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Back To The Blues (Dinah Washington Album)
''Back to the Blues'' is a fifteenth studio album by Dinah Washington, arranged by Fred Norman. Reception AllMusic's Scott Yanow wrote that "after her unexpected success on the pop charts, most of Washington's sessions for Mercury and Roulette during the last four years of her life were quite commercial, with string arrangements better suited to country singers and Dinah nearly parodying herself with exaggerated gestures ... In general, this is a more successful date than Washington's earlier investigation of Bessie Smith material, since the backup band is more sympathetic and the talented singer is heard in prime form. Dinah Washington clearly had a real feeling for this bluesy material". Track listing # "The Blues Ain't Nothin' But a Woman Cryin' for Her Man" (J. Mayo Williams) – 3:46 # "Romance in the Dark" ( Lil Green) – 2:12 # "You've Been a Good Old Wagon" ( Perry Bradford) – 3:50 # "Let Me Be the First to Know" (Leroy Kirkland, Dinah Washington, P. Woods) – 2:39 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinah Washington
Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, who has been cited as "the most popular black female recording artist of the 1950s songs". Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993. Early life Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones, and moved to Chicago as a child. She became deeply involved in gospel music and played piano for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and was a member of the Sallie Martin Gospel Singers. When she joined the Sallie Martin group, she dropped out of Wendell Phillips High Sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnership with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette Records Albums
Roulette is a casino game named after the French word meaning ''little wheel'' which was likely developed from the Italian game Biribi''.'' In the game, a player may choose to place a bet on a single number, various groupings of numbers, the color red or black, whether the number is odd or even, or if the numbers are high (19–36) or low (1–18). To determine the winning number, a croupier spins a wheel in one direction, then spins a ball in the opposite direction around a tilted circular track running around the outer edge of the wheel. The ball eventually loses momentum, passes through an area of deflectors, and falls onto the wheel and into one of thirty-seven (single-zero, French or European style roulette) or thirty-eight (double-zero, American style roulette) or thirty-nine (triple-zero, "Sands Roulette") colored and numbered pockets on the wheel. The winnings are then paid to anyone who has placed a successful bet. History The first form of roulette was devised in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illinois Jacquet
Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument. Early life Jacquet's parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet,The Sons and Daughters of Jean Baptiste Jacquet (1995) When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Chamblee
Edwin Leon Chamblee (February 24, 1920 – May 1, 1999), known as Eddie "Long Gone" Chamblee, was an American tenor and alto saxophonist, and occasional vocalist, who played jazz and R&B. Life and career He was born in Atlanta, Georgia, United States, and grew up in Chicago, Illinois, where he began learning the saxophone at the age of 12. After leaving Wendell Phillips High School, he studied law at Chicago State University, playing in clubs in the evenings and at weekends. He played in US Army bands between 1941 and 1946. After leaving the army, he joined Miracle Records. He played on Sonny Thompson's hit record " Long Gone" in 1948, and on its follow-up, "Late Freight", credited to the Sonny Thompson Quintet featuring Eddie Chamblee. Biography ''AllAboutJazz.com''. Accessed 18 November 2012 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butler (guitarist)
William Butler Jr. (December 15, 1924 – March 20, 1991) was an American soul jazz guitarist. Career A native of Philadelphia, Butler began his career in the 1940s behind the Harlemaires. In the 1950s he was a member of a trio led by Doc Bagby and accompanied keyboardist Bill Doggett. He co-wrote "Honky Tonk (song), Honky Tonk", an R&B hit for Doggett. Butler also worked with Al Casey (jazz guitarist), Al Casey, King Curtis, Eddie "Lockjaw" Davis, Bill Davison, Tommy Flanagan, Panama Francis, Dizzy Gillespie, Benny Goodman, Johnny Hodges, Floyd "Candy" Johnson, David "Fathead" Newman, Houston Person, Sammy Price, Jimmy Smith (musician), Jimmy Smith, Norris Turney, and Dinah Washington. He is credited as the guitarist on Joey Dee and the Starliters' "Peppermint Twist, Parts 1 & 2" recorded in September 1961 at the Peppermint Lounge in New York City. Part 1 of the song went to the top of the Billboard pop charts in January 1962. Butler died of a heart attack at home in Teaneck, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Segar
Charlie Segar was an American blues pianist and occasional singer, who is best known for being the first to record the blues standard, "Key to the Highway" (1940). Originally from Pensacola, Florida, Segar has been dubbed the "Keyboard Wizard Supreme".Evans, David (2008). ''Ramblin' On My Mind: New Perspectives on the Blues'', University of Illinois Press, He relocated to Chicago, where he made recordings with other blues artists, such as Bumble Bee Slim and Memphis Minnie, as well as being the featured artist. Segar recorded eight known songs under his own name between 1934 and 1940 for Decca Records and Vocalion Records: *"Cuban Villa Blues" / "Southern Hospitality" (Decca 7027) *"Cow Cow Blues" / "Boogie Woogie" (Decca 7075) *"Key to the Highway" / "Stop and Fix It Mama" (Vocalion 05441) *"Lonesome Graveyard Blues" / "Dissatisfied Blues" (Vocalion 05539) These are included on ''Piano Blues, Vol. 2: 1927–1956'', the Document Records compilation album of piano tunes by variou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key To The Highway
"Key to the Highway" is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. A variety of artists have since interpreted the song, including Eric Clapton, who recorded several versions. Original recordings "Key to the Highway" is usually credited to Charles "Chas" Segar and William "Big Bill" Broonzy. Broonzy explained the song's development: Segar's lyrics are nearly the same as those recorded by Broonzy and Jazz Gillum. The verses use the theme of the itinerant bluesman leaving to travel the highways after breaking up with his lover: Musically, however, there are differences in the recorded versions. Charlie Segar's origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Long, How Long Blues
"How Long, How Long Blues" (also known as "How Long Blues" or "How Long How Long") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. It became an early blues standard and its melody inspired many later songs. Original song "How Long, How Long Blues" is based on "How Long Daddy", recorded in 1925 by Ida Cox with Papa Charlie Jackson. On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. It is a moderately slow-tempo blues with an eight-bar structure. Carr is credited with the lyrics and music for the song, which uses a departed train as a metaphor for a lover who has left: Carr's and Blackwell's songs reflected a more urban and sophisticated blues, in contrast to the music of rural bluesmen of the time. Carr's blues were "expressive and evocative", although his vocals have also been des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Jazz
Vocal jazz or jazz singing is an approach to jazz using the voice. Vocal jazz emerged in the early twentieth century, with its roots in Blues. Popular blues singers such as Bessie Smith and Ma Rainey had a great deal of influence of jazz vocalists such as Billie Holiday. Other characteristics of vocal jazz such as scat singing came out of the New Orleans jazz tradition. Louis Armstrong's 1926 recording of " Heebie Jeebies" is often cited as the first modern song to employ scatting. This later evolved into the complex vocal improvisation of the bop era that was adopted by Anita O'Day, Sarah Vaughan, Betty Carter, and Dizzy Gillespie. The Boswell Sisters were a vocal jazz trio originating from New Orleans that help popularize vocal jazz music among the general American public during the 1930s. Repertoire of vocal jazz typically includes the music of the Great American Songbook, however contemporary popular music is now often arranged for vocal jazz ensembles in addition to origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
