Badness (album)
   HOME
*





Badness (album)
''Badness'' is the third album released by British jazz fusion duo Morrissey–Mullen. Released in 1981, it entered the UK Album Charts on 18 July 1981, eventually reaching no. 43. Track listing # "Do Like You" # "Dragonfly" # "Stay Awhile" # "Blue Tears" # "Badness" # "Pass The Music On" # "Slipstream" Personnel * Dick Morrissey – tenor sax, soprano sax, flute * Jim Mullen – guitar * John Critchinson – keyboards * Clive Chaman Clive Chaman (born 5 September 1949) is a UK-based bass guitarist and session musician, born in Trinidad and Tobago. After appearing on Ram John Holder's 1969 ''London Blues'' album, Chaman became a member of the second Jeff Beck Group in 1971 ... – bass guitar * Chris Ainsworth - drums * Chris Fletcher – percussion * Linda Taylor - vocals References External links Official Charts Company 1981 albums Beggars Banquet Records albums Morrissey–Mullen albums {{1980s-album-stub ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Morrissey–Mullen
Morrissey–Mullen were a British jazz-funk/fusion group of the 1970s and 1980s. Considered one of the most popular jazz groups in London, the band was led by Dick Morrissey on tenor and soprano saxes and flute, and Jim Mullen on guitar, who joined forces in 1975, playing together for sixteen years, during which they came to be known as "Mr Sax and Captain Axe" because of their hallmark call and response style between guitar and saxophone. History The band began in New York City where Dick Morrissey and Jim Mullen were recording and touring with their mutual friends in the Average White Band and Herbie Mann. ''Up'' (Atlantic, 1977) included Average White Band as a rhythm section, Luther Vandross and Cissy Houston on vocals, and New York session musicians. A six-week residency at Mikell's in New York City attracted Boz Scaggs, David Sanborn, Steve Gadd, Steve Ferrone, Richard Tee, George Benson, Ray Barretto,
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Beggars Banquet Records
Beggars Banquet Records is a British independent record label. Beggars Banquet started as a chain of record shops owned by Martin Mills and Nick Austin and is part of the Beggars Group of labels. History In 1977, spurred by the prevailing DIY aesthetics of the British punk rock movement (then at the height of its popularity), Martin Mills and Nick Austin founded a record label to release records under the Beggars Banquet imprint. The first band on the label was the English punk group the Lurkers; the first release on the label was the Lurkers' 7" single "Shadow"/"Love Story". They also released the first solo "Duffo" album from Australian big-band vocalist Jeff Duff. Later in the decade and into the early 1980s, hits with Tubeway Army and Gary Numan secured the label's future. Other bands who were signed to the label include the Associates, the Bolshoi, the Cult, Flesh for Lulu, Gene Loves Jezebel, the Icicle Works and the Go-Betweens. See also * List of record labels * ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Love Don't Live Here Anymore (1979 EP)
"Love Don't Live Here Anymore" is a song written by Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album ''Strikes Again''. The song was developed as a result of producer Whitfield's interest to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory's undergoing medical care for his deteriorating physical health became the inspiration behind the song. "Love Don't Live Here Anymore" incorporated the use of the Electronic LinnDrum machine, and was one of the first songs to effectively use the sound reverbs of the instrument. The song was mainly recorded at music contractor Gene Bianco's house, where Dickey was present during the recording. After its release, the song was critically appre ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Life On The Wire
''Life on the Wire'' is the fourth studio album by British jazz-funk duo Morrissey–Mullen, released in 1982 by Beggars Banquet Records. It peaked at No. 47 in the UK Albums Chart.Guinness World Records''British Hit Singles & Albums'', p. 34.Guinness, 2004. ISBN 0851121993, 9780851121994. Retrieved 7 November 2022. Track listing Side one # "Life on the Wire" (Claire Hamill, Jim Mullen) – 5:19 # "Takin' Time" (John Critchinson) – 5:22 # "Face of a Child" (Hamill, Mullen) – 5:55 # "Come and Get Me" (Hamill, Mullen) – 4:37 Side two #"Brazil Nut" (Alan Gorrie) – 5:17 # "Ships that Pass in the Night" (Hamill, Mullen) – 5:04 # "Making Waves" (Critchinson) – 5:20 # "Running Out of Time" (Hamill, Dick Morrissey) – 4:38 Personnel Credits are adapted from the ''Life on the Wire'' liner notes. * Dick Morrissey — tenor and soprano saxophones; flute * Jim Mullen — guitar * Claire Hamill — vocals * Carol Kenyon — vocals * Tony Beard — ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Dick Morrissey
Richard Edwin Morrissey (9 May 1940 – 8 November 2000) was a British jazz musician and composer. He played the tenor saxophone, soprano saxophone and flute. Biography Background He was born in Horley, Surrey, England. Dick Morrissey emerged in the early 1960s in the wake of Tubby Hayes, Britain’s pre-eminent sax player at the time. Self-taught, he started playing clarinet in his school band, The Delta City Jazzmen, at the age of sixteen with fellow pupils Robin Mayhew (trumpet), Eric Archer (trombone), Steve Pennells (banjo), Glyn Greenfield (drums), and young brother Chris on tea-chest bass. He then joined the Original Climax Jazz Band. Going on to join trumpeter Gus Galbraith's Septet, where alto-sax player Peter King introduced him to Charlie Parker's recordings, he began specialising on tenor saxophone shortly after. Making his name as a hard bop player, he appeared regularly at the Marquee Club from August 1960, and recorded his first solo album at the age of 21, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Jim Mullen
Jim Mullen (born 26 November 1945) is a Scottish, Glasgow-born jazz guitarist with a distinctive style, like Wes Montgomery before him, picking with the thumb rather than a plectrum. Biography Jim Mullen was guitarist with Pete Brown & Piblokto! for two albums in 1970. He then played with Brian Auger's Oblivion Express, appearing on the band's first three albums together with future Average White Band drummer Robbie McIntosh. Mullen then joined Kokomo and later toured with the Average White Band. It was while both musicians were touring the United States with AWB in the mid-1970s that Mullen met tenor saxophone player Dick Morrissey, and throughout the 1980s, he found critical notice as joint leader of the British jazz funk band Morrissey–Mullen. Record producer Richard Niles, who produced the band's sixth album, '' It's About Time'', later produced three solo albums for Mullen. Mullen has also played and recorded with, among others, Mose Allison, Hamish Stuart, Joanna Ede ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


