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BWV 1111
The Neumeister Collection is a compilation of 82 chorale preludes found in a manuscript copy produced by Johann Gottfried Neumeister (1757–1840). When the manuscript was rediscovered at Yale University in the 1980s it appeared to contain 31 previously unknown early chorale settings by Johann Sebastian Bach, which were added to the BWV catalogue as Nos. 1090–1120, and published in 1985. History Neumeister compiled his manuscript after 1790.Manuscript LM 4708 in Yale University, New Haven, Connecticut (USA); the so-called Neumeister Collection. Accessed 2 March 2014. It has been suggested that the 77 earliest works in the collection may have been copied from a single source, possibly a Bach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Michael Bach
:''To be distinguished from Johann Michael Bach (1745–1820)'' Johann Michael Bach (baptised , Arnstadt, Schwarzburg-Sondershausen – , Gehren) was a German composer of the Baroque period. He was the brother of Johann Christoph Bach, as well as first cousin, once removed and father-in-law of Johann Sebastian Bach (he was the father of J.S. Bach's first wife Maria Barbara Bach). He is sometimes referred to as the "Gehrener Bach" to distinguish him from the "Wuppertaler Bach", Johann Michael Bach (1745–1820).''Hugo Riemann (1849-1919): Leben, Werk und Wirkung'' Michael Arntz - 1999 "Es gab sogar noch einen weiteren bühnentauglichen Schreiber in der Dynastie, Johann Michael Bach hieß er, ... fand sein Auskommen als Musiklehrer eines Gymnasiums im bergischen Elberfeld, heute Wuppertal, wo er 1820 mit 75 Jahren starb." Life Johann Michael was born at Arnstadt, the son of Heinrich Bach, who was the great uncle of Johann Sebastian Bach. In 1673, Johann Michael became the orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott Hat Das Evangelium
Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Oberlausitz, and died in Leipzig at the age of 70.Robert Eitner. " Vopelius, Gottfried", pp. 298–299 in Vol. 40 of ''Allgemeine Deutsche Biographie''. , 1896. ''Neu Leipziger Gesangbuch'' Vopelius is primarily remembered for the ''Neu Leipziger Gesangbuch'' (New Leipzig Hymnal) which he published in 1682. The subtitle of the publication reads: Or, translated: The ''Neu Leipziger Gesangbuch'' is, to a certain degree, a third edition of Johann Schein's , which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the ''Neu Leipziger Gesangbuch'' were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Johann Crüger and Andreas Hammerschmidt are mentioned for more than three se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Freut Euch Lieben Christen Gemein
"", or “Dear Christians, One and All, Rejoice” in English, is a Lutheran hymn, written in 1523 by Martin Luther. It is one of Luther's early hymns and considered by some as one of his finest. It was published as one of eight songs in 1524 in the first Lutheran hymnal, the . The contained four songs by Luther, three by Speratus, and one by Justus Jonas. It appeared also in 1524 in the ''Erfurt Enchiridion''. Apart from the hymn tunes with which it appeared in the ( Zahn No. 4427) and in the ''Erfurt Enchiridion'' (Zahn No. 4428), a third melody, Zahn No. 4429a, was published for the hymn in 1535. Johann Sebastian Bach used both the first and the last of these melodies in his compositions. BWV2a (1998), p. 478 Text 1. Nun freut euch, lieben Christen g’mein, und lasst uns fröhlich springen, dass wir getrost und all in ein mit Lust und Liebe singen, was Gott an uns gewendet hat und seine süße Wundertat; gar teu’r hat er’s erworben. 2. Dem Teufel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herr Christ Der Einig Gottes Sohn
"" (Lord Christ, the Only Son of God) is a Lutheran hymn by Elisabeth Cruciger. Printed in 1524 in the Erfurt ''Enchiridion'', together with 18 hymns by Martin Luther, it is one of the oldest Lutheran hymns. The text combines Lutheran teaching with medieval mysticism. It has been the basis of musical settings such as Bach's chorale cantata . History Apart that Elisabeth Cruciger's authorship has been ascertained, little or nothing is known about the genesis of "Herr Christ, der einig Gotts Sohn". The notion that it was modelled after the Christmas hymn " Corde natus ex parentis" ("Of the Father's Heart Begotten"), repeated, for instance, in Bach-scholarship, lost traction in hymnology. The melody of Cruciger's hymn has some similarity with the tune of "Mein Freud möcht sich wohl mehren" ("My Joy Will Increase"), a secular love song known from the ''Lochamer-Liederbuch'' (1455). "Herr Christ, der einig Gotts Sohn" was first published in 1524, both in the Erfurt ''Enchiridion'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meine Seele Erhebt Dem Herrn
