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BWV 209
(He knows not what sorrow is), BWV 209, is a secular cantata composed by Johann Sebastian Bach and first performed in Leipzig in 1747. With ''Amore Traditore'', it is one of the composer's only two settings of a text in Italian. History and text Internal evidence suggests that the text by an unknown librettist was not written before 1729. The text also contains clues as to the occasion for which it was written. It refers to Ansbach, Bavaria, and, somewhat confusingly given Bavaria's location, a sea voyage. Mincham draws attention to an interest in Ansbach in Italian music, and suggests that Bach would have known that the city was the home of Giuseppe Torelli at the end of the 17th century. However, while the identity of the person undertaking the voyage is not clear, it appears to be a German rather than an Italian. It has been suggested that Bach composed this cantata as a farewell for someone leaving Leipzig's academic community such as Johann Matthias Gesner (1691-1761) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erato Records
Erato Records is a record label founded in 1953 as Disques Erato by Philippe Loury to promote French classical music. Loury was head of éditions musicales Costallat. His first releases in France were licensed from the Haydn Society of Boston, and he made Erato's first recording in January 1953: Marc-Antoine Charpentier's Te Deum with Les Jeunesses Muslcales. Michel Garcin became the label's artistic director and producer and built up the catalogue with contemporary French composers such as Henri Dutilleux and French artists: Jean-François Paillard (234 records), Marie-Claire Alain (234 records), Maurice André (198 records), Jean-Pierre Rampal (127 records), and Lily Laskine. Notable recordings Erato released first recordings of *J S Bach's complete organ works, played by Marie-Claire Alain, in 1968 * J M Leclair's works, played by Jean-François Paillard, in 1978 * D Scarlatti's complete keyboard sonatas, played by Scott Ross, in 1988. *The world premiere of John Coriglian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amsterdam Baroque Orchestra
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992.Amsterdam Baroque Orchestra & Choir on Bach Cantatas, 2001 They have performed in concert halls such as the Amsterdam, London, |
Neville Marriner
Sir Neville Marriner, (15 April 1924 – 2 October 2016) was an English violinist and "one of the world's greatest conductors". Gramophone lists Marriner as one of the 50 greatest conductors and another compilation ranks Marriner #14 of the 18 "Greatest and Most Famous Conductors of All Time". He founded the Academy of St Martin in the Fields, and his partnership with them is the most recorded of any orchestra and conductor. Early life Marriner was born in Lincoln, England, the son of Herbert Marriner, a carpenter, and his wife Ethel (née Roberts). He was educated at Lincoln School (then a grammar school), where he played in a jazz band with the composer Steve Race. He initially learned the violin as well as the piano from his father, and later studied the violin with Frederick Mountney. In 1939, he went to the Royal College of Music in London, getting the opportunity to play among the second violins of the London Symphony Orchestra, then conducted by Henry Wood, because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of St Martin-in-the-Fields
The Academy of St Martin in the Fields (ASMF) is an English chamber orchestra, based in London. John Churchill, then Master of Music at the London church of St Martin-in-the-Fields, and Neville Marriner founded the orchestra as "The Academy of St. Martin-in-the-Fields", a small, conductorless string group. The ASMF gave its first concert on 13 November 1959, in the church after which it was named. In 1988, the orchestra dropped the hyphens from its full name. History The initial performances as a string orchestra at St Martin-in-the-Fields played a key role in the revival of Baroque performances in England. The orchestra has since expanded to include winds. It remains flexible in size, changing its make-up to suit its repertoire, which ranges from the Baroque to contemporary works. Neville Marriner continued to perform obbligatos and concertino solos with the orchestra until 1969, and led the orchestra on recordings until the autumn of 1970, when he switched to conduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Bennett (flautist)
William Ingham Brooke Bennett (7 February 1936 – 11 May 2022) was a British flautist and teacher. He played in many English orchestras and chamber music ensembles, and as a soloist. He made more than 100 recordings, including chamber music with partners including George Malcolm, Osian Ellis, and Yehudi Menuhin. He premiered flute concertos written for him, by William Mathias, Diana Burrell and Raimundo Pineda. Bennett taught at the Hochschule für Musik Freiburg in Germany and the Royal Academy of Music, and held master classes worldwide. Early life and studies William Ingham Brooke Bennett was born in London to parents who were both architects. He boarded at Beltane School until he was 16, starting his school life as a seven-year-old during the Second World War. He started playing the recorder at the age of 8 and the flute at 12. He studied the flute in London with Geoffrey Gilbert from the age of 15 and went to the Guildhall School of Music and Drama a year later. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elly Ameling
Elisabeth Sara "Elly" Ameling (born 8 February 1933) is a retired Dutch soprano, who was particularly known for lieder recitals and for performing works by Johann Sebastian Bach. Performing with distinguished pianists and ensembles around the globe, she was awarded various honours and recording prizes. Career Ameling was born in Rotterdam where she grew up. She later sang with Pierre Bernac. She won the first prize during the International Vocal Competition 's-Hertogenbosch in the Netherlands (1956) and the ''Concours International de Musique'' in Geneva (1958). After her professional début as a concert singer in Rotterdam in 1953, she performed for more than forty years in virtually every major cultural centre in the world. She appeared with most of the leading international orchestras and conductors, including Seiji Ozawa, André Previn, Wolfgang Sawallisch, Neville Marriner, Karl Münchinger and Edo de Waart. She made her career mainly as a concert and lieder singer with some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum (a combination of harpsichord and organ), clavichord, fortepiano and piano. He also conducted orchestras and choruses. Biography Gustav Leonhardt was born in 's-Graveland, near Hilversum, and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist. Career Leonhardt performed and conducted a variety of solo, chamber, orchestral, operatic, and choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnes Giebel
Agnes Giebel (10 August 1921 – 24 April 2017) was a German classical soprano. She was born in Heerlen, in the Netherlands, where she lived the first years of her life. She studied at the Folkwangschule in Essen and made her first public appearance as a singer in 1947. Her career lasted until the 1990s during which she established a wide-ranging discography. Giebel's repertoire consisted predominantly of sacred works of music such as cantatas, oratorios, passions, and masses and was considered to be one of the greatest Bach singers of her generation. As an interpreter of lieder she often performed with the pianist Sebastian Peschko. She was also known for her performance in Beethoven's Ninth Symphony under the direction of Otto Klemperer. Giebel lived in Cologne. Her daughter, Kristina Kanders, and her granddaughter, Julia Giebel, are also musicians. For the Alois Kottmann Award she was member of the jury panel along composer Richard Rudolf Klein, the violinists Alois K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secco (music)
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe org ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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