John Critchinson
John William Frank Critchinson (24 December 1934 – 15 December 2017) also known as "Critch", was an English jazz pianist. Biography Critchinson was born in London in 1934. He worked as a part-time musician with Ronnie Scott, Tubby Hayes, and Jimmy Deuchar, among others. In 1979, at the recommendation of his mentor, Bill Le Sage, he was a member of Ronnie Scott's Quartet until it folded in 1995. During that time, he worked with many visiting American artists, including Chet Baker, George Coleman, James Moody, Joe Henderson and Johnny Griffin."John Critchinson"
Woodville Records. Retrieved 5 September 2020.
In the early 1980s, he was associated with the British jazz fusion duo



Clive Chaman
Clive Chaman (born 5 September 1949) is a UK-based bass guitarist and session musician, born in Trinidad and Tobago. After appearing on Ram John Holder's 1969 ''London Blues'' album, Chaman became a member of the second Jeff Beck Group in 1971 until they disbanded in 1973 when he joined Cozy Powell's band Hammer. In 1973 he played on ''Now Hear This'' an album by Junior Marvin's band Hanson appearing alongside Bobby Tench from the second Jeff Beck Group and during this period became a member of Brian Auger's ''Oblivion Express''. In 1974 he joined HummingbirdClive Chamanat Allmusic with keyboard player Max Middleton, vocalist and guitarist Bobby Tench and US drummer Bernard Purdie, amongst others. Hummingbird went on to record three albums for A&M Records.Hummingbirdat Allmusic Chaman appears on recordings by UK artists including Brian Auger's Oblivion Express, Donovan, Chris Rainbow, Murray Head, Morrissey–Mullen and Paul Kossoff. Chaman was also briefly a member of Ritchie B ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]