Meine Seele erhebt den Herren (My soul magnifies the Lord) is Martin Luther's translation of the Magnificat canticle. It is traditionally sung to a German variant of the , a rather exceptional psalm tone in Gregorian chant.Lundberg 2012 p. 7-17 The tonus peregrinus (or ninth tone) is associated with the ninth mode or Aeolian mode. For the traditional setting of Luther's German Magnificat that is the minor mode for which the last note of the melodic formula is the tonic, a fifth below its opening note. Traditional setting The tonus peregrinus is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with Psalm 113, traditionally sung in vespers. In Lutheranism, the tonus peregrinus is associated with the Magnificat (also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus peregrinus. Typical for all German variants of the tonus peregrinus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Komm Der Heiden Heiland
A nun is a woman who vows to dedicate her life to religious service, typically living under vows of poverty, chastity, and obedience in the enclosure of a monastery or convent.''The Oxford English Dictionary'', vol. X, page 599. The term is often used interchangeably with religious sisters who do take simple vows but live an active vocation of prayer and charitable work. In Christianity, nuns are found in the Roman Catholic, Oriental Orthodox, Eastern Orthodox, Lutheran, and Anglican traditions, as well as other Christian denominations. In the Buddhist tradition, female monastics are known as Bhikkhuni, and take several additional vows compared to male monastics (bhikkhus). Nuns are most common in Mahayana Buddhism, but have more recently become more prevalent in other traditions. Christianity Catholicism In the Catholic tradition, there are many religious institutes of nuns and sisters (the female equivalent of male monks or friars), each with its own charism or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répertoire International Des Sources Musicales
A repertoire () is a list or set of dramas, operas, musical compositions or roles which a company or person is prepared to perform. Musicians often have a musical repertoire. The first known use of the word ''repertoire'' was in 1847. It is a loanword from the French language, as (), with a similar meaning in the arts. This word, in turn, has its origin in the Late Latin word ''repertorium''. The concept of a basic repertoire has been extended to refer to groups which focus mainly on performing standard works, as in repertory theater or repertoire ballet. See also * setlist – a list of works for a specific performance * playlist – a list of works available to play * signature song A signature (; from la, signare, "to sign") is a Handwriting, handwritten (and often Stylization, stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and ... – a musical composition most associate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Zachow
Friedrich Wilhelm Zachow or Zachau (14 November 1663, Leipzig – 7 August 1712, Halle) was a German musician and composer of vocal and keyboard music. Life Zachow probably received his training from his father, the piper Heinrich Zachow, one of Leipzig's town musicians in the Alta capella, and maybe from Johann Schelle, a leading German composer, when the family moved to Eilenburg. As Kantor and organist of Halle's Market Church in 1684 he succeeded Samuel Ebart. During his time at Halle he became particularly renowned as a composer of dramatic cantatas. In 1695 he was criticized by the pietists because of his excessive long and elaborate music, that could be only appreciated by cantors and organists. Zachow was influenced by Johann Theile in Merseburg and the poetry of Erdmann Neumeister, pastor in the nearby Weissenfels, and his criticism on pietism. Zachow was the teacher of Gottfried Kirchhoff, Johann Philipp Krieger and Johann Gotthilf Ziegler, but is best rememb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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