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Auguste Vianesi
Auguste Charles Léonard François Vianesi (2 November 1837 – 4 November 1908) was an opera conductor, born in Italy and later naturalised French. His repertoire consisted mostly of French and Italian opera, in which he directed some of the world's great singers including Pauline Viardot, Christina Nilsson, Marcella Sembrich, the brothers Edouard and Jean de Reszke, and Feodor Chaliapin in the opera houses of London, Paris, Melbourne, St. Petersburg, Boston and New York. He retired around the time when sound recording became commercially available, and he seems not to have left any recorded legacy. Life He was born in Legnano,Some sources say Livorno, possibly confused by 'Leghorn', its English translation. northern Italy. His father was probably named either Giovanni or Augusto. He studied music on the advice of Giovanni Pacini and Theodor Döhler. In 1857, he went to Paris to complete his musical training, armed with a letter of introduction to Gioachino Rossini from the famed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Viardot
Pauline Viardot (; 18 July 1821 – 18 May 1910) was a nineteenth-century French mezzo-soprano, pedagogue and composer of Spanish descent. Born Michelle Ferdinande Pauline García, her name appears in various forms. When it is not simply "Pauline Viardot", it most commonly appears in association with her maiden name García or the unaccented form, Garcia. This name sometimes precedes Viardot and sometimes follows it. Sometimes the words are hyphenated; sometimes they are not. She achieved initial fame as "Pauline García"; the accent was dropped at some point, but exactly when is not clear. After her marriage, she referred to herself simply as "Mme Viardot". She came from a musical family and took up music at a young age. She began performing as a teenager and had a long and illustrious career as a star performer. Early life Michelle Ferdinande Pauline García Sitches was born in Paris. Her father, Manuel, a tenor, was a Spanish singing teacher, composer and impresario. Her m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchester
Manchester () is a city in Greater Manchester, England. It had a population of 552,000 in 2021. It is bordered by the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The two cities and the surrounding towns form one of the United Kingdom's most populous conurbations, the Greater Manchester Built-up Area, which has a population of 2.87 million. The history of Manchester began with the civilian settlement associated with the Roman fort ('' castra'') of ''Mamucium'' or ''Mancunium'', established in about AD 79 on a sandstone bluff near the confluence of the rivers Medlock and Irwell. Historically part of Lancashire, areas of Cheshire south of the River Mersey were incorporated into Manchester in the 20th century, including Wythenshawe in 1931. Throughout the Middle Ages Manchester remained a manorial township, but began to expand "at an astonishing rate" around the turn of the 19th century. Manchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey, Schoeffel And Grau
Abbey, Schoeffel and Grau was a US theatre management and production firm, active from 1880 until 1896. The partners were Henry E. Abbey, John B. Schoeffel and Maurice Grau. Abbey and Schoeffel had been in partnership since 1876, and joined forces with Grau in 1882. They managed and ran a number of theatres in New York and Boston, including the Metropolitan Opera House ("the old Met") in 1883-4 and from 1891 to 1896, when Abbey died. Schoeffel and Grau remained at the Met until 1903. Although individual biographies may individually credit them with bringing various singing, instrumental and acting stars to the US, the overall credit can be shared by all three, acting as a successful partnership for some sixteen years. Grau and Schoeffel had their own success from 1896 until 1903. History Henry Abbey and John Schoeffel became partners in the theatre business in 1876, Abbey dealing with the artiste management and Schoeffel looking after the business side. They began by hiring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera House (39th Street)
The Metropolitan Opera House was an opera house located at 1411 Broadway in Manhattan, New York City. Opened in 1883 and demolished in 1967, it was the first home of the Metropolitan Opera Company. History The Metropolitan Opera Company was founded in 1883. The Metropolitan Opera House (also known as "the old Met"), opened on October 22, 1883, with a performance of ''Faust''. It was located at 1411 Broadway, occupying the whole block between West 39th Street and West 40th Street on the west side of the street in the Garment District of Midtown Manhattan. Nicknamed "The Yellow Brick Brewery" for its industrial looking exterior, the original Metropolitan Opera House was designed by J. Cleaveland Cady. On August 27, 1892, the nine-year-old theater was gutted by fire. The 1892−93 season was canceled while the opera house was rebuilt along its original lines. During that season, the Vaudeville Club, which eventually became the Metropolitan Opera Club, was founded and hosted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nilsson Ch02
Nilsson is a Swedish surname and the fourth most common surname in Sweden. The name is a patronymic meaning "Nils's son". Nils was a very common name, especially in 19th century Sweden. Geographical distribution As of 2014, 89.8% of all known bearers of the surname ''Nilsson'' were residents of Sweden, 2.6% of the United States, 2.0% of Denmark and 1.4% of Norway. In Sweden, the frequency of the surname was higher than national average (1:58) in the following counties: * 1. Skåne (1:26) * 2. Blekinge (1:30) * 3. Kalmar (1:33) * 4. Värmland (1:37) * 5. Norrbotten (1:38) * 6. Halland (1:39) * 7. Kronoberg (1:39) * 8. Jämtland (1:46) * 9. Gotland (1:46) * 10. Västerbotten (1:52) People * Anders Nilsson (other) * Andreas Nilsson (other) * Anna Q. Nilsson (1888–1974), a Swedish actor * Anton Nilson (1887–1989), a Swedish Communist, active in the Russia Revolution * Aurora Nilsson (1894–1972), a Swedish writer * Bengt Nilsson (born 1954), a Swedish actor * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi De Lahore
''Le roi de Lahore'' ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV). ''Le roi de Lahore'' is the third of Massenet's operas produced in Paris and was his first major success there, spawning performances across Europe and leading to his place as one of the most popular composers of his time. Performance history Within a year of the premiere the opera was performed, for instance, in Turin, Rome, Bologna, and Venice. The Royal Opera House, Covent Garden, presented it in London in 1879, and in 1906 it premiered in Monte Carlo. The US premiere took place in 1883 at the French Opera H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Gomes
Antonio is a masculine given name of Etruscan language, Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony (given name), Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito (name), Antoñito, Antonino (name), Antonino, Antonello (name), Antonello, Tonio (name), Tonio, Tono (other), Tono, Toño, Toñín, Tonino (other), Tonino, Nantonio, Ninni, Toto (other), Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito (name), Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Weber, and Verdi, but probably is most remembered today for having given the first performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
