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Back From The Grave Series
''Back from the Grave'' is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records. The series originally consisted of eight LP records released between 1983 and 1992. Volumes seven and eight were double albums. Starting in 1994, the series was reissued on compact disc. Due to the longer playing times offered by CDs, the first seven volumes were contained on four discs, save for a few tracks that were omitted. And, while all of the songs on the first four CDs are included on first seven vinyl albums, they do not necessarily correspond to the individual LPs bearing their same titles. However, the Volume 8 CD corresponds almost directly its LP double-LP counterpart, but with the addition of four bonus tracks not included on the LP. The eight vinyl albums are titled consecutively "''Back from the Grave'', Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, Volume 6, Volume 7, Volume 8, Volume 9, and Voume 10". In similar fashi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slang
Slang is vocabulary (words, phrases, and linguistic usages) of an informal register, common in spoken conversation but avoided in formal writing. It also sometimes refers to the language generally exclusive to the members of particular in-groups in order to establish group identity, exclude outsiders, or both. The word itself came about in the 18th century and has been defined in multiple ways since its conception. Etymology of the word ''slang'' In its earliest attested use (1756), the word ''slang'' referred to the vocabulary of "low" or "disreputable" people. By the early nineteenth century, it was no longer exclusively associated with disreputable people, but continued to be applied to usages below the level of standard educated speech. In Scots dialect it meant "talk, chat, gossip", as used by Aberdeen poet William Scott in 1832: "The slang gaed on aboot their war'ly care." In northern English dialect it meant "impertinence, abusive language". The origin of the word is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 8 (LP)
''Back from the Grave, Volume 8 (LP),'' is the eighth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was originally released as a double LP on August 26, 1996. There is also a CD version of the album, released at the same time, which has a similar running order of tracks to the original LP, but with several bonus cuts added. However, in 2011 the LP edition, already double-length, was re-released and expanded to contain 36 tracks, now including all of the bonus tracks available on the CD version, as well as three newly added tracks which have not appeared on any CD version. In keeping with all of the entries in the series, and as indicated in the subheading which reads "36 Cuts of Utter Snarling Mid-60's Garage Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. Acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 7
''Back from the Grave, Volume 7'' is the seventh installment in the '' Back from the Grave'' series of garage rock compilations assembled by Tim Warren of Crypt Records and is available on LP and CD. - LP Liner notes and cover artwork. It was originally released in 1988 as a double-LP containing 34 tracks, and has been newly re-mastered and re-issued in 2015. Though most of the LP's tracks had appeared on volumes 3 and 4 of the ''Back from the Grave'' CD-specific sub-series (released between 1996 and 2000), in 2015, it was released on CD with the re-mastered material and closely matches the song content (and album cover artwork) of the original LP (containing all but two of the cuts on the original LP) as part of an effort to bring the LP's and CD's of the series into multi-medium coherence. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection generally excludes psychedelic, folk rock, and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 6
''Back from the Grave, Volume 6 (LP)'' is the sixth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. - LP Liner notes and cover artwork. It was released in 1986. In keeping with all of the entries in the series, and as indicated in the subheading which reads "17 Loud Unpsychedelic Wild Mid-60s Garage Punkers," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 5
''Back from the Grave, Volume 5'' is the fifth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. - LP Liner notes and cover artwork. It was released in 1985. In keeping with all of the entries in the series, and as indicated in the subheading that reads "16 Crazed Bone Crunchin' Mid-60s Garage Punkers", this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 4
''Back from the Grave, Volume 4 (LP)'' is the fourth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. - LP Liner notes and cover artwork. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Wild Mid-60s Garage Punk Screamers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 3
''Back from the Grave, Volume 3 (LP)'' is the third installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Mid 60s Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 2
''Back from the Grave, Volume 2'' is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 1
''Back from the Grave, Volume 1'' is the first installment in the '' Back from the Grave'' series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mort Todd
Mort Todd (born Michael Delle-Femine, November 9, 1961) is an American writer and media entrepreneur, best known as an editor-in-chief of ''Cracked (magazine), Cracked'' magazine, and later, Marvel Music. He is owner of Comicfix, a media company that has developed licensed properties. As a writer, artist or editor, Todd has worked at several comic book companies, contributing to characters including Superman and Spider-Man, and to licensed properties such as Barbie and Looney Tunes. His illustrations appear on CD covers, magazines, newspapers, and print advertisements. Career Early work With Daniel Clowes, Pete Friedrich and Rick Altergott, Mort Todd contributed stories and art to ''Psycho Comics''. He sold his first screenplay for a TV pilot called ''The Ultimates'' to a German production company while still a teenager. The pilot was produced, but never distributed, and stars a young Clowes as a teen rock 'n' roll superhero. Mort also wrote and penciled some stories for Clowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
