|
Axtya
In Zoroastrian mythology, Axtya, also spelt Akhtya or Axt ( ae, axtya, pal, Axt), is an evil sorcerer and an opponent of the religion, known for killing those who were not able to answer his riddles. There is a mention of him in the Avesta, where the hero Yōišta of the Fryāna family (Middle Persian: ') performs a sacrifice to the goddess Aredvi Sura Anahita, who grants him the boon of being able to answer Axtya's 99 questions. This story is elaborated at greater length in the mediaevalThe main manuscript that the English translation was made from, dates from the 14th century . Pahlavi text '. There Axtya threatens to destroy a certain city unless a righteous man comes out and solves his riddles. Yōšt steps forward for this task, and with some divine assistance manages to answer all of Axtya's 33 questions, after which he asks three questions of his own. Unable to answer them, Axtya seeks help from Ahriman, who refuses to reveal the answers. Axtya then admits defeat and is ritua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoroastrian
Zoroastrianism is an Iranian religion and one of the world's oldest organized faiths, based on the teachings of the Iranian-speaking prophet Zoroaster. It has a dualistic cosmology of good and evil within the framework of a monotheistic ontology and an eschatology which predicts the ultimate conquest of evil by good. Zoroastrianism exalts an uncreated and benevolent deity of wisdom known as '' Ahura Mazda'' () as its supreme being. Historically, the unique features of Zoroastrianism, such as its monotheism, messianism, belief in free will and judgement after death, conception of heaven, hell, angels, and demons, among other concepts, may have influenced other religious and philosophical systems, including the Abrahamic religions and Gnosticism, Northern Buddhism, and Greek philosophy. With possible roots dating back to the 2nd millennium BCE, Zoroastrianism enters recorded history around the middle of the 6th century BCE. It served as the state religion of the ancient I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddle Contest
A riddle is a statement, question or phrase having a double or veiled meaning, put forth as a puzzle to be solved. Riddles are of two types: ''enigmas'', which are problems generally expressed in metaphorical or allegorical language that require ingenuity and careful thinking for their solution, and ''conundra'', which are questions relying for their effects on punning in either the question or the answer. Archer Taylor says that "we can probably say that riddling is a universal art" and cites riddles from hundreds of different cultures including Finnish, Hungarian, American Indian, Chinese, Russian, Dutch and Filipino sources amongst many others. Many riddles and riddle-themes are internationally widespread. In the assessment of Elli Köngäs-Maranda (originally writing about Malaitian riddles, but with an insight that has been taken up more widely), whereas myths serve to encode and establish social norms, "riddles make a point of playing with conceptual boundaries and cross ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the ''Vendidad'' and the ''Visperad''. The ''Visperad'' extensions consist mainly of addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasht
The Yashts are a collection of twenty-one hymns in the Younger Avestan language. Each of these hymns invokes a specific Zoroastrian divinity or concept. ''Yasht'' chapter and verse pointers are traditionally abbreviated as ''Yt.'' Overview The word ''yasht'' derives from Middle Persian 𐭩𐭱𐭲 yašt (“prayer, worship”) probably from Avestan ''𐬫𐬀𐬱𐬙𐬀'' (yašta, “honored”), from ''𐬫𐬀𐬰'' (yaz, “to worship, honor”), from Proto-Indo-European ''*yeh₂ǵ-'' or ''*Hyaǵ-'', and several hymns of the ''Yasna'' liturgy that "venerate by praise" are—in tradition—also nominally called ''yasht''s. These "hidden" Yashts are: the '' Barsom Yasht'' (''Yasna'' 2), another '' Hom Yasht'' in ''Yasna'' 9–11, the ''Bhagan Yasht'' of ''Yasna'' 19–21, a hymn to Ashi in ''Yasna'' 52, another Sarosh ''Yasht'' in ''Yasna'' 57, the praise of the (hypostasis of) "prayer" in ''Yasna'' 58, and a hymn to the Ahurani in ''Yasna'' 68. Since these are a part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aredvi Sura Anahita
Anahita is the Old Persian form of the name of an Iranian goddess and appears in complete and earlier form as ('), the Avestan language, Avestan name of an Indo-Iranian languages, Indo-Iranian cosmological figure venerated as the divinity of "the Waters" (Aban) and hence associated with fertility, healing and wisdom. There is also a temple named Anahita in Iran. Aredvi Sura Anahita is ''Ardwisur Anahid'' (اردویسور آناهید ) or ''Nahid'' (ناهید) in Middle Persian, Middle and Persian language, Modern Persian, and ''Anahit'' in Armenian language, Armenian. An iconic shrine cult of Aredvi Sura Anahita was – together with other shrine cults – "introduced apparently in the 4th century BCE and lasted until it was suppressed in the wake of an iconoclastic movement under the Sassanid Empire, Sassanids.". The symbol of goddess Anahita is the Lotus flower. Lotus Festival (Persian: Jashn-e Nilupar) is an Iranian festival that is held on the sixth day of July. Holdin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pahlavi Literature
