Adult man (regardless of marital status) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Italian Baroque
Italian Baroque (or ''Barocco'') is a stylistic period in Italian history and art that spanned from the late 16th century to the early 18th century. History The early 17th century marked a time of change for those of the Roman Catholic religion, a symbolization of their strength as a congregation and the intelligence of their creative minds. In response to the Protestant Reformation of the earlier 16th century, Roman Catholics embarked on a program of restoration, a new way of living that became known as the Counter Reformation. The purpose of the Counter Reformation was aimed at remedying some of the abuses challenged by the Protestants earlier in the century.John Varriano, ''Italian Baroque and Rococo Architecture'', New York: Oxford University Press, 1986. Within the church, a renewed Catholic culture was imposed on Italian society. It started with the Council of Trent, imposed by Pope Paul III, a commission of cardinals who came together to address issues of the Catholic Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Operas
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Barga Festival
The Opera Barga Festival is an annual opera festival held in July in the town of Barga, Italy, founded in 1967 by Peter Hunt and Gillian Armitage together with Peter Gellhorn as musical director and Lorenzo Malfatti, head of didactics. Its performances take place in the late 18th century theatre, Teatro dei Differenti which seats 289. (Between 1982 and 1998, the theatre was taken over by the town administration and closed for renovations.) The main artistic aim of the festival is to perform works from the Baroque era - in addition to modern operas - and, since its inception, it has staged more than 40 operas, many being heard for the first time in modern times. The performers are young musicians taking part in the festival's summer school. Past participants have included the Welsh operatic tenor Dennis O'Neill, and the bass-baritone, John Del Carlo. The Festival is currently run by Nicholas Hunt and Giancarlo Morganti, with the musical counsel of Massimo Fino. In recent years it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auser Musici
Auser Musici is a period instrument ensemble centered in Pisa that specializes in early music repertory from the Tuscan region of Italy. History, Mission, and Activities The ensemble was founded in 1997 by the flautist Carlo Ipata and has performed throughout the continent of Europe, especially in Italy, as well as in the United States. Its concerts feature vocal and instrumental works composed in the seventeenth and eighteenth centuries, frequently including selections from the series ''Tesori Musicali Toscani'', a collection of early music published in Pisa. The home concert venue of Auser Musici is located in the Teatro Giuseppe Verdi of Pisa. The ensemble is named for an ancient river of the Pisan region. Auser Musici has released recordings continuously since the year 1998, presently under exclusive contract with Hyperion Records. In 2010, its recording of flute concertos by Neapolitan composers was singled out by the International Record Review as an Editor’s Choice.See ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Francesco Haym
Nicola Francesco Haym (6 July 1678 – 31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, literary editor and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for ''Giulio Cesare'', ''Ottone'', ''Flavio'', ''Tamerlano'', '' Rodelinda'', and several others; for Bononcini, he produced two, ''Calfurnia'' and ''Astianatte''. Compositions Haym was born in Rome. His career began as a cellist in Italy, and he arrived in London in 1701: he swiftly became master of the 2nd Duke of Bedford's chamber music. He wrote the libretto for Bononcini's '' Camilla'', a seminal work of enormous success that did much to establish Italian opera in London. Later, when operas in London came to be performed entirely in Italian, rather than in a bilingual blend of English and Italian, Haym spent much time adapting both librett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamerlano
''Tamerlano'' (Tamerlane, HWV 18) is an opera seria in three acts by George Frideric Handel. The Italian libretto was by Nicola Francesco Haym, adapted from Agostin Piovene's ''Tamerlano'' together with another libretto entitled ''Bajazet'' after Nicolas Pradon's ''Tamerlan, ou La Mort de Bajazet''. The opera was staged by the Royal Academy of Music in the King's Theatre at the Haymarket, London. History and context The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera ''Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy", a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marianna Bulgarelli
Marianna Bulgarelli (c. 1684 – 26 February 1734), also known as Maria Anna Benti, was an Italian soprano of the 18th century. Bulgarelli was born and died in Rome; hence her nickname, "La Romanina." She is best remembered as an early patron of, and sympathizer with, the youthful Metastasio, whose work she encouraged and helped to develop. She was also a popular and successful singer of ''opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...'', renowned for her acting ability in particular. References * Italian operatic sopranos 1734 deaths Singers from Rome 1680s births {{italy-opera-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
