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BWV 524
The Quodlibet or ''Wedding Quodlibet'', BWV 524, is a lighthearted composition by Johann Sebastian Bach which today exists only in fragmentary form. The line "In diesem Jahre haben wir zwei Sonnenfinsternissen" (In this year we have eentwo solar eclipses) places the composition of the piece in or shortly after 1707, when central Germany was witness to two such celestial events. The extant source—a fair-copy autograph manuscript on three large, folded sheets—was not discovered until 1932. The work itself is a loosely structured quodlibet for SATB and continuo. Bach likely did not write the text, which some attribute to the Leipzig poet Johann Christoph Gottsched. Though the cover sheet has been lost, the libretto of the remaining portion indicates that the quodlibet was to be performed at a wedding, possibly that of the composer himself to Maria Barbara Bach. References *Bratz, Thomas.BWV 524 Quodlibet (Fragment) 'Was seind das vor grosse Schlösser'. Retrieved 19 August 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quodlibet
A quodlibet (; Latin for "whatever you wish" from ''quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous manner. There are three main types of quodlibet: * A ''catalogue quodlibet'' consists of a free setting of catalogue poetry (usually humorous lists of loosely related items). * In a ''successive quodlibet'', one voice has short musical quotations and textual quotations while the other voices provide homophonic accompaniment. * In a ''simultaneous quodlibet'', two or more pre-existing melodies are combined. The simultaneous quodlibet may be considered a historical antecedent to the modern-day musical mashup. History Renaissance The quodlibet originated in 15th-century Europe, during a time when the practice of combining folk tunes was popular. Composer first used the term in a specifically musical context in 1544. Francisco de Peñalo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Gottsched
Johann Christoph Gottsched (2 February 1700 – 12 December 1766) was a German philosopher, author and critic of the Enlightenment. Biography Early life He was born at Juditten (Mendeleyevo) near Königsberg (Kaliningrad), Brandenburg-Prussia, the son of a Lutheran clergyman, and was baptised in St. Mary's Church. He studied philosophy and history at the University of Königsberg, but immediately on taking the degree of ''Magister'' in 1723, he fled to Leipzig in order to avoid being drafted into the Prussian army. In Leipzig, he enjoyed the protection of J. B. Mencke, who, under the name of "Philander von der Linde", was a well-known poet and president of the ''Deutschübende poetische Gesellschaft'' in Leipzig. Of this society, Gottsched was elected "Senior" in 1726, and in the next year reorganised it under the title of the ''Deutsche Gesellschaft''. Career As editor of the weeklies ''Die vernünftigen Tadlerinnen'' (1725–26) and ''Der Biedermann'' (1727), Gottsche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Barbara Bach
Maria Barbara Bach ( – buried 7 July 1720) was the first wife of composer Johann Sebastian Bach. She was also the daughter of his father's cousin Johann Michael Bach. Life Maria Barbara Bach was born at Gehren, Schwarzburg-Sondershausen, to Catherina (d. 1704) and Michael Bach (1648-1694). Her father was organist and town scribe at Gehren. Her older sister, Barbara Catherina, gave testimony on Bach's behalf in the famous 'Geyersbach' incident in which Bach was punched in the face by a student and defended himself by drawing his sword. Her godparents were Martin Feldhaus, a merchant and burgomaster in Arnstadt, and Magarethe Wedermann (daughter of the Arnstadt town scribe Johann Wedemann)., with whom she lived after her mother's death in 1704. Maria Barbara was twenty-three years old when she married Johann Sebastian Bach. The extended Bach family was closely knit, and as Maria Barbara was his second cousin, it is fairly safe to assume that they knew each other at least casua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Bomba
Andreas Bomba (born 1956) is a German journalist, writer, historian, critic, and singer, the festival director of the Bachwoche Ansbach since 2006. Career Bomba studied from 1975 to 1981 at the Johann Wolfgang Goethe University in Frankfurt and later studied Romance languages and history in Italy and France. From 1979, he worked as a music journalist, writing music reviews for various newspapers and magazines, and as a writer, critic and presenter for numerous German radio stations such as Südwestrundfunk (SWR) and Hessischer Rundfunk (hr). He has authored numerous books and papers on musical and poetic analysis. His book on the works of Bach, ''Die kompletten Werke von Johann Sebastian Bach'', was published in 2000. From 1996 to 2000, he planned and produced for the Internationale Bachakademie Stuttgart and the label Hänssler Classic the "edition bachakademie", the first complete recording of Bach works on 172 CDs. He was appointed music director of Bachwoche Ansbach The Bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänssler Classic
Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also published contemporary and jazz music. Hänssler Classic (now written ''hänssler CLASSIC'' in the company's own materials), was founded 1975 by Friedrich Hänssler Jr., as the company's in-house classical record label. The record label is one of the publishers of the classical radio station Südwestrundfunk (SWR) which has three orchestras, a choir and a big band. The label is also a partner with the Internationale Bachakademie Stuttgart, founded 1981 by Helmuth Rilling. In 2002 Hänssler became part of SCM ( [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Bach Society
The Netherlands Bach Society ( nl, Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Johann Sebastian Bach, Bach's ''St Matthew Passion'' on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk (Great Church or St Vitus Church). From 1983 until 2018, Jos van Veldhoven was artistic director and conductor. Shunsuke Sato became artistic director on 1 June 2018. The ensemble is now 100 years old. Due to the 100 year landmark, the Society is publishing a new and freely accessible recording every two weeks, including HD video of all 1080 works of Johann Sebastian Bach, performed by members of the ensemble and guest musicians under the title ''All of Bach''. History Early years ''De Nederlandse Bachvereniging'' was officially founded on 13 September 1921. Johan Schoonderbeek was one of the founding members and the first conduct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Johann Sebastian Bach
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