Middle Persian literature is the corpus of written works composed in Middle Persian, that is, the Middle Iranian dialect of Persia proper, the region in the south-western corner of the Iranian plateau. Middle Persian was the prestige dialect during the era of Sassanid dynasty. The rulers of the Sassanid Empire (224–654 CE) were natives of that south-western region, and through their political and cultural influence, Middle Persian became a prestige dialect and thus also came to be used by non-Persian Iranians. Following the Arab conquest of the Sassanian Empire in the 7th century, shortly after which Middle Persian began to evolve into New Persian, Middle Persian continued to be used by the Zoroastrian priesthood for religious and secular compositions. These compositions, in the Aramaic-derived Book Pahlavi script, are traditionally known as "Pahlavi literature". The earliest texts in Zoroastrian Middle Persian were probably written down in late Sassanid times (6th–7th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahriman
Angra Mainyu (; Avestan: 𐬀𐬢𐬭𐬀⸱𐬨𐬀𐬌𐬥𐬌𐬌𐬎 ''Aŋra Mainiiu'') is the Avestan-language name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of the Spenta Mainyu, the "holy/creative spirits/mentality", or directly of Ahura Mazda, the highest deity of Zoroastrianism. The Middle Persian equivalent is Ahriman 𐭠𐭧𐭫𐭬𐭭𐭩 (anglicised pronunciation: ). The name can appear in English-language works as Ahrimanes. In the Avesta In Zoroaster's revelation Avestan ''angra mainyu'' "seems to have been an original conception of Zoroaster's." In the Gathas, which are the oldest texts of Zoroastrianism and are attributed to Zoroaster, ''angra mainyu'' is not yet a proper name.Proper names are altogether rare in the Gathas. In these texts, even Ahura Mazda and Amesha Spenta are not yet proper names. In the one instance in these hymns where the two words appear together, the concep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Indo-European Society
Proto-Indo-European society is the reconstructed culture of Proto-Indo-Europeans, the ancient speakers of the Proto-Indo-European language, ancestor of all modern Indo-European languages. Scientific approaches Many of the modern ideas in this field involve the unsettled Indo-European homeland debate about the precise origins of the language itself. There are four main approaches researchers have employed in their attempts to study this culture: *Historical linguistics (especially comparative linguistics): interpretations based on the reconstruction and identification of words and formulae (those cited ''*thus'' on this page, with a preceding asterisk) which formed part of the vocabulary of the Proto-Indo-European language. These are reconstructed on the basis of sound laws and shared grammatical structures; the definitions hereunder given for the roots should be read as "connotations" (the concepts associated with a word that were inherited in the daughter languages), close to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nordic Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odin
Odin (; from non, Óðinn, ) is a widely revered Æsir, god in Germanic paganism. Norse mythology, the source of most surviving information about him, associates him with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the Runes, runic alphabet, and depicts him as the husband of the goddess Frigg. In wider Germanic mythology and paganism, the god was also known in Old English as ', in Old Saxon as , in Old Dutch as ''Wuodan'', in Old Frisian as ''Wêda'', and in Old High German as , all ultimately stemming from the Proto-Germanic language, Proto-Germanic theonym *''Wōðanaz'', meaning 'lord of frenzy', or 'leader of the possessed'. Odin appears as a prominent god throughout the recorded history of Northern Europe, from the Roman occupation of regions of Germania (from BCE) through movement of peoples during the Migration Period (4th to 6th centuries CE) and the Viking Age (8th to 11th centuries CE). In the modern pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vafþrúðnir
Vafþrúðnir (Old Norse: ; "mighty weaver"Orchard (1997:170).) is a wise jötunn in Norse mythology. His name comes from ''Vaf'', which means weave or entangle, and ''thrudnir'', which means strong or mighty. Some interpret it to mean "mighty in riddles". Du Chaillu, P. B. (1889). It may be anglicized Vafthruthnir or Vafthrudnir. In the Poetic Edda poem ''Vafþrúðnismál'', Vafþrúðnir acts as (the disguised) Odin's host and opponent in a deadly battle of wits that results in Vafþrúðnir's defeat. Characterization A small portion of Poetic Edda provides some context and description of Vafthrudnir. While contemplating his visit to the giant, Odin's wife Frigg offers a warning for him to be wary of this particular giant because, "Amid all the giants an equal in might, To Vafthruthnir know I none."Vafþrúðnismál, tr. Henry Adams Bellows, at Wikisource At this point however Odin has already insisted, And Vafthruthnir fain would find; fit wisdom old with the giant wise My ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vafþrúðnismál
''Vafþrúðnismál'' (Old Norse: "The Lay of Vafþrúðnir") is the third poem in the ''Poetic Edda''. It is a conversation in verse form conducted initially between the Æsir Odin and Frigg, and subsequently between Odin and the jötunn Vafþrúðnir. The poem goes into detail about the Norse cosmogony and was evidently used extensively as a source document by Snorri Sturluson in the construction of the ''Prose Edda'' who quotes it. The poem is preserved in Codex Regius and partially in AM 748 I 4to. There are preservation problems relating to stanzas 40-41. ''Vafþrúðnismál'' is believed to be a 10th century poem.''Norse Mythology A to Z'' p.111 Synopsis The lay commences with Odin asking advice and directions of Frigg as to whether it would be wise to seek out the hall of Vafþrúðnir Vafþrúðnir (Old Norse: ; "mighty weaver"Orchard (1997:170).) is a wise jötunn in Norse mythology. His name comes from ''Vaf'', which means weave or entangle, and ''thrudnir'', which mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_p012_BAKU%2C_FIRE_TEMPLE_(cropped).jpg "Click for more on -> Zoroastrian")
