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BWV 578
Fugue in G minor, BWV 578, (popularly known as the ''Little Fugue''), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707). It is one of Bach's best known fugues and has been arranged for other voices, including an orchestral version by Leopold Stokowski. Early editors of Bach's work attached the title of "Little Fugue" to distinguish it from the later Great Fantasia and Fugue in G minor, BWV 542, which is longer in duration and more challenging to play. Score The fugue's four-and-a-half measure subject in G minor is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of Arcangelo Corelli's most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time. (2001). "Litanei und Ostinato in Bachs Passacaglia c-moll BWV 582." ''Anuario Musical'', 0(56): 163–172, p. 167 In Other Music Sabato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome, and in this city he developed most of his career, due also to the protection of great patrons. Even if his entire production is limited to just six collections of published works — five of which composed by Trio Sonatas or solo and one by Concerti grossi — he achieved great fame and success throughout Europe, also crystallizing models of wide influence. His writing was admired for its balance, refinement, sumptuous and original harmonies, for the richness of the textures, for the majestic effect of the theatricality and for its clear, expressive and melodious polyphony, a perfect quality of classical ideals, although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugues By Johann Sebastian Bach
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katholische Hofkirche
Dresden Cathedral, or the Cathedral of the Holy Trinity, Dresden, previously the Catholic Church of the Royal Court of Saxony, called in German Katholische Hofkirche and since 1980 also known as Kathedrale Sanctissimae Trinitatis, is the Catholic Cathedral of Dresden. Always the most important Catholic church of the city, it was elevated to the status of cathedral of the Diocese of Dresden–Meissen in 1964. It is located near the Elbe river in the historic center of Dresden, Germany. It is one of the burial sites of the House of Wettin, including Polish monarchs. History The Hofkirche stands as one of Dresden's foremost landmarks. It was designed by architect Gaetano Chiaveri from 1738 to 1751.Fritz Löffler: ''Das alte Dresden - Geschichte seiner Bauten''. 16th ed. Leipzig: Seemann, 2006, (German) The church was commissioned by Augustus III, Elector of Saxony and King of Poland while the Protestant city of Dresden built the Frauenkirche (Church of Our Lady) between 1726 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zacharias Hildebrandt
Zacharias Hildebrandt (1688, Münsterberg, Silesia – 11 October 1757, Dresden, Saxony) was a German organ builder. In 1714 his father Heinrich Hildebrandt, a cartwright master, apprenticed him to the famous organbuilder Gottfried Silbermann, brother of Andreas Silbermann in Freiberg. In 1721 Hildebrandt finished his masterpiece, the organ of the Nikolaikirche of Langhennersdorf, a small village near Freiberg. Afterwards he built an organ in Störmthal near Leipzig (where befriended Johann Sebastian Bach) and from 1724 to 1726 an organ in Lengefeld. On this project, a dispute developed with Gottfried Silbermann, who treated him as a rival and sued him. The dispute was settled by an agreement in which Hildebrandt obliged himself to take over only orders rejected by Silbermann. Therefore, he moved his work to the region near Leipzig and to Thuringia. J.S. Bach thought Hildebrandt was the best organ builder of his time. Hildebrandt's largest organ has 3 manuals and a pedalboa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Silbermann
Gottfried Silbermann (January 14, 1683 – August 4, 1753) was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two. Life Very little is known about Silbermann's youth. He was born in Kleinbobritzsch (now a part of Frauenstein, Saxony) as the youngest son of the carpenter Michael Silbermann. They moved to the nearby town of Frauenstein in 1685, and it is possible that Gottfried also learnt carpentry there. He moved to Straßburg in 1702, where he learnt organ construction from his brother and came in touch with the French-Alsatian school of organ construction. He returned to Saxony as a master craftsman in 1710, and opened his own organ workshop in Freiberg one year later. His second project in Germany was the "Grand Organ" in the Freiberg Cathedral of St. Mary, finished in 1714. In 1723 he was bestowed the title ''Königlich Polnischen und Churfürstlich Sächsischen Hof- und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Kibbie
James Kibbie (born March 13, 1949) is an American concert organist, recording artist and pedagogue. He is Professor of Organ at the University of Michigan. Biography Kibbie was born in 1949 in Vinton, Iowa, USA. He graduated from Davenport West High School in 1967. He holds a Bachelor of Music in Organ Performance from North Texas State University (Magna cum laude, 1971), the Master of Music in Organ Performance from North Texas State University (1972), and the Doctor of Musical Arts in Organ Performance from the University of Michigan (1981). He won the International Organ Competition of the Prague Spring Festival in the former Czechoslovakia in 1979 and the ''Grand Prix d'Intérpretation'' at the International Organ Competition "Grand Prix de Chartres" in France in 1980. He joined the University of Michigan organ faculty in 1981 and is currently Professor of Organ. The University of Michigan has endowed the James Kibbie Scholarship in perpetuity to support students majorin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great War (Sabaton Album)
''The Great War'' is the ninth studio album by Swedish heavy metal band Sabaton. It was released on 19 July 2019. It is the first studio album to feature guitarist Tommy Johansson. Like many of Sabaton's albums, it is a concept album, this time about World War I, often known as the Great War. The songs cover multiple stories from the war, including those of Manfred von Richthofen, T.E. Lawrence, Alvin York, the Attack of the Dead Men, the Battle of Verdun, and others. The album's first single, "Fields of Verdun", was released on 3 May 2019. The album's next single, "The Red Baron" was released on 13 June. The title song, "Great War", was released as a single on 27 June. A music video for the track "82nd All the Way" was released on 20 July. A music video for "Seven Pillars of Wisdom", in which Indy Neidell plays the role of T. E. Lawrence, was filmed in the Tunisian desert in early September, and was released on 21 December. A live video and single for "The Attack of the Dead Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabaton (band)
Sabaton is a Swedish heavy metal music, heavy metal band from Falun, Sweden. The vast majority of their albums are written about historical events, mainly wars and significant battles. Sabaton has been referred to as one of the "big four" power metal bands, along with Helloween, Blind Guardian and DragonForce. They are one of the most successful metal bands in Swedish history, with their album ''Carolus Rex (album), Carolus Rex'' being the best-selling Swedish heavy metal album of all time. History Formation and first albums (1999–2009) Sabaton was formed in December 1999. After the first songs were recorded in Peter Tägtgren's studio, The Abyss (recording studio), The Abyss, Sabaton was contacted by a couple of record labels. The band signed with the Italian label Underground Symphony, which then released, internationally, the promo CD ''Fist for Fight''. The disc, distilled from two demo tapes recorded between 1999 and 2000, was intended to promote forthcoming Sabaton releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steps And Skips
In music, a step, or conjunct motion,Bonds, Mark Evan (2006). ''A History of Music in Western Culture'', p.123. 2nd ed. . is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees. Any larger interval is called a skip (also called a leap), or disjunct motion. In the diatonic scale, a step is either a minor second (sometimes also called ''half step'') or a major second (sometimes also called ''whole step''), with all intervals of a minor third or larger being skips. For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used. Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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