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Augustin Blondel De Gagny
Augustin Blondel de Gagny (; March 1695 – 9 July 1776) was a French connoisseur of the arts and a collector whose series of Paris auction sales, which took place soon after his death were high-water marks of the history of collecting in 18th-century France. Paintings and sculptures that passed through Blondel de Gagny's collection are dispersed in many of the world's great museums. The prints from his collection are less easily traced. Biography His father, Joseph Blondel, was ''conseiller'' and general treasurer at the Bâtiments du roi, the establishment in charge of building and maintaining the royal buildings and parks. Joseph purchased the château de Gagny from its Billy heirs in 1706; though it was purchased by the creditors of his estate in 1716, Augustin Blondel de Gagny retained its name. Augustin married Marguerite-Henriette Barbier, who predeceased him. Due in part to the confidence in his competence shown by Jean-Baptiste de Machault d'Arnouville, from 1750 August ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercure De France
The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. should not be confused with another literary magazine, the (1823–1830). The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. The name refers to the god Mercury, the messenger of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Ter Borch
Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer. Biography Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic. He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that Ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in a pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master
In art history, "Old Master" (or "old master")Old Masters Department Christies.com. refers to any of skill who worked in Europe before about 1800, or a painting by such an artist. An "" is an original print (for example an or |
Pierre Verlet
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Abbé Pierre, Henri Marie Joseph Grouès (1912–2007), French Catholic priest who founded the Emmaus Movement * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Coustou The Elder
Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Life Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the Academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sèvres Porcelain
Sèvres (, ) is a commune in the southwestern suburbs of Paris, France. It is located from the centre of Paris, in the Hauts-de-Seine department, Île-de-France region. The commune, which had a population of 23,251 as of 2018, is known for its famous porcelain production at the ''Manufacture nationale de Sèvres'', which was also where the Treaty of Sèvres (1920) was signed. Geography Situation Sèvres is a commune in the western suburbs of Paris, to the southwest of the centre of Paris, with an eastern edge by the river Seine. The commune borders Île Seguin, an island in the Seine, in the commune of Boulogne-Billancourt, adjoining Sèvres. File:Map commune FR insee code 92072.png, Map of the commune File:Sèvres map.svg, View of the commune of Sèvres in red on the map of Paris and the "Petite Couronne" File:SEVRES - L'Embarcadaire.jpg, Banks of the Seine in the early 20th century. At that time, the river was an important transportation axis; river shuttles can be see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincennes Porcelain
The Vincennes porcelain manufactory was established in 1740 in the disused royal Château de Vincennes, in Vincennes, east of Paris, which was from the start the main market for its wares. History The entrepreneur in charge at first, Claude-Humbert Gérin, established workshops and employed craftsmen from the Chantilly manufactory, whose patron, the duc de Bourbon, had recently died. Notable defectors from Chantilly were the debt-ridden brothers Gilles and Robert Dubois, one a sculptor, the other a painter. When early trial pieces were shown to the marquis du Châtelet, he arranged with Orry de Fulvy, brother of a superintendent of royal buildings, that a factory be set up in the premises of the disused royal château to manufacture a brilliantly white soft-paste porcelain. The Chinese manufacturing secrets for porcelain manufacturing were revealed by the Jesuit Father Francois Xavier d'Entrecolles in 1712, and openly published in 1735. One ingredient for porcelain was kaolin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Cressent
Charles Cressent (1685–1768) was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style. As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of Amiens, who also became a sculptor, he inherited tastes, skills and aptitudes which contributed to his success as an artist. Even more important, perhaps, was the fact that he was a pupil of André Charles Boulle. Cressent's distinction is closely connected with the regency, but his earlier work had affinities with the school of Boulle, while his later pieces were full of originality. As Geoffrey Bellaigue suggests, "Cressent was in his opinion and in that of his contemporaries more than just a skilled cabinet maker and sculptor...he was a collector of refined taste and a talented designer". Cressent was also a sculptor, and among his work is a bronze bust of Louis d'Orléans, Duke of Chartres, the son of Philippe d'Orléans, Duke of Orléans (later R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard II Van Risamburgh
Bernard II van Risamburgh, sometimes Risen Burgh (working by c 1730 — before February 1767) was a Parisian ''ébéniste'' of Dutch and French extraction, one of the outstanding cabinetmakers working in the Rococo style. "Bernard II's furniture is brilliant in almost every respect. His carcasses are beautifully shaped, his mounts and marquetry are always in complete balance even when extremely elaborate, and there is a logic to his works that allows the eye to comprehend them effortlessly," wrote Ted Dell. His father, Bernard I van Risamburgh (died 1738), born in Groningen, was already working in Paris in 1696, when he was living in the heart of the furniture-making district, the Faubourg Saint-Antoine, and was marrying a Frenchwoman. Bernard II's initials BVRB stamped into the carcasses of his furniture, as was the requirement under the regulations of the Paris guild, long masked his actual identity, though the quality of work bearing the stamp ''Burb'' showed that the unidentif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ébéniste
''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Golle, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations the application of painted varnishes, generically called '' vernis Